320 pages
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“The scientist in me worries that my happiness is nothing more than a symptom of bipolar disease, hypergraphia from a postpartum disorder. The rest of me thinks that artificially splitting off the scientist in me from the writer in me is actually a kind of cultural bipolar disorder, one that too many of us have. The scientist asks how I can call my writing vocation and not addiction. I no longer see why I should have to make that distinction. I am addicted to breathing in the same way. I write because when I don’t, it is suffocating. I write because something much larger than myself comes into me that suffuses the page, the world, with meaning. Although I constantly fear that what I am writing teeters at the edge of being false, this force that drives me cannot be anything but real, or nothing will ever be real for me again.”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“How could poetry and literature have arisen from something as plebian as the cuneiform equivalent of grocery-store bar codes? I prefer the version in which Prometheus brought writing to man from the gods. But then I remind myself that…we should not be too fastidious about where great ideas come from. Ultimately, they all come from a wrinkled organ that at its healthiest has the color and consistency of toothpaste, and in the end only withers and dies.”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“To the extent that self-expression does broadcast and reinforce a person's character, it clarifies a link between art, eccentricity, and mental illness. The more like ourselves we become, the odder we become.”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“change: disabling his e-mail so that he can check it only once a day at the local cybercafé (where he has to pay high rates for on-line time).”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“Nonetheless, writing regularly, inspiration or no, is not a bad way to eventually get into an inspired mood; the plane has to bump along the runway for a while before it finally takes off.”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“Thanks to the Internet, there is even a new variety of continuously updated on-line memoir sometimes called the blog (from Web-log). Thousands of authors simply write their diaries directly onto Web pages for the rest of the world to read. Why do people want to recount their lives? What”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“The drive to write produces a first draft; it is the drive to write well that produces the second, third, twentieth. Thus”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“Most agree that a useful definition of creative work is that it includes a combination of novelty and value. Creativity requires novelty because tried-and-true solutions are not creative, even if they are ingenious and useful. And creative works must be valuable (useful or illuminating to at least some members of the population) because a work that is merely odd is not creative. This two-pronged definition of creativity also provides an explanation of why the creative can lie close to the insane (unusual but valueless behavior).”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“Above all, readers want useful information, whether from a road sign or an investment guide. This motive is not completely absent even in readers of fiction, although few people read Madame Bovary for straightforward advice on how not to run a marriage. At a more abstract level, readers want a narrative that makes the world seem to make sense, and they sometimes choose stories that fit with their worldview rather than stories that fit the facts.”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“When others' obsessions are not ours, we are sad for them, and we talk of how empty their lives will be if they don't achieve their empty goal: the gymnastics prize, the firm partnership. But there is a monomania in which it is the focus, the sense of transport, that is the real pleasure.”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“What other than mental illness spurs normal people to write prolifically? The chief cause is not quite illness, but nearly: love, especially unhappy love.”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“Another difference between amateur and professional writers, almost by definition, is that the latter more successfully engage their audience. It is partly a question of skill, but more often a matter of goals. Amateur writers tend to write primarily for self-expression, whereas writers able to become professional can hide or transform their own agendas enough so that they are of interest to others. Is this position the same as Freud's famous dictum that artists take unacceptable drives and present them in an acceptable way?”
― quote from The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain
“He thinks Goliath can end the war," Alek managed at last. "The man wants peace!"
"As do we all," Count Volger said. "But there are many ways to end a war. Some are more peaceful than others.”
― Scott Westerfeld, quote from Goliath
“I’ve heard enough Potter explanations throughout the years to know the general shape of them, anyway.”
― G. Norman Lippert, quote from James Potter and the Hall of Elders' Crossing
“But we're all walking in the night, now, on ground we don't know. When the day comes we may know where we are, or we may not.”
― Ursula K. Le Guin, quote from The Other Wind
“»En verdad, querida, me molestáis sin tasa y compasión; diríase, al oíros suspirar, que padecéis más que las espigadoras sexagenarias y las viejas pordioseras que van recogiendo mendrugos de pan a las puertas de las tabernas.
»Si vuestros suspiros expresaran siquiera remordimiento, algún honor os harían; pero no traducen sino la saciedad del bienestar y el agobio del descanso. Y, además, no cesáis de verteros en palabras inútiles: ¡Quiéreme! ¡Lo necesito «tanto»! ¡Consuélame por aquí, acaríciame por «allá»! Mirad: voy a intentar curaros; quizá por dos sueldos encontremos el modo, en mitad de una fiesta y sin alejarnos mucho.
»Contemplemos bien, os lo ruego, esta sólida jaula de hierro tras de la cual se agita, aullando como un condenado, sacudiendo los barrotes como un orangután exasperado por el destierro, imitando a la perfección ya los brincos circulares del tigre, ya los estúpidos balanceos del oso blanco, ese monstruo hirsuto cuya forma imita asaz vagamente la vuestra.
»Ese monstruo es un animal de aquéllos a quienes se suelen llamar “¡ángel mío!”, es decir, una mujer. El monstruo aquél, el que grita a voz en cuello, con un garrote en la mano, es su marido. Ha encadenado a su mujer legítima como a un animal, y la va enseñando por las barriadas, los días de feria, con licencia de los magistrados; no faltaba más.
¡Fijaos bien! Veis con qué veracidad —¡acaso no simulada!— destroza conejos vivos y volátiles chillones, que su cornac le arroja. “Vaya —dice éste—, no hay que comérselo todo en un día”; y tras las prudentes palabras le arranca cruelmente la presa, dejando un instante prendida la madeja de los desperdicios a los dientes de la bestia feroz, quiero decir de la mujer.”
― Charles Baudelaire, quote from Paris Spleen
“I didn’t fully comprehend world affairs,” but he remembered distinctly having “the typical American reaction that we had better do something about this.”
― James D. Bradley, quote from Flyboys: A True Story of Courage
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