“An interesting thing happened today,” she said, giving me just enough time to get the word “hi” out of my mouth. “I opened the front door and there was a man on my doorstep. A big man. A very big, very black man.”
“Rachel —”
“You said it would be discreet. His T–shirt had the words ‘Klan Killer’ written on the front.”
“I —”
“And do you know what he said?”
I waited.
“He handed me a note from Louis and told me he was lactose intolerant. That was it. Note. Lactose intolerant. Nothing else. He’s coming to the reading with me. It was all I could do to get him to change his T–shirt. The new one reads ‘Black Death.’ I’m going to tell people it’s a rap band. Do you think it’s a rap band?”
I figured it was probably his occupation, but I didn’t say that. Instead, I said the only thing I could think of to say.
“Maybe you’d better buy some soy milk.”
She hung up without saying good–bye.”
― John Connolly, quote from The White Road
“You still carrying an arsenal in the trunk of your car?”
“Why, you need something?”
“No, but if your car is hit by lightning I’ll know where my lawn went.”
― John Connolly, quote from The White Road
“So what you gonna do?”
“Push a stick into the beehive and rustle up some bees. The Larousses are hosting a party today. I think we should avail ourselves of their hospitality.”
“We got an invite?”
“Has not having one ever stopped us before?”
“No, but sometimes I just like to be invited to shit, you know what I’m sayin’, instead of havin’ to bust in, get threatened, irritate the nice white folks, put the fear of the black man on them.”
He paused, seemed to think for a while about what he had just said, then brightened.
“Sounds good, doesn’t it?” I said.
“Real good,” he agreed.”
― John Connolly, quote from The White Road
“I have found in the past that what passes for coincidence is usually life’s way of telling you that you’re not paying enough attention.”
― John Connolly, quote from The White Road
“THE AFRO-AMERICAN HAS BEEN HEIR TO THE MYTHS THAT IT IS BETTER TO BE POOR THAN RICH, LOWER-CLASS RATHER THAN MIDDLE OR UPPER, EASYGOING RATHER THAN INDUSTRIOUS, EXTRAVAGANT RATHER THAN THRIFTY AND ATHLETIC RATHER THAN ACADEMIC.”
― John Connolly, quote from The White Road
“So, how we doin'?"
"Same as usual: dead people, a mystery, more dead people."
"Who we lost?"
"The boy. His guardians. Maybe Elliot Norton."
"Shit, don't sound like we got anybody left. Anyone hires you better leave you your fee in their will.”
― John Connolly, quote from The White Road
“Whenever I would get too nosy as a child, my grandmother would say, "When you learn someone else's secret, your own secrets aren't safe. Dig up one, release them all.”
― Sarah Addison Allen, quote from The Peach Keeper
“Maria mi si è sdraiata accanto. - Ho paura.
- Loro hanno paura.
- Perchè?
- Perchè urlano.”
― Niccolò Ammaniti, quote from I'm Not Scared
“Great love, you believe, carries the seeds of great sorrow.”
― Anne Fortier, quote from Juliet
“Tenways showed his rotten teeth. ‘Fucking make me.’
‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’
Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’
And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea.
‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’
‘So what?’
‘So shall I draw?”
― Joe Abercrombie, quote from The Heroes
“Muriel sprinkled salt over her haddock mousse. ‘It is not easy to be specific, but both morally and hygienically there is . . . a kind of laxness which I had not expected.’ Dr Lightbody leant forward. The discussion of hygienic and moral laxness with a beautiful woman in a softly shaded restaurant was exactly to his taste.”
― Eva Ibbotson, quote from A Countess Below Stairs
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