“An interesting thing happened today,” she said, giving me just enough time to get the word “hi” out of my mouth. “I opened the front door and there was a man on my doorstep. A big man. A very big, very black man.”
“Rachel —”
“You said it would be discreet. His T–shirt had the words ‘Klan Killer’ written on the front.”
“I —”
“And do you know what he said?”
I waited.
“He handed me a note from Louis and told me he was lactose intolerant. That was it. Note. Lactose intolerant. Nothing else. He’s coming to the reading with me. It was all I could do to get him to change his T–shirt. The new one reads ‘Black Death.’ I’m going to tell people it’s a rap band. Do you think it’s a rap band?”
I figured it was probably his occupation, but I didn’t say that. Instead, I said the only thing I could think of to say.
“Maybe you’d better buy some soy milk.”
She hung up without saying good–bye.”
― John Connolly, quote from The White Road
“You still carrying an arsenal in the trunk of your car?”
“Why, you need something?”
“No, but if your car is hit by lightning I’ll know where my lawn went.”
― John Connolly, quote from The White Road
“So what you gonna do?”
“Push a stick into the beehive and rustle up some bees. The Larousses are hosting a party today. I think we should avail ourselves of their hospitality.”
“We got an invite?”
“Has not having one ever stopped us before?”
“No, but sometimes I just like to be invited to shit, you know what I’m sayin’, instead of havin’ to bust in, get threatened, irritate the nice white folks, put the fear of the black man on them.”
He paused, seemed to think for a while about what he had just said, then brightened.
“Sounds good, doesn’t it?” I said.
“Real good,” he agreed.”
― John Connolly, quote from The White Road
“I have found in the past that what passes for coincidence is usually life’s way of telling you that you’re not paying enough attention.”
― John Connolly, quote from The White Road
“THE AFRO-AMERICAN HAS BEEN HEIR TO THE MYTHS THAT IT IS BETTER TO BE POOR THAN RICH, LOWER-CLASS RATHER THAN MIDDLE OR UPPER, EASYGOING RATHER THAN INDUSTRIOUS, EXTRAVAGANT RATHER THAN THRIFTY AND ATHLETIC RATHER THAN ACADEMIC.”
― John Connolly, quote from The White Road
“So, how we doin'?"
"Same as usual: dead people, a mystery, more dead people."
"Who we lost?"
"The boy. His guardians. Maybe Elliot Norton."
"Shit, don't sound like we got anybody left. Anyone hires you better leave you your fee in their will.”
― John Connolly, quote from The White Road
John Connolly
Born place: in Dublin, Ireland
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“Light to darkness, Jenny. Darkness to light. It's always been that way.”
― L.J. Smith, quote from The Hunter
“She rejoins the crowd and watches with her friends, but she feels like an emptied glass - that crestfallen feeling of walking out from a movie theatre in the middle of the day, out from the intimate matinée darkness and the smell of popcorn, which is the smell of heightened colour and sound and story, into the borderless bright of day. Bereft.”
― Ann-Marie MacDonald, quote from The Way the Crow Flies
“Know that life can only be found in the present moment.”
― Thich Nhat Hanh, quote from Peace Is Every Step: The Path of Mindfulness in Everyday Life
“The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years.
In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne.
That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.”
― Sting, quote from Broken Music
“Helena: Will they be happier when they can feel pain?
Dr. Gall: On the contrary. But they will be technically more perfect.”
― Karel Čapek, quote from R.U.R.
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