Brando Skyhorse · 199 pages
Rating: (2.1K votes)
“The time between your first major fight with your best friend until you make up is, for a teenage girl, about as long as it took for God to create the universe. . . . It's excellent training for having a boyfriend.”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“[D]id you ever notice how friendships are a lot like pop songs? They are for girls, anyway. First there's the newness of it, the melody that streams into your head and makes you wonder ― will I like this song? Then come the vocals, what the song's heart truly sounds like, and with it the song's purpose, it's lyrics ― will they say something meaningful about my life? Will these words help me through a difficult time, or create a memory that will make me smile whenever I hear this song again?”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“There is no elegy for those who have been dispossessed of their anger--what remains is a future carved out of banality instead of blood.”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“Beat sprouts," I croaked, ashamed I'd reached a point in my life where I had to make decisions like choosing between bean sprouts or potato chips (and then going with fucking bean sprouts!).”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“an amaranthine valley of orange groves”
― Brando Skyhorse, quote from The Madonnas of Echo Park
“Sometimes you best avoid talking by being quiet, but sometimes you best avoid talking by talking.”
― Karen Joy Fowler, quote from We Are All Completely Beside Ourselves
“It takes over—fear, I mean. No matter how hard you try to fight it, it takes over, crushing the life out of you.”
― Nicholas Sparks, quote from See Me
“След няколко кратки ноти, акцентирани в стакато, следва акорд, гласът на мама се промъква сред нотите му, превзема една от тях и отскача до небето: започва се. В накъсан ритъм тя слиза от високите ноти, изпети с разчувстваща нежност, до дълбоките и тъмни води на ниските тонове, които изпява като стенание, сякаш животът я напуска, капка по капка. Понякога прави един шум с устните си, сякаш се отваря капачка, на други места се удря по гърдите с длан, за да подчертае музиката, която се лее от гърлото ѝ. Сякаш гласът ѝ разказва някаква история – не само историята на живота ѝ, но и тази на цялото човечество – войните и глада, битките и изпитанията, победите и пораженията. А понякога гласът ѝ бушува в заплашителни вълни, като океана по време на буря, друг път е като водопад, който се спуска по скалата, подскача по камъните и се втурва разпенен надолу към пищната тъмна долина. Гласът ѝ рисува около главата ми златни кръгове като Сатурнови пръстени, люлее се лудешки отгоре надолу, сякаш танцува френски канкан, жалее и потръпва, увива се около някое е ниско фа като бръшлян около ствол на дърво, след като се гмурва в кристалносините води на акорда в сол мажор, който Питър повтаря неколкократно с лявата си ръка… Във възторг съм. Мама е права: никой никога не е използвал гласа си така.”
― Nancy Huston, quote from Fault Lines
“Someone needs to give the Pope thirteen babies. Just for a week or so. See how he likes no birth control then.”
― Laura Moriarty, quote from The Center of Everything
“I make mistakes, but I am on the side of Good," the Golux said, "by accident and happenchance. I had high hopes of being Evil when I was two, but in my youth I came upon a firefly burning in a spider's web. I saved the victim's life."
"The firefly's ?" said the minstrel.
"The spider's. The blinking arsonist had set the web on fire.”
― James Thurber, quote from The 13 Clocks
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