Quotes from The Piano Tuner

Daniel Mason ·  312 pages

Rating: (9.4K votes)


“The conversations rests uneasily; one doesn't expect good-byes to be burdened by such trivialities. This is not how it is in the books, he thinks, or in the theater, and he feels the need to speak of mission, of duty, of love. They reach home and close the door and he doesn't drop her hand. Where speech fails, touch compensates.”
― Daniel Mason, quote from The Piano Tuner


“White. Like a clean piece of paper, like uncarved ivory, all is white when the story begins.”
― Daniel Mason, quote from The Piano Tuner


“At times I wonder if the reason I have lost track of time is that I will know when to return not by a date, but when an emptiness is filled.”
― Daniel Mason, quote from The Piano Tuner


“being needed was not the same as being accepted.”
― Daniel Mason, quote from The Piano Tuner


“good piano tuner must have knowledge not only of his instrument but of “Physics, Philosophy, and Poetics,” so that Edgar, although he never attended university, reached his twentieth birthday with more education than many who had.”
― Daniel Mason, quote from The Piano Tuner



“that being needed was not the same as being accepted.”
― Daniel Mason, quote from The Piano Tuner


“One learns a lot if others assume you are deaf to their tongue.”
― Daniel Mason, quote from The Piano Tuner


“war. A balanced peace is a poor fertilizer for promotion.”
― Daniel Mason, quote from The Piano Tuner


About the author

Daniel Mason
Born place: The United States
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“But when I allowed myself to think of her, I remembered the delicacy of her brown body under her orange robe, and I drew courage from knowing that she had needed nothing to guide her but her determined heart. Had there ever been a man who could claim to be as fearless? She had never even held the heavy swords and sharp daggers that gave soldiers their swagger. Khadijeh may have been a slave, but in her heart, she was a lion-woman.”
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“To my lovely starling,
Maybe there are magical words that will make you understand, but if so, I do not know them. Words are your domain. I've always been better with pictures.
I fear you think I am a monster. It's true I've disrupted many graves. The way I see it, the dead are dead. If, after their death, we can learn things from the about the human form - things that will increase the sum of human knowledge and the possibilities of art - what harm is that? After death, new life, new beauty. How can that be wrong? My friends and I have made use of some of the bodies as models. some we sell to surgeons who study them with the hopes of learning something about the frail mechanisms of the human body.
I don't know exactly what Dottor de Gradi does in his workshop on the Rialto, and I was as surprised as you were to stumble on it. He couldn't - he wouldn't tell me if your friend's body ended up there. But he did assure me all of his work is focused solely on extending human life.
I won't lie. I did it for the money as well. Don Loredan is holding a private exhibition in his palazzo tomorrow. The entry fee was quite steep but two of my paintings were accepted. This could be the beginning for me. I could find my own patrons. I could be more than just a peasant. Tommaso's assistant.
So yes; a little for money. But mostly I did for the art.
I don't expect these words to change how you feel. I simply want you not to see me as a monster. I don't want to be a monster. Not anymore. Not after meeting you. I know that we disrupted you dear friend's body, and for that I am deeply regretful. But if we had not done so, if I had not lingered in the San Domenico churchyard after standing guard for my friends, you and I might never have met. Meeting you is one thing I will never regret.
I hope you like the painting. Consider tit a wedding gift. How stupid of me to let my heart go. It was a lovely fantasy while it lasted, though, wasn't it?
Yours,
Falco”
― Fiona Paul, quote from Venom


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