Molly Peacock · 416 pages
Rating: (865 votes)
“Is being burnt a requisite for the making of art? Personally, I don't think it is. But art is poultice for a burn. It is a privilege to have, somewhere within you, a capacity for making something speak from your own seared experience.”
― Molly Peacock, quote from The Paper Garden: Mrs. Delany Begins Her Life's Work at 72
“But if a role model in her seventies isn't layered with contradictions - as we all come to be - then what good is she? Why bother to cut the silhouette of another's existence and place it against our own if it isn't as incongruous, ambiguous, inconsistent, and paradoxical as our own lives are?”
― Molly Peacock, quote from The Paper Garden: Mrs. Delany Begins Her Life's Work at 72
“The secret of marriage is thinking that your partner is better than yourself.”
― Molly Peacock, quote from The Paper Garden: Mrs. Delany Begins Her Life's Work at 72
“Having a collection, taking it out, looking at it, reordering it, and putting it away is creative in itself. It doesn't yield a product, like the results of an art, but is stops time, as making art does.”
― Molly Peacock, quote from The Paper Garden: Mrs. Delany Begins Her Life's Work at 72
“Robert Phelps, a biographer of Colette, said about watching, 'Along with love and work, this is the third great salvation. For whenever someone is seriously watching, a form of lost innocence is restored. It will not last, but during those minutes his self-consciousness is relieved.' Noticing keeps you alive.”
― Molly Peacock, quote from The Paper Garden: Mrs. Delany Begins Her Life's Work at 72
“The key is the ability, whether innate or conditioned, to find the other side of the rote, the picayune, the meaningless, the repetitive, the pointlessly complex. To be, in a word, unborable... It is the key to modern life. If you are immune to boredom, there is literally nothing you cannot accomplish.”
― David Foster Wallace, quote from The Pale King
“He can’t stay here.” I’m putting my foot down. I won’t allow this to happen. “I’ll leave, Dad. I swear to God, if you try to make me do this, I’ll disappear again.” Dad sits back, looking smug. “You know, I got a call from Matt’s doctor the other day.” Dad stares direct at Logan. “They said your brother is ready for phase two of the treatment. And they asked if I would be providing the funds.” Logan’s arm falls from around my waist, and he lumbers to his feet very slowly. He looks down at me and presses a finger to my lips. His finger trembles. “Mr. Madison,” he says. He nods at my dad, and then at my mom. “Mrs. Madison. It was wonderful to meet you. I will say good-bye now.” He starts toward the door. “And as far as the treatment is concerned, if Emily’s freedom is the price, you can take your money and shove it up your ass.” He stops at the door. I’m latched onto his arm like a Velcro monkey. “Please don’t walk out,” I beg. “Not like this. I can fix this.” He peels me off of his arm. “I know you can.” He kisses my forehead, his lips lingering there as he breathes in deeply, his eyes closed. Then he pushes me back from him. “I need to go,” he says. His voice is hoarse. “I’ll talk to you later.” “I’m going to deal with this, and then I’ll come find you. I promise.” He nods. Then he steps out the door and closes it softly behind him. There’s a thud on the other side of the wall and I know Logan waited until he got outside to smash something.”
― quote from Smart, Sexy and Secretive
“One of the layers was old hurts. How had he managed to bury that? She knew a lot about old hurts, and just how hard they were to keep down in the cellar of things. He didn’t wear his wounds as a point of pride, and many did. He might brood over them from time to time, and she appreciated a good brood herself. But he didn’t appear to let those old wounds, those old scars run his life. On”
― Nora Roberts, quote from High Noon
“There's people in hell who want ice water.”
― Nelson Algren, quote from The Man With the Golden Arm
“Actual freedom has not increased in proportion to man's awareness of it.”
― Albert Camus, quote from The Rebel: An Essay on Man in Revolt
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