“This is my invariable advice to people: Learn how to cook- try new recipes, learn from your mistakes, be fearless, and above all have fun!”
― Julia Child, quote from My Life in France
“...no one is born a great cook, one learns by doing.”
― Julia Child, quote from My Life in France
“...nothing is too much trouble if it turns out the way it should.”
― Julia Child, quote from My Life in France
“Remember, 'No one's more important than people'! In other words, friendship is the most important thing--not career or housework, or one's fatigue--and it needs to be tended and nurtured.”
― Julia Child, quote from My Life in France
“You never forget a beautiful thing that you have made,' [Chef Bugnard] said. 'Even after you eat it, it stays with you - always.”
― Julia Child, quote from My Life in France
“Maybe the cat has fallen into the stew, or the lettuce has frozen, or the cake has collapsed. Eh bien, tant pis. Usually one's cooking is better than one thinks it is. And if the food is truly vile, then the cook must simply grit her teeth and bear it with a smile, and learn from her mistakes.”
― Julia Child, quote from My Life in France
“One of the secrets, and pleasures, of cooking is to learn to correct something if it goes awry; and one of the lessons is to grin and bear it if it cannot be fixed.”
― Julia Child, quote from My Life in France
“Upon reflection, I decided I had three main weaknesses: I was confused (evidenced by a lack of facts, an inability to coordinate my thoughts, and an inability to verbalize my ideas); I had a lack of confidence, which cause me to back down from forcefully stated positions; and I was overly emotional at the expense of careful, 'scientific' though. I was thirty-seven years old and still discovering who I was.”
― Julia Child, quote from My Life in France
“Just speak very loudly and quickly, and state your position with utter conviction, as the French do, and you'll have a marvelous time!”
― Julia Child, quote from My Life in France
“But I was a pure romantic, and only operating with half my burners turned on.”
― Julia Child, quote from My Life in France
“The sweetness and generosity and politeness and gentleness and humanity of the French had shown me how lovely life can be if one takes time to be friendly.”
― Julia Child, quote from My Life in France
“I don't believe in twisting yourself into knots of excuses and explanations over the food you make. When one's hostess starts in with self-deprecations such as "Oh, I don't know how to cook...," or "Poor little me...," or "This may taste awful...," it is so dreadful to have to reassure her that everything is delicious and fine, whether it is or not. Besides, such admissions only draw attention to one's shortcomings (or self-perceived shortcomings), and make the other person think, "Yes, you're right, this really is an awful meal!" Maybe the cat has fallen into the stew, or the lettuce has frozen, or the cake has collapsed -- eh bien, tant pis! Usually one's cooking is better than one thinks it is. And if the food is truly vile, as my ersatz eggs Florentine surely were, then the cook must simply grit her teeth and bear it with a smile -- and learn from her mistakes.”
― Julia Child, quote from My Life in France
“In the blood-heat of pursuing the enemy, many people are forgetting what we are fighting for. We are fighting for our hard-won liberty and freedom; for our Constitution and the due processes of our laws; and for the right to differ in ideas, religion and politics. I am convinced that in your zeal to fight against our enemies, you, too, have forgotten what you are fighting for.”
― Julia Child, quote from My Life in France
“She was my first cat ever, and I thought she was marvelous. ”
― Julia Child, quote from My Life in France
“...the waiters carried themselves with a quiet joy, as if their entire mission in life was to make their customers feel comfortable and well tended.”
― Julia Child, quote from My Life in France
“We ate the lunch with painful politeness and avoided discussing its taste. I made sure not to apologize for it. This was a rule of mine.
I don't believe in twisting yourself into knots of excuses and explanations over the food you make...
Usually one's cooking is better than one thinks it is. And if the food is vile,...then the cook must simply grit her teeth and bear it with a smile- and learn from her mistakes.”
― Julia Child, quote from My Life in France
“I admired the English immensely for all that they had endured, and they were certainly honorable, and stopped their cars for pedestrians, and called you “sir” and “madam,” and so on. But after a week there, I began to feel wild. It was those ruddy English faces, so held in by duty, the sense of “what is done” and “what is not done,” and always swigging tea and chirping, that made me want to scream like a hyena”
― Julia Child, quote from My Life in France
“There are only four great arts: music, painting, sculpture, and ornamental pastry- architecture being perhaps the least banal derivative of the latter.”
― Julia Child, quote from My Life in France
“It's easy to get the feeling that you know the language just because when you order a beer they don't bring you oysters. (Paul Child)”
― Julia Child, quote from My Life in France
“...operational proof...it's all theory until you see for yourself whether or not something works.”
― Julia Child, quote from My Life in France
“We are so bemused by our own petard, that we are unable to look at things objectively.”
― Julia Child, quote from My Life in France
“When I wasn't at school, I was experimenting at home, and became a bit of a Mad Scientist. I did hours of research on mayonnaise, for instance, and though no one else seemed to care about it, I thought it was utterly fascinating....By the end of my research, I believe, I had written more on the subject of mayonnaise than anyone in history.”
― Julia Child, quote from My Life in France
“I'm afraid that surprise, shock, and regret is the fate of authors when they finally see themselves on the page.”
― Julia Child, quote from My Life in France
“Illegitemus non carborundum est (“Don’t let the bastards grind you down”).”
― Julia Child, quote from My Life in France
“Good french cooking cannot be produced by a zombie cook.”
― Julia Child, quote from My Life in France
“Was it a sign of Creeping Decrepitude?”
― Julia Child, quote from My Life in France
“Standing up through the Citroen's open sunroof, my six-foot-three-inch, red-cheeked sister pointed a long, trembling finger at the perpetrator and with maximum indignation yelled: 'Ce merde-monsieur a justement crache dans ma derriere!' Her intended meaning is obvious, but what she said was, 'This shit-man just spat out into my butt!”
― Julia Child, quote from My Life in France
“...The more I learned the more I realized how very much one has to know before one is in-the-know at all.”
― Julia Child, quote from My Life in France
“If variety is the spice of life, then my life must be one of the spiciest you ever heard of. A curry of a life. -Paul Child”
― Julia Child, quote from My Life in France
“I recall thinking that I was stroking toward either the end of all life or the beginning of a new one. Neither possibility stirred me. Every man knows he will die; and nobody believes it. On that paradox stand not only a host of religions but the entity of sane being. I wasn't able to credit my own non-existence any better than the next man; what I had lost was a healthy abhorrence of the state. It had not dropped from me because of any particular shock or misfortune. It had moulted from me year by year, for all of my thirty-five, to leave me naked in apathy.”
― John Myers Myers, quote from Silverlock
“Our faith in victory had been unquestioning, its opposite, defeat, had no currency among us. Victory was possible, that was all. It would be easy or difficult, quick or prolonged, but it would be victory. So here came the disturbing Hoosier, displaying the other side of the coin, showing us defeat. It shook us. And it was from this moment that we dated the feeling of what is called expendability. All armies have expendable items, that is, a part or unit the destruction of which will not be fatal to the whole. In some ordeals, a man might consider his finger expendable, but not his hand, or in extremity his arm but not his heart. There are expendable items which may be lost or destroyed in the field either in peace or in war without their owner being required to replace them. A rifle is so expendable or a cartridge belt. So are men. Men are the most expendable of all. Hunger, the jungle, the Japanese, not one nor all of these could be quite as corrosive as the feeling of expendability. This was no feeling of dedication because it was absolutely involuntary. I do not doubt, that if the Marines had asked for volunteers for an impossible campaign such as Guadalcanal, almost everyone now fighting would have stepped forward. But that is sacrifice, that is voluntary. Being expended robs you of the exultation, the self-abnegation, the absolute freedom of self-sacrifice. Being expended puts one in the roll of victim rather than sacrificer, and there is always something begrudging in this. I doubt if Isaac would have accepted the knife of his father, Abraham, entirely without reproach yet, for the same master he would have gone gladly to his death a thousand times. The world is full of the sacrifices of heroes and martyrs, but there was only one victim. If we were to be victims, we were as firmly secured to our role as Isaac bound to the faggots. No day passed without extenuating it.”
― Robert Leckie, quote from Helmet for My Pillow
“And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.”
― Katie Klein, quote from Cross My Heart
“Gemellus, who had loved and worshiped her from afar, she who was in his arms now...”
― Melissa de la Cruz, quote from Keys to the Repository
“It’s really a whole new feeling when you realize you’re in charge of your life, your thoughts, and your actions—or inaction.”
― Kaira Rouda, quote from Here, Home, Hope
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