“An interesting thing happened today,” she said, giving me just enough time to get the word “hi” out of my mouth. “I opened the front door and there was a man on my doorstep. A big man. A very big, very black man.”
“Rachel —”
“You said it would be discreet. His T–shirt had the words ‘Klan Killer’ written on the front.”
“I —”
“And do you know what he said?”
I waited.
“He handed me a note from Louis and told me he was lactose intolerant. That was it. Note. Lactose intolerant. Nothing else. He’s coming to the reading with me. It was all I could do to get him to change his T–shirt. The new one reads ‘Black Death.’ I’m going to tell people it’s a rap band. Do you think it’s a rap band?”
I figured it was probably his occupation, but I didn’t say that. Instead, I said the only thing I could think of to say.
“Maybe you’d better buy some soy milk.”
She hung up without saying good–bye.”
― John Connolly, quote from The White Road
“You still carrying an arsenal in the trunk of your car?”
“Why, you need something?”
“No, but if your car is hit by lightning I’ll know where my lawn went.”
― John Connolly, quote from The White Road
“So what you gonna do?”
“Push a stick into the beehive and rustle up some bees. The Larousses are hosting a party today. I think we should avail ourselves of their hospitality.”
“We got an invite?”
“Has not having one ever stopped us before?”
“No, but sometimes I just like to be invited to shit, you know what I’m sayin’, instead of havin’ to bust in, get threatened, irritate the nice white folks, put the fear of the black man on them.”
He paused, seemed to think for a while about what he had just said, then brightened.
“Sounds good, doesn’t it?” I said.
“Real good,” he agreed.”
― John Connolly, quote from The White Road
“I have found in the past that what passes for coincidence is usually life’s way of telling you that you’re not paying enough attention.”
― John Connolly, quote from The White Road
“THE AFRO-AMERICAN HAS BEEN HEIR TO THE MYTHS THAT IT IS BETTER TO BE POOR THAN RICH, LOWER-CLASS RATHER THAN MIDDLE OR UPPER, EASYGOING RATHER THAN INDUSTRIOUS, EXTRAVAGANT RATHER THAN THRIFTY AND ATHLETIC RATHER THAN ACADEMIC.”
― John Connolly, quote from The White Road
“So, how we doin'?"
"Same as usual: dead people, a mystery, more dead people."
"Who we lost?"
"The boy. His guardians. Maybe Elliot Norton."
"Shit, don't sound like we got anybody left. Anyone hires you better leave you your fee in their will.”
― John Connolly, quote from The White Road
“The punctuations of silence weren’t completely uncomfortable. Ethan was beginning to understand that in Wayward Pines these periods of shared quiet were normal, expected, inevitable. Some people, by nature, were better at surface conversation than others. Better at walking the line, steering clear of forbidden topics. There was much more thinking before speaking. Like living in a novel of manners.”
― Blake Crouch, quote from Wayward
“Art, in other words, betrays a sexy mental fitness.”
― Sam Kean, quote from The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code
“Any physical theory is always provisional, in the sense that it is only a hypothesis: you can never prove it. No matter how many times the results of experiments agree with some theory, you can never be sure that the next time the result will not contradict the theory.”
― Stephen Hawking, quote from A Brief History of Time: From the Big Bang to Black Holes
“Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!”
― Chris Grabenstein, quote from Mr. Lemoncello's Library Olympics
“Όποτε ο ασθενής αρχίζει ν' αναπτύσσει συμπτώματα στη σχέση του με τον θεραπευτή, τότε έχει πραγματικά αρχίσει η θεραπεία, και η εξερεύνηση αυτών των συμπτωμάτων θ' ανοίξει το δρόμο για τα κεντρικά του ζητήματα.”
― Irvin D. Yalom, quote from Love's Executioner: & Other Tales of Psychotherapy
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