The Waste Land

April is the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain.

A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.

And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you I will show you fear in a handful of dust

My nerves are bad to-night. Yes, bad. Stay with me. 'Speak to me. Why do you never speak? Speak. 'What are you thinking of? What thinking? What? 'I never know what you are thinking. Think.

For you know only a heap of broken images

You gave me hyacinths first a year ago; They called me the hyacinth girl.' —Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, Looking into the heart of light, the silence. Od' und leer das Meer.

He who was living is now dead We who were living are now dying With a little patience.

What have we given? My friend, blood shaking my heart The awful daring of a moment's surrender Which an age of prudence can never retract By this, and this only, we have existed.

I think we are in rats’ alley Where the dead men lost their bones.

The awful daring of a moment's surrender which an age of prudence can never retract. by this, and only this, we have existed.

I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison

Yet when we came back, from the hyacinth garden, Yours arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing. Looking into the heart of light, the silence. Oed und leer das Meer ('waste and empty in the sea')" "I remember Those are pearls that were his eyes." "Who is the third who walks always beside you? When I count, there are only you and I together But when I look ahead, up the white road There is always another one walking beside you, Gliding wrapt in a brown mantle, hooded I do not know whether a man or a woman But who is that on the other side of you?

After the torchlight red on sweaty faces After the frosty silence in the gardens After the agony in stony places The crying and the shouting Prison and place and reverberation Of thunder of spring over distant mountains He was living is now dead We who were living are now dying With a little patience

Gentile or Jew O you who turn the wheel and look to windward, Consider Phlebas, who was once handsome and tall as you.

My external sensations are no less private to myself than are my thoughts or my feelings. In either case my experience falls within my own circle, a circle closed on the outside; and, with all its elements alike, every sphere is opaque to the others which surround it. . . . In brief, regarded as an existence which appears in a soul, the whole world for each is peculiar and private to that soul.

I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s'ascose nel foco che gli affina Quando fiam ceu chelidon—O swallow swallow

Footsteps shuffled on the stair/Under the firelight, under the brush, her hair/Spread out in fiery points/Glowed into words, then would be savagely still.

Sweet Thames, run softly till I end my song, Sweet Thames, run softly, for I speak not loud or long But at my back in a cold blast I hear The rattle of the bones, and chuckle spread from ear to ear

My nerves are bad to-night. Yes, bad. Stay with me. "Speak to me. Why do you never speak. Speak. "What are you thinking of? What thinking? What? "I never know what you are thinking. Think." I think we are in rats' alley Where the dead men lost their bones. "What is that noise?" The wind under the door. "What is that noise now? What is the wind doing?" Nothing again nothing.

Crosses the brown land, unheard. The nymphs are departed. Sweet Thames, run softly, till I end my song. The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. And their friends, the loitering heirs of city directors; 180 Departed, have left no addresses.

Bin gar keine Russin, stamm' aus Litauen, echt deutsch. I am not Russian at all; I come from Lithuania, I am a real German. (Eliot's translation)

DA Datta: what have we given? My friend, blood shaking my heart The awful daring of a moment's surrender Which an age of prudence can never retract By this, and this only, we have existed Which is not to be found in our obituaries Or in memories draped by the beneficent spider Or under seals broken by the lean solicitor In our empty rooms 410 DA Dayadhvam: I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison Only at nightfall, aetherial rumours Revive for a moment a broken Coriolanus DA Damyata: The boat responded Gaily, to the hand expert with sail and oar 420 The sea was calm, your heart would have responded Gaily, when invited, beating obedient To controlling hands I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s'ascose nel foco che gli affina Quando fiam ceu chelidon - O swallow swallow Le Prince d'Aquitaine a la tour abolie 430 These fragments I have shored against my ruins Why then Ile fit you. Hieronymo's mad againe. Datta. Dayadhvam. Damyata. Shantih shantih shantih