“Sam found a chair under Robin’s butt and evicted him from it, bringing it over to his pregnant wife.“Sorry, I wasn’t thinking,” Robin apologized.
“Thanks,” Alyssa said to Robin as she sat down, even as she gave Sam a darkly amused look.
“What?” he said. “I was just helping him think.”
― Suzanne Brockmann, quote from All Through the Night
“She smiled at him, the way she always did, even when he woke up at oh-what-the-fuck-hundred.”
― Suzanne Brockmann, quote from All Through the Night
“Here." Sam came over, stripped down to his boxers. "Hunch forward and put your head down."
Robin looked at him. "My safe word is monkey.”
― Suzanne Brockmann, quote from All Through the Night
“When both men had their shirt off, as they did right now, it was like living in an Abercrombie & Fitch ad- a six-pack celebration, complete with triceps and biceps galore.
No doubt about it, Dolphina loved her new job.”
― Suzanne Brockmann, quote from All Through the Night
“Robin didn't like that idea very much-Jules spending time with Adam? "I get jealousy too, you know. You used to be in love with him."
Jules turned his head to look at him. "That was before I knew what love really was". He smiled. "When I met you, Robin, God.... I had to redefine everything. You know, there was this country song my mother really liked. It used to annoy me, I was in my technopop phase, but lately I just... I find myself thinking about the lyrics all the time. That was a river, this is the ocean.... I thought I loved Adam, and I did, but... it wasn't even close to this incredible ocean that I feel for you".”
― Suzanne Brockmann, quote from All Through the Night
Suzanne Brockmann
Born place: The United States
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“Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
“Honest, hopelessly romantic old-fashioned gentleman seeks lady friend who enjoys elegant dining, dancing and the slow bloom of affection.”
― Claire Cook, quote from Must Love Dogs
“Poor girl, so tragic, so bad, poor girl, so dreadful, so sad...
But people are always judging, even when they express sympathy.”
― Andra Brynn, quote from Where I End and You Begin
“The disabilities of the people who came to him were established so young, in such delicate years, that their tender agonies were, by the time they arrived in his office, thickened into a stunned arrangement of expressions, deflections, and shrewd manipulations. No,”
― Elizabeth Strout, quote from Amy and Isabelle
“Love to a woman is what the sun is to the world, it is her life, her animating principle, without which she must droop, and, if the plant be very tender, die. Except under its influence, a woman can never attain her full growth, never touch the height of her possibilities, or bloom into the plenitude of her moral beauty. A loveless marriage dwarfs our natures, a marriage where love is develops them to their utmost.”
― H. Rider Haggard, quote from Dawn
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