“I dinnae get people, like they all want to be watched, to be seen, like all the time. They put up their pictures online and let people they dinnae like look at them! And people they’ve never met as well, and they all pretend tae be shinier than they are – and some are even posting on like four sites; their bosses are watching them at work, the cameras watch them on the bus, and on the train, and in Boots, and even outside the chip shop. Then even at home – they’re going online to look and see who they can watch, and to check who’s watching them!”
― Jenni Fagan, quote from The Panopticon
“As specimens go, they always get excited about me. I'm a good one. A show-stopper. I'm the kind of kid they'll still enquire about ten years later. Fifty-one placements, drug problems, violence, dead adopted mum, no biological links, constant offending. Tick, tick, tick. I lure them in to being with. Cultivate my specimen face. They like that. Do-gooders are vomit-worthy. Damaged goods are dangerous. The ones that are in it cos the thought it would be a step up from an office job are tedious. The ones who've been in too long lose it. The ones who think they've got the Jesus touch are fucking insane. The I can save you brigade are particularly radioactive. They think if you just inhale some of their middle-classism, then you'll be saved.”
― Jenni Fagan, quote from The Panopticon
“I want to cry and hit my head off the wall—and scream until I pass out, but I gave that up for Lent.”
― Jenni Fagan, quote from The Panopticon
“The watching feeling is getting worse.
I am not an experiment.
I am not a stupid joke, or a trippy game, or an experiment. I will not go insane. Something bad is gonnae happen, though. I can feel it. It’s in the way that crisp bag has faded from the rain. I am not an experiment. If I keep saying it, I’ll start believing it. I have to try. I am not an experiment. It doesnae sound convincing. It sounds stupid.
Try it in German. Ich bin nicht eine experiment. My German’s shite. Inhale slowly to the count of four, look hard at the tip of my nose and try again. This time I go for an official BBC broadcaster circa-1940 accent.
Today, one finds one is not, in actual fact, a social experiment. One is a real person. This is real actual skin as seen containing the bodily organs of a real actual human being with a heart and soul and dreams.
It’s true that I came from real people once too, and they were a jolly old sort, with no naked psycho-ess in any way.
I, the young Miss Anais, understand wholly that I am just a human being that no one is interested in. No experiment. No outside fate. I am not that important, and that is just fine by me. I propose a stiff upper lip and onward Christian soldiers, quick-bloody-march! This is Anais Hendricks, telling the nation: to be me is really quite spiff-fucking-spoff, lashings of love, your devoted BBC broadcaster since 1938.”
― Jenni Fagan, quote from The Panopticon
“I dinnae say I might paint when I grow up. I dinnae say I’ll learn French, so I can read every book in the main library in Paris one day, including encyclopedias and obscure manuals. I dinnae say I’ll volunteer to help some old lady with her shopping, and her cleaning, and if I’m really fucking lucky she’ll take me under her wing and get tae like me and feed me apple pie and gin—and tell me all her stories about the good old days. Those urnay the things I say. We stop at the traffic lights. There’s a bunch of girls about my age standing there, but they dinnae look like me. They look young. I turn the music up, sneakers off, feet on the dash. I light a fag and look out the window at one of the girls. She’s got great legs, really slim but nice. She turns around, laughing tae her pal, and her smile is stunning. “I’d shag that,” I say, and flick my ash away.”
― Jenni Fagan, quote from The Panopticon
Jenni Fagan
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“Seth,” she says, “wherever you are, it’s okay. You can come back from it. Whatever happened to you down there, whatever the world looks like now, that’s not how it always looks. That’s not how it’s always going to look. There’s more. There’s always more. Whatever you see, wherever you are, we’re still here with you. Me and Tommy.”
― Patrick Ness, quote from More Than This
“Die Hitze entschlackt den Körper. Wenn du eine Weile in die Lava gestarrt hast, verwandelt sich dein gehirn in eine breiige Masse. Und du denkst an gar nichts mehr. Das empfinden wir als Erholung von unseren geistigen Aktivitäten.”
― Walter Moers, quote from The City of Dreaming Books
“I, personally, have resolved never to display weakness, to be always strong and firm and forthright, to show neither fear nor uncertainty-- no matter how fearful and uncertain I may be inside; I see no other way to survive this ordeal.”
― Jim Fergus, quote from One Thousand White Women: The Journals of May Dodd
“«Credo di sì.» Patrick sospirò. «Cioè, credo che sarebbe stato meno orribile se fosse stato un altro. Tu sei così piccola e carina. Non dovresti mozzare le dita alla gente.»
«Oh, ti prego!»”
― Laurell K. Hamilton, quote from Blue Moon
“It's not your fault there is evil in the world" Cadvan to Maerad”
― Alison Croggon, quote from The Naming
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Evil LibrarianBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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