Quotes from Updraft

Fran Wilde ·  352 pages

Rating: (2.5K votes)


“On a morning like this, fear is a blue sky emptied of birds.”
― Fran Wilde, quote from Updraft


“I tried to quash my anger and fear. If I was being set up to fail, then I would fail spectacularly.”
― Fran Wilde, quote from Updraft


“I had become an arrow of sound aimed at the most terrible creature in the city.”
― Fran Wilde, quote from Updraft


“Singers say ‘tradition’ when they don’t want to explain.” “It’s more than that.” Wik shook his head, struggling for patience. “It’s about our history. About how people work. Traditions hold the city together, like the bridges do the towers. Once, we had no traditions. Only fear and loss.” There”
― Fran Wilde, quote from Updraft


“I did—and if my stomach hadn’t been emptier than the sky before a migration, I might have been sick with it.”
― Fran Wilde, quote from Updraft



“An einem Morgen wie diesem war Furcht ein blauer Himmel, von dem alle Vögel verschwunden waren.”
― Fran Wilde, quote from Updraft


“Worse, I had yet to go into open sky since the migration. The thought, even though the Singers had declared the skymouths gone for now and the skies safe, made my dinner feel like a pannier full of guano. Elna”
― Fran Wilde, quote from Updraft


“This was why Singers clung to tradition. To Laws. Surprises conflicted too much with duty. Sellis”
― Fran Wilde, quote from Updraft


About the author

Fran Wilde
Born place: Philadelphia, The United States
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“Interpretation first appears in the culture of late classical antiquity, when the power and credibility of myth had been broken by the “realistic” view of the world introduced by scientific enlightenment. Once the question that haunts post-mythic consciousness—that of the seemliness of religious symbols—had been asked, the ancient texts were, in their pristine form, no longer acceptable. Then interpretation was summoned, to reconcile the ancient texts to “modern” demands. Thus, the Stoics, to accord with their view that the gods had to be moral, allegorized away the rude features of Zeus and his boisterous clan in Homer’s epics. What Homer really designated by the adultery of Zeus with Leto, they explained, was the union between power and wisdom. In the same vein, Philo of Alexandria interpreted the literal historical narratives of the Hebrew Bible as spiritual paradigms. The story of the exodus from Egypt, the wandering in the desert for forty years, and the entry into the promised land, said Philo, was really an allegory of the individual soul’s emancipation, tribulations, and final deliverance. Interpretation thus presupposes a discrepancy between the clear meaning of the text and the demands of (later) readers. It seeks to resolve that discrepancy. The situation is that for some reason a text has become unacceptable; yet it cannot be discarded. Interpretation is a radical strategy for conserving an old text, which is thought too precious to repudiate, by revamping it. The interpreter, without actually erasing or rewriting the text, is altering it. But he can’t admit to doing this. He claims to be only making it intelligible, by disclosing its true meaning. However far the interpreters alter the text (another notorious example is the Rabbinic and Christian “spiritual” interpretations of the clearly erotic Song of Songs), they must claim to be reading off a sense that is already there.”
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