“But life doesn't wait - it trickles between your fingers, trickles away....”
― Margaret Leroy, quote from The Soldier's Wife
“I learned in that moment that there are different darknesses. That there is ordinary darkness, like the night in the countryside, where, even on a night with no moon, as you stare things loom, take form; and there is another darkness, a darkness so profound you cannot begin to imagine it, cannot conjure it up in your mind. A darkness that blots out all you remember or hope for. A darkness that teaches that all that consoles you is false.”
― Margaret Leroy, quote from The Soldier's Wife
“Going home to Millie; and the little boy who I know will rush into my arms when I get there; whose grey eyes will shine when he looks at me, who will smile with Gunther's smile.”
― Margaret Leroy, quote from The Soldier's Wife
“Sometimes I feel as though the real things are passing me by. As though I've been pushed to the margins of life.”
― Margaret Leroy, quote from The Soldier's Wife
“restharrow, a creeping plant with pink petals that grows everywhere”
― Margaret Leroy, quote from The Soldier's Wife
Margaret Leroy
Born place: The United Kingdom
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“Sono gli impiegati che inventano, in fin dei conti, tutte queste scartoffie [i passaporti] per avvelenare la vita agli uomini, e le loro disposizioni non vanno prese troppo sul serio.”
― Czesław Miłosz, quote from Native Realm: A Search for Self-Definition
“In truth, laws are always useful to those with possessions and harmful to those who have nothing; from which it follows that the social state is advantageous to men only when all possess something and none has too much.”
― Jean-Jacques Rousseau, quote from The Social Contract
“Sylphid was beginning to play professionally, and she was subbing as second harpist in the orchestra at Radio City Music Hall. She was called pretty regularly, once or twice a week, and she’d also got a job playing at a fancy restaurant in the East Sixties on Friday night. Ira would drive her from the Village up to the restaurant with her harp and then go and pick her and the harp up when she finished. He had the station wagon, and he’d pull up in front of the house and go inside and have to carry it down the stairs. The harp is in its felt cover, and Ira puts one hand on the column and one hand in the sound hole at the back and he lifts it up, lays the harp on a mattress they keep in the station wagon, and drives Sylphid and the harp uptown to the restaurant. At the restaurant he takes the harp out of the car and, big radio star that he is, he carries it inside. At ten-thirty, when the restaurant is finished serving dinner and Sylphid’s ready to come back to the Village, he goes around to pick her up and the whole operation is repeated. Every Friday. He hated the physical imposition that it was—those things weigh about eighty pounds—but he did it. I remember that in the hospital, when he had cracked up, he said to me, ‘She married me to carry her daughter’s harp! That’s why the woman married me! To haul that fucking harp!’ “On those Friday night trips, Ira found he could talk to Sylphid in ways he couldn’t when Eve was around. He’d ask her about being a movie star’s child. He’d say to her, ‘When you were a little girl, when did it dawn on you that something was up, that this wasn’t the way everyone grew up?’ She told him it was when the tour buses went up and down their street in Beverly Hills. She said she never saw her parents’ movies until she was a teenager. Her parents were trying to keep her normal and so they downplayed those movies around the house. Even the rich kid’s life in Beverly Hills with the other movie stars’ kids seemed normal enough until the tour buses stopped in front of her house and she could hear the tour guide saying, ‘This is Carlton Pennington’s house, where he lives with his wife, Eve Frame.’ “She told him about the production that birthday parties were for the movie stars’ kids—clowns, magicians, ponies, puppet shows, and every child attended by a nanny in a white nurse’s uniform. At the dining table, behind every child would be a nanny. The Penningtons had their own screening room and they ran movies. Kids would come over. Fifteen, twenty kids.”
― Philip Roth, quote from I Married a Communist
“[T]he distance between sympathy and sensuality is as short as that which separates those two words in the dictionary.”
― Pitigrilli, quote from Cocaine
“You’ll fight, damn it. You’ll not give over this easily. God is not ready for you yet because I am not through with you. You’re going to wake up and you’re going to give me the words I’ve waited on for so long. Telling me you love me on the battlefield as we both lay dying doesn’t count. You’ll give them to me and mean them or so help me I’ll bury you in unconsecrated ground so that you never rest and you’ll be forced to dwell in this keep with me for eternity.”
― Maya Banks, quote from Never Love a Highlander
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The Monster of Flore...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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