“One need not fight every battle, or die in the struggle, to be a hero.”
― Richard Paul Evans, quote from Battle of the Ampere
“My mom used to say that faith and fear can't exist simultaneously in the mind any more than light and dark can exist simultaneously in the same room.”
― Richard Paul Evans, quote from Battle of the Ampere
“Fate is an excuse for people who are too stupid or too weak to make their own future," he said.”
― Richard Paul Evans, quote from Battle of the Ampere
“Your a skid-mark on the underwear of humanity. -Ostin Liss”
― Richard Paul Evans, quote from Battle of the Ampere
“Grief is a powerful force that settles in the heart like a dark, heavy fog. It was familiar territory to me.”
― Richard Paul Evans, quote from Battle of the Ampere
“what was going on and was sitting up expecting him. Zeus waved McKenna and Ostin over. Ostin took McKenna by the arm and helped her across the hallway into Ian’s cell. “I saw you do something to this,” Ian said, touching the RESAT. “I can disable it,” Ostin said. “Then do it,” Ian said. “It’s killing me.” Ostin attached the wires from his RESAT to Ian’s, then began unfastening the buckles. Ian slipped the box off, groaning in relief. “Thanks, man. I owe you.” Ostin began dissecting the RESAT. “You’re welcome.” “And for saving McKenna.” Ian”
― Richard Paul Evans, quote from Battle of the Ampere
“Elgen can twist the truth all they want, but they can’t change”
― Richard Paul Evans, quote from Battle of the Ampere
“You're a skid-mark on the underwear of humanity.
-Ostin Liss”
― Richard Paul Evans, quote from Battle of the Ampere
Richard Paul Evans
Born place: in Salt Lake City, Utah, The United States
Born date October 11, 1962
See more on GoodReads
“A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol.
...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.”
― Roland Barthes, quote from Mythologies
“I stood and let the feeling of that place fill me. I have often wondered if this was what religious people feel when they pray. It is a feeling of reverence and awe, serenity and belonging. The light breeze, the smell of the forest, the rushing water, the whispering leaves—they seem to fill me, like my soul is opening up and being swept clean. It is the only thing in my life I could call spiritual.”
― Marie Sexton, quote from Promises
“The dragonets found the carpenters to be even more fascinating than the furniture, and followed the poor men from pen to pen, crowding around to watch, tasting the wooden planks, trying to steal the tools. It made for an interesting day for everyone, as the boys tried to keep the dragonets away from the carpenters, and the dragonets tried to get at the carpenters, and the carpenters worked probably a great deal faster than they ever had in their lives, sure that the dragonets would go from tasting the wood to tasting them. ”
― Mercedes Lackey, quote from Alta
“got a kick in the ass from one of our clients. He’d lost his sight in an accident—hard enough, but he was a surgeon. His career, in his mind, was over.” “Was it?” “Of course not. He couldn’t do surgery, but he could other things. Over time, and with a lot of nagging, he began to accept that. He restarted his life, reinvented himself.” “You saved him.” She shook her head, embarrassed. “No. I was just his friend.”
― Karen Rose, quote from I Can See You
“I'm human. That's how humans spend their time, doing shitty things.”
― Nick Hornby, quote from How to Be Good
Sacred Marriage: Cel...
Days and Nights of L...
Objectivism: The Phi...
South of No North
Leepike RidgeBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.
