“Do you stop caring about someone you love - just because they don't feel the same way?”
“You can't choose someone else's destiny for them, Kelley. And you shouldn't let anyone choose yours.”
“You have to choose your battles. The key is choosing the ones you know you can win.”
“It might not have been the destiny you would have asked for, Fennrys," she said quietly. "But I'm starting to think that the only destiny there is...is the one we make for ourselves.”
“Some things you just have to take on faith and believe in at the risk of getting hurt. It's one of the things that the Fair Folk will never understand, and it's something that sets us apart from them. The fact that each and every time we believe in each other we take a risk. Because we know that it might NOT be the truth. But we also know that it MIGHT be.”
“There are always two sides to every story, Kelley. Something I learned playing Richard the Third and Macbeth: if you're playing the 'bad guy', you never really think of yourself as bad. It's just that your motives are often...misunderstood by everyone else.”
“There's one thing I've learned about mortals. They're a lot more resilient and a whole bunch more resourceful than they usually give themselves credit for. Why else do you think the Fae have always had such a fascination with them? Why d'you think Auberon uses changelings to guard the Gate? Trolls are stronger, cheaper, more plentiful, and nobody cares if they get exploded or ripped to pieces. But he uses mortals. Because they're full of hidden strengths.”
“I thought you said you dislocated Selene’'s shoulder!”" Sonny called to Cait, who’'d tumbled for safety into the black water behind the stern of the boat.
“"I did! I guess someone elserelocated it!”" she shouted back.”
“That doesn’'t happeneverytime you kiss someone, does it? ”" Maddox said to Chloe, gasping through the pain of his double injuries.”
“Estamos hechos de la misma materia que los sueños.”
“Muy bien. Veamos adónde nos lleva esto.”
“Toda historia tiene dos caras. Si interpretas el papel del "malo", nunca piensas en ti mismo como si fueras malo. Lo que ocurre es que los demás... a menudo no comprenden tus razones.”
“Về căn nhà của mình, về với những cuốn tiểu thuyết. Những cuốn tiểu thuyết nói về tình yêu với những từ ngữ tuyệt đẹp, để đôi khi có thể quên đi sự dã man của con người...”
“Every so often, the universe must just get bored and decide to really cut loose.”
“Did that make him a bad man? Perhaps, though if so then arguably all men were bad. A proposition his wife would probably agree with, as would most of the women Holse had known, from his poor mother onwards. That was not his fault either, though. Most men – most women, too, no doubt – lived and died under the general weight of the drives and needs, expectations and demands they experienced from within and without, beaten this way and that by longings for sex, love, admiration, comfort, importance and wealth and whatever else was their particular fancy, as well as being at the same time channelled into whatever furrows were deemed appropriate for them by those on high.
In life you hoped to do what you could but mostly you did what you were told and that was the end of it.”
“Words! They seemed his only experience, his only sophistications. And yet what were they? Merciless little creatures, crowding about and eager for command, each with its own physical character, an ancestry, an expectation of life and a hope of posterity.”
“This was another item about growing up: you encountered all the cliches of love and loss and heartbreak.”
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