“None of it is real, though, because reality lies in a different, more evanescent realm. These are only the names of some of the places in the archipelago of dreams. The true reality is the one you perceive around you, or that which you are fortunate enough to imagine for yourself.”
― Christopher Priest, quote from The Islanders
“The dream-state of the Archipelago, which is what we islanders most respond to, and least wish to see changed, seems likely to continue without interference for a long time to come.”
― Christopher Priest, quote from The Islanders
“...an incomplete listing of anything reveals that a selection has been made, and any act of selection is of course political.”
― Christopher Priest, quote from The Islanders
“The true reality is the one you perceive around you, or that which you are fortunate enough to imagine for yourself.”
― Christopher Priest, quote from The Islanders
“Less welcome to the people of Paneron is the STIFLER, a humid wind that brings the allergenic pollen of carp-weed bushes from nearby unpopulated islands.”
― Christopher Priest, quote from The Islanders
“To aspire to life forever would be to acquire living at the expense of life.”
― Christopher Priest, quote from The Islanders
Christopher Priest
Born place: in Cheadle, England, The United Kingdom
Born date July 14, 1943
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“And once when we were walking on Bredon Hill, we met a bedraggled and exhausted fox. 'Oh, poor thing,' Jack said. 'What shall we do when the hunt comes up? I can already hear them. Oh, I know -- I have an idea.' He cupped his hands and shouted to the first riders, "Hallo, yoicks, gone that way," and pointed in the direction opposite to the one the fox had taken. The whole hunt followed his directions. There followed a long discussion about when lying was morally justifiable, but he boasted delightedly later to my wife that he had saved the life of a poor fox and showed no trace of guilt.”
― quote from Jack: A Life of C. S. Lewis
“¿Cómo decía Sherlock Holmes? Es un error capital formular una teoría antes de tener los indicios correspondientes. Inconscientemente, se empiezan a tergiversar los hechos para que encajen con las teorías, en vez de que las teorías encajen con los hechos.”
― Kerstin Gier, quote from Dream a Little Dream
“His blue eyes drilled into me. “Why are you doing this?”
I shrugged uncomfortably. “I don’t know.”
He shook his head once like that wasn’t good enough. “Why are you here?”
His fingers shifted, the tips sending hot little sparks up my arm. He should look ridiculous with the blue washcloth covering half his face, but he didn’t. He looked human and male and all too vulnerable right then.
“Because you need someone.”
― Sophie Jordan, quote from Foreplay
“The glass was old. Leaded. Imperfect. And it was the imperfections that were creating the play of light.”
― Louise Penny, quote from The Beautiful Mystery
“In this sense the Dionysian man resembles Hamlet: both have once looked truly into the essence of things, they have gained knowledge, and nausea inhibits action; for their action could not change anything in the eternal nature of things; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint. Knowledge kills action; action requires the veils of illusion: that is the doctrine of Hamlet, not that cheap wisdom of Jack the Dreamer who reflects too much and, as it were, from an excess of possibilities does not get around to action. Not reflection, no--true knowledge, an insight into the horrible truth, outweighs any motive for action, both in Hamlet and in the Dionysian man.
Now no comfort avails any more; longing transcends a world after death, even the gods; existence is negated along with its glittering reflection in the gods or in an immortal beyond. Conscious of the truth he has once seen, man now sees everywhere only the horror or absurdity of existence; now he understands what is symbolic in Ophelia's fate; now he understands the wisdom of the sylvan god, Silenus: he is nauseated.
Here, when the danger to his will is greatest, art approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live: these are the sublime as the artistic taming of the horrible, and the comic as the artistic discharge of the nausea of absurdity. The satyr chorus of the dithyramb is the saving deed of Greek art; faced with the intermediary world of these Dionysian companions, the feelings described here exhausted themselves.”
― Friedrich Nietzsche, quote from The Birth of Tragedy/The Case of Wagner
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