“Thank you for stitching me up" I say.
"I seem to have a talent for it.”
― Bethany Griffin, quote from Dance of the Red Death
“Sit". I gesture to the chairs.
"I need to tell you something".
"You adore me and are having trouble keeping your hands to yourself?" he suggests.
"No". But my seriousness is lost on him.
He sits and pulls me close. "I'm having trouble keeping my hands to myself”
― Bethany Griffin, quote from Dance of the Red Death
“Does she love you?"
"Not yet," Elliott says. "But she will. Araby's used to loving people who've done terrible things.”
― Bethany Griffin, quote from Dance of the Red Death
“The tension is making him practically vibrate.”
― Bethany Griffin, quote from Dance of the Red Death
“I always thought about you. From the night I took you home. I never really stopped thinking about you.”
― Bethany Griffin, quote from Dance of the Red Death
“I was planning to eat that," April says as Henry discovers a pudding and spoons it into his mouth with such intense concentration that I think his eyes have crossed.”
― Bethany Griffin, quote from Dance of the Red Death
Bethany Griffin
Born place: Louisville
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“I’d take any pain for you.”
― Nalini Singh, quote from Silver Silence
“Every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way, and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.”
― Hermann Hesse, quote from Demian
“What a great article," Lockwood said, for the twentieth time that day. "Couldn't have been better."
"They spelled my name wrong," I pointed out.
"They didn't mention me at all," George said.
"Well, in all the essentials, I mean." Lockwood grinned round at us.”
― Jonathan Stroud, quote from Die Seufzende Wendeltreppe
“And are we not guilty of offensive disparagement in calling chess a game? Is it not also a science and an art, hovering between those categories as Muhammad’s coffin hovered between heaven and earth, a unique link between pairs of opposites: ancient yet eternally new; mechanical in structure, yet made effective only by the imagination; limited to a geometrically fixed space, yet with unlimited combinations; constantly developing, yet sterile; thought that leads nowhere; mathematics calculating nothing; art without works of art; architecture without substance – but nonetheless shown to be more durable in its entity and existence than all books and works of art; the only game that belongs to all nations and all eras, although no one knows what god brought it down to earth to vanquish boredom, sharpen the senses and stretch the mind. Where does it begin and where does it end? Every child can learn its basic rules, every bungler can try his luck at it, yet within that immutable little square it is able to bring forth a particular species of masters who cannot be compared to anyone else, people with a gift solely designed for chess, geniuses in their specific field who unite vision, patience and technique in just the same proportions as do mathematicians, poets, musicians, but in different stratifications and combinations. In the old days of the enthusiasm for physiognomy, a physician like Gall might perhaps have dissected a chess champion’s brain to find out whether some particular twist or turn in the grey matter, a kind of chess muscle or chess bump, is more developed in such chess geniuses than in the skulls of other mortals. And how intrigued such a physiognomist would have been by the case of Czentovic, where that specific genius appeared in a setting of absolute intellectual lethargy, like a single vein of gold in a hundredweight of dull stone. In principle, I had always realized that such a unique, brilliant game must create its own matadors, but how difficult and indeed impossible it is to imagine the life of an intellectually active human being whose world is reduced entirely to the narrow one-way traffic between black and white, who seeks the triumphs of his life in the mere movement to and fro, forward and back of thirty-two chessmen, someone to whom a new opening, moving knight rather than pawn, is a great deed, and his little corner of immortality is tucked away in a book about chess – a human being, an intellectual human being who constantly bends the entire force of his mind on the ridiculous task of forcing a wooden king into the corner of a wooden board, and does it without going mad!”
― Stefan Zweig, quote from Schachnovelle
“He looks like a faerie lover stepped out of a ballad, the kind where no good comes to the girl who runs away with him.”
― Holly Black, quote from The Cruel Prince
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The Devil and Miss P...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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