Brando Skyhorse · 199 pages
Rating: (2.1K votes)
“The time between your first major fight with your best friend until you make up is, for a teenage girl, about as long as it took for God to create the universe. . . . It's excellent training for having a boyfriend.”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“[D]id you ever notice how friendships are a lot like pop songs? They are for girls, anyway. First there's the newness of it, the melody that streams into your head and makes you wonder ― will I like this song? Then come the vocals, what the song's heart truly sounds like, and with it the song's purpose, it's lyrics ― will they say something meaningful about my life? Will these words help me through a difficult time, or create a memory that will make me smile whenever I hear this song again?”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“There is no elegy for those who have been dispossessed of their anger--what remains is a future carved out of banality instead of blood.”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“Beat sprouts," I croaked, ashamed I'd reached a point in my life where I had to make decisions like choosing between bean sprouts or potato chips (and then going with fucking bean sprouts!).”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“an amaranthine valley of orange groves”
― Brando Skyhorse, quote from The Madonnas of Echo Park
Brando Skyhorse
Born place: Los Angeles, CA, The United States
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“Just know that there's bad men in the world, and dying fast by your mother is a better way than theirs.”
― Mindy McGinnis, quote from Not a Drop to Drink
“He was telling us that your voice will give comfort when the night becomes its blackest,” he replies. “And I’ll protect that voice with my body, my mind, and my spirit . . . because without it, I’m alone in the dark.”
― Amy A. Bartol, quote from Under Different Stars
“Arab-Jewish relations in the Old City had always been good. Most of the property in the quarter was Arab-owned, and one of its familiar sights was the Arab rent collector making his way from house to house, pausing in each for the rent and a ritual cup of coffee. Here the Islamic respect for men of religion had been naturally extended to the quarter's scholars in their yeshivas. As for the quarter's poor artisans and shopkeepers, the most natural of bonds, poverty, tied them to their Arab neighbors.”
― Larry Collins, quote from O Jerusalem
“Good writing takes advantage of a reader’s expectations of where to go next. It accompanies the reader on a journey, or arranges the material in a logical sequence (general to specific, big to small, early to late), or tells a story with a narrative arc.”
― Steven Pinker, quote from The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century
“Shekiba was born at the turn of the twentieth century, in an Afghanistan eyed lasciviously by Russia and Britain. Each would take turns promising to protect the borders they had just invaded, like a pedophile who professes to love his victim.
The borders between Afghanistan and India were drawn and redrawn from time to time, as if only penciled in. People belonged to one country and then the other, nationalities changing as often as the direction of the wind. For Great Britain and the Soviet Union, Afghanistan was the playing field for their "Great Game," the power struggle to control Central Asia. But the game was slowly coming to an end, the Afghan people ferociously resisting outside control. Chests expanded with pride when Afghans talked about their resilience.
But parts of Afghanistan were taken—little by little until its borders shrank in like a wool sweater left in the rain. Areas to the north like Samarkand and Bukhara had been lost to the Russian Empire. Chunks of the south were chipped away and the western front was pushed in over the years.”
― Nadia Hashimi, quote from The Pearl That Broke Its Shell
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