“I wanted to leave the whole war behind me, and yet I was seeing something on that battlefield that demanded commemoration. It was unholy ground, but I wanted to thank God for showing it to me. I would never again look at a man without wondering what crimes he was capable of committing. That seemed important to know.”
― Robert Hicks, quote from The Widow of the South
“Made me wonder whether putting names to time made much of a difference anyway. What did it measure? Not how much life passes. Hell no. Your whole life can pass and be changed in a second or in a century. Don’t matter.”
― Robert Hicks, quote from The Widow of the South
“Until I get the keys to the Kingdom, Lord, I ain't giving up.”
― Robert Hicks, quote from The Widow of the South
“Had the Battle of Franklin ever really ended? Carrie walked her cemetery, and around her the wounds closed up and scarred over, but only in that way that an oak struck by lightning heals itself by twisting and bending around the wound: it is still recognizably a tree, it still lives as a tree, it still puts out its leaves and acorns, but its center, hidden deep within the curtain of green, remains empty and splintered where it hasn't been grotesquely scarred over. We are happy the tree hasn't died, and from the proper angle we can look on it and suppose that it is the same tree as it ever was, but it is not and never will be.”
― Robert Hicks, quote from The Widow of the South
“The only glory to be had was the glory of surviving.”
― Robert Hicks, quote from The Widow of the South
“Through the late afternoon and into the evening, there were more casualties those five hours at Franklin than in the nineteen hours of D-Day—and more than twice as many casualties as at Pearl Harbor. There were moments so bloody and overwhelming that even the enemy wept. When a fourteen-year-old Missouri drummer boy—a mascot of Cockrell’s Brigade—charged up to a loaded and primed Ohio cannon and shoved a fence rail into its mouth, witnesses said the child turned into what was described as the “mist of a ripe tomato.”
― Robert Hicks, quote from The Widow of the South
“You only had to be in one fight to know what a beautiful thing a trench could be. The first minié ball whizzes by your head, and you’re a digging man evermore.”
― Robert Hicks, quote from The Widow of the South
“You can get so that every step, every little obstacle on the battlefield, becomes so big that you can’t see much past it, and when you do get past, it’s sometimes hard to remember what the hell you were supposed to be doing.”
― Robert Hicks, quote from The Widow of the South
Robert Hicks
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“The road to Epidaurus is like the road to creation. One stops searching. One grows silent, stilled by the hush of mysterious beginnings. If one could speak one would become melodious. There is nothing to be seized or reassured or cornered off here: there is only a breaking down of the walls which lock the spirit in. The landscape does not recede, it installs itself in the open places of the heart j it crowds in, accumulates, dispossesses. You are no longer riding through something—call it Nature, if you will—but participating in a rout, a rout of the forces of greed, malevolence, envy, selfishness, spite, intolerance, pride, arrogance, cunning, duplicity and so on.
It is the morning of the first day of the great peace, the peace of the heart, which comes with surrender, I never knew the meaning of peace until I arrived at Epidaurus. Like everybody I had used the word all my life, without once realizing that I was using a counterfeit.”
― Henry Miller, quote from The Colossus of Maroussi
“Love her extraordinarily. This is the heart of great fathering. Chapter”
― quote from Strong Fathers, Strong Daughters: 10 Secrets Every Father Should Know
“Existe un algo grande y espantoso en el suicidio. Las caídas de muchas personas no son peligrosas, son como las de los niños, que caen tan a ras del suelo que no se hacen daño; mas cuando un gran hombre se estrella, ha de venir de muy alto, haberse elevado hasta los cielos, haber entrevisto algún paraíso inaccesible. ¡Cuán implacables han de ser los huracanes que le fuerzan a pedir la paz del alma a la boca de una pistola! ¡Cuántos talentos jóvenes encerrados en una buhardilla languidecen y mueren por falta de un amigo, de una mujer consoladora, en el seno de un millón de seres, en presencia de una muchedumbre harta de oro y que se aburre!”
― Honoré de Balzac, quote from The Wild Ass's Skin
“I could wish to spy the nakedness of their hearts, and through the different disguises of customs, climates, and religion, find out what is good in them, to fashion my own by. It is for this reason that I have not seen the Palais Royal - nor the facade of the Louvre - nor have attempted to swell the catalogues we have of pictures, statues, and churches - I conceive every fair being as a temple, and would rather enter in, and see the original drawings and loose sketches hung up in it, than the Transfiguration of Raphael itself.”
― Laurence Sterne, quote from A Sentimental Journey
“CORY: You ain't never gave me nothing! You ain't never done nothing but hold me back. Afraid I was gonna be better than you. All you ever did was try and make me scared of you. I used to tremble every time you called my name. Every time I heard your footsteps in the house. Wondering all the time...what's Papa gonna say if I do this?...What's he gonna say if I do that?...What's Papa gonna say if I turn on the radio? And Mama, too...she tries...but she's scared of you.”
― August Wilson, quote from Fences
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