Brando Skyhorse · 199 pages
Rating: (2.1K votes)
“The time between your first major fight with your best friend until you make up is, for a teenage girl, about as long as it took for God to create the universe. . . . It's excellent training for having a boyfriend.”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“[D]id you ever notice how friendships are a lot like pop songs? They are for girls, anyway. First there's the newness of it, the melody that streams into your head and makes you wonder ― will I like this song? Then come the vocals, what the song's heart truly sounds like, and with it the song's purpose, it's lyrics ― will they say something meaningful about my life? Will these words help me through a difficult time, or create a memory that will make me smile whenever I hear this song again?”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“There is no elegy for those who have been dispossessed of their anger--what remains is a future carved out of banality instead of blood.”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“Beat sprouts," I croaked, ashamed I'd reached a point in my life where I had to make decisions like choosing between bean sprouts or potato chips (and then going with fucking bean sprouts!).”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“an amaranthine valley of orange groves”
― Brando Skyhorse, quote from The Madonnas of Echo Park
Brando Skyhorse
Born place: Los Angeles, CA, The United States
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“The full-on Townsend-Moon hooter. She only ever found this problematic in males who hadn’t become pop musicians; it seemed, then, in some weirdly inverted way, affected. It looked, to her, as though they’d grown large noses in order to look like rock musicians. More weirdly, perhaps, they all tended—certified accountants, radiologists, or whatever—to the flopping forelock that had traditionally gone with it, back in Muswell Hill or Denmark Street. This, she’d once reasoned, must be due in one of two ways to hairdressers. Either they saw the rock mega-nose and dressed the hair above it out of a call to historical tradition, or they weighed the issue in some instinctive, deeply hairdresserly way, arriving at that massive slash and heft of eye-obscuring forelock through some simple sense of balance.”
― William Gibson, quote from Spook Country
“irony irritated him. There was no place for irony in marketing: it made people want to look for deeper meaning. There was no place in marketing for that, either.”
― Max Barry, quote from Jennifer Government
“I wait
with silent passion
for one gesture
one glance
from you”
― Rumi, quote from The Love Poems of Rumi
“Brandalism
Any advertisement in public space that gives you no choice whether you see it or not is yours. It belongs to you. It's yours to take, rearrange and re-use. Asking for permission is like asking to keep a rock someone just threw at your head.”
― Banksy, quote from Wall and Piece
“The song that was playing above us was You And Me by Lifehouse and he pressed his face into my hair and softly sang the words to me.
What day is it? And in what month?
This clock never seemed so alive
I can't keep up I can't back down
I'm losing so much time
'Cause it's you and me, and all of the people
with nothing to do, nothing to lose
And it's you and me, and all of the people
And I don't know why I can't keep my eyes off of you
I could have died... or cried...or sighed. I wasn't sure what I wanted to do more.”
― Shelly Crane, quote from Defiance
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