“Never do anything yourself that others can do for you.”
― Agatha Christie, quote from The Labours of Hercules
“My remarks are, as always, apt, sound, and to the point. (Hercule Poirot)”
― Agatha Christie, quote from The Labours of Hercules
“These blondes, sir, they're responsible for a lot of trouble.”
― Agatha Christie, quote from The Labours of Hercules
“Mon cher docteur! Do you not think I know the female mentality? The village gossip, it is based always, always on the relations of the sexes. If a man poisons his wife in order to travel to the North Pole or to enjoy the peace of a bachelor existence—it would not interest his fellow-villagers for a minute!”
― Agatha Christie, quote from The Labours of Hercules
“It is fundamentals that matter --- not the trappings. (Alice Cunningham)”
― Agatha Christie, quote from The Labours of Hercules
“Got on! Got on! It's not a question of getting on. That's the wrong view altogether. The Classics aren't a ladder leading to quick success.”
― Agatha Christie, quote from The Labours of Hercules
“Take this Hercules -this hero! Hero, indeed! What was he but a large muscular creature of low intelligence and criminal tendencies!”
― Agatha Christie, quote from The Labours of Hercules
“I gather," he added, "that you've never had much time to study the classics?"
"That is so."
"Pity. Pity. You've missed a lot. Everyone should be made to study the classics, if I had my way."
Poirot shrugged his shoulders.
"Eh bien, I have got on very well without them."
"Got on! Got on? It's not a question of getting on. That's the wrong view all together. The classics aren't a ladder leading to quick success, like a modern correspondence course! It's not a man's working hours that are important--it's his leisure hours. That's the mistake we all make. Take yourself now, you're getting on, you'll be wanting to get out of things, to take things easy--what are you going to do then with your leisure hours?”
― Agatha Christie, quote from The Labours of Hercules
“It will prove, I fear, too Herculean a task for us.”
― Agatha Christie, quote from The Labours of Hercules
“Poirot, watching him, felt suddenly a doubt--an uncomfortable twinge. Was there, here, something that he had missed? Some richness of the spirit? Sadness crept over him. Yes, he should have become acquainted with the classics. Long ago. Now, alas, it was too late....”
― Agatha Christie, quote from The Labours of Hercules
“It's really very unpleasant. And not being able to say anything to answer back makes it rankle more, if you know what I mean.”
― Agatha Christie, quote from The Labours of Hercules
“My dear Mr. Schwartz, you appeared in the nick of time. It might have been a drama on the stage! I am very much in your debt.”
― Agatha Christie, quote from The Labours of Hercules
“It is the sex angle that sells stories, that makes news. give people scandal allied to sex and it appeals far more than any mere political chicanery or fraud. (Hercule Poirot)”
― Agatha Christie, quote from The Labours of Hercules
“But seriously Poirot, what a hobby! Compare that to--" his voice sank to an appreciative purr--"an easy chair in front of a wood fire in a long low room lined with books--must be a long room--not a square one. Books all round one. A glass of port--and a book open in your hand. Time rolls back as you read.”
― Agatha Christie, quote from The Labours of Hercules
“Can one build an honest house on dishonest foundation? I do not know. But I do know that I want to try. (Edward Ferrier)”
― Agatha Christie, quote from The Labours of Hercules
“Take this Hercules - this hero! hero, indeed! What was he but a large muscular creature of low intelligence and criminal tendencies! Poirot was reminded of one Adolfe Durand, a butcher who had been tried at Lyon in 1895 - a creature of oxlike strength who had killed several children. The defence had been epilepsy - from which he undoubtedly suffered - though whether grand mal or petit mal had been an argument of several days' discussion. This ancient Hercules probably suffered from grand mal. No, Poirot shook his head, if that was the Greeks' idea of a hero, then meassured by modern standards, it certainly would not do. The whole classical pattern shocked him. These gods and goddesses - they seemed to have as many different aliases as a modern criminal. indeed they seemed to be definitely criminal types, Drink, debauchery, incest, rape, homicide and chicanery - enought to keep a fuge d'Instruction constantly busy. No decent family life, No order, no method. even in their crimes, no order or method!”
― Agatha Christie, quote from The Labours of Hercules
“The Agatha Christie Collection Christie Crime Classics The Man in the Brown Suit The Secret of Chimneys The Seven Dials Mystery The Mysterious Mr Quin The Sittaford”
― Agatha Christie, quote from The Labours of Hercules
“You might start a new religion yourself, with the creed: 'There is no one so clever as Hercule Poirot, Amen, D. C. Repeat ad lib.'!”
― Agatha Christie, quote from The Labours of Hercules
“starting off from Cranchester. All later events seem to have been wiped”
― Agatha Christie, quote from The Labours of Hercules
“9. Lord Edgware Dies (1933) Poirot”
― Agatha Christie, quote from The Labours of Hercules
Agatha Christie
Born place: in Torquay, Devon, England, The United Kingdom
Born date September 15, 1890
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“If I met you last night, and brought you back to my place, or followed you to yours, and we had sex, that's what we asked for from each other. It's what I got, and what you got. I don't know you. You don't know me. Thanks for playing, and we're done. If by some fluke anything was said at some point during this entire exchange that made me curious enough to see you again, I would.
Has that happened before? A couple of times. Did it last? Clearly, no.”
― Tammara Webber, quote from Between the Lines
“Science has not yet taught us if madness is or is not the sublimity of the intelligence.”
― Marie Hall, quote from Her Mad Hatter
“But, in fact, his reserve might, in some degree, have proceeded from design. If so, then here was evinced the unhealthy climax of that icy though conscientious policy, more or less adopted by all commanders of large ships, which, except in signal emergencies, obliterates alike the manifestation of sway with every trace of sociality; transforming the man into a block, or rather into a loaded cannon, which, until there is call for thunder, has nothing to say. Viewing”
― Herman Melville, quote from Benito Cereno
“After having denounced the absurdities of utopia, let us deal with its merits, and, since men accommodate
social arrangements so well and scarcely distinguish from them the evils immanent within them, let us do
as they do, let us unite ourselves with their unconsciousness.
We shall never praise the utopias sufficiently for having denounced the crimes of ownership, the
horror property represents, the calamities it causes. Great or small, the owner is corrupted, sullied in his essence: his corruption is projected onto the merest object he touches or appropriates. Whether his
“fortune” is threatened or stripped from him, he will be compelled to a consciousness of which he is
normally incapable. In order to reassume a human appearance, in order to regain his “soul,” he must be
ruined and must consent to his ruin. In this, the revolution will help him. By restoring him to his primal
nakedness, it annihilates him in the immediate future and saves him in the absolute, for it liberates—
inwardly, it is understood—those whom it strikes first: the haves; it reclassifies them, it restores to them
their former dimension and leads them back to the values they have betrayed. But even before having the
means or the occasion to strike them, the revolution sustains in them a salutary fear: it troubles their sleep,
nourishes their nightmares, and nightmare is the beginning of a metaphysical awakening. Hence it is as an
agent of destruction that the revolution is seen to be useful; however deadly, one thing always redeems it:
it alone knows what kind of terror to use in order to shake up this world of owners, the crudest of all
possible worlds. Every form of possession, let us not hesitate to insist, degrades, debases, flatters the
monster sleeping deep within each of us. To own even a broom, to count anything at all as our property, is
to participate in the general infamy. What pride to discover that nothing belongs to you—what a
revelation! You took yourself for the last of men, and now, suddenly, astonished and virtually enlightened
by your destitution, you no longer suffer from it; quite the contrary, you pride yourself in it. And all you
still desire is to be as indigent as a saint or a madman.”
― Emil M. Cioran, quote from History and Utopia
“We need to give you two a couple name,” I said, taking a seat on the opposite side of the table. “Lucsey, perhaps?” Luc didn’t bat an eyelash; he simply turned a page of the newspaper. “Call us what you want, Sentinel. We already have a name for you.” That was alarming. Not that there was a way to avoid it, but I wasn’t sure I wanted them discussing my relationship around the Ops Room table. “No, you don’t.” “Yes, we do.” Lindsey stirred her spoon noisily around the walls of the yogurt cup to get the remaining drops. “You’re Methan.” “We’re what?” “Methan. Merit and Ethan. Methan.”
― Chloe Neill, quote from House Rules
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Late Eclipses
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