Hope Was Here
Quotes from the Book
Could I be your girl, too?" I asked quickly. The large, broad-shouldered man looked away before he answered. "Well, now," he said, as though he had given it deep thought, "I sure do think I would like that." "But," I said, concerned that he hadn't noticed, "I don't look like your other girls." "You mean because you white?" I nodded. "Abinia," he said, pointing toward the chickens, "you look at those birds. Some of them be brown, some of them be white and black. Do you think when they little chicks, those mamas and papas care about that?
[Y]et, I wondered why Marshall did not at least attempt a kiss. In many ways, his treatment of me reminded me of the way I had behaved toward the doll that Mamma Mae had given me as a child. I favored it so that I had refused myself of the joy of playing with it, daring to love it only with my eyes. But in doing so, I had denied myself its very purpose.
We a family, carin' for each other. Family make us strong in times of trouble. We all stick together, help each other out. That the real meanin' of family. When you grow up, you take that family feelin' with you.
...but like Mama say, sometimes we got to live it out before we learn.
What the color is, who the daddy be, who the mama is don't mean nothin'. We a family, carin' for each other. Family make us strong in times of trouble. We all stick together, help each other out. That the real meanin' of family.
You look at today, chil'. You say, 'Thank you, Lawd, for everythin' you gives me today.' Then you worries about the next day when the next day come.
This world is not the only home. This world is for practice to get things right.
Chil', there things in this world you don't know about yet. We your family, that never change. Even when you find a white boy and gets married, we still your family. Mama always your mama, Belle always your Belle." I stopped crying. "What about Papa and Ben?" I asked hopefully. "They watch out for you just like now. Abinia" - Mama looked into my eyes - "you on the winnin' side. One day might be you lookin' out for us.
This world is not the only home. This world is for practice to get things right. Times, the Lawd say, ‘Nope, that mama, that baby Henry, they too sweet to stay away from Me no more. I brings them home.
there are times we got to trust the Lawd.” Somehow
Then you go ahead and cry, " Will said. That ended my weeping. Had he asked me not to cry, I would not have been able to stop, but his permission somehow quit my tears.
The next day she came to my room and gave me a pamphlet to read. Information in it implied that the union between married couples was, while performed by men, to be endured by women. Meanwhile,
That some long time away. You look at today, chil’. You say, ‘Thank you, Lawd, for everythin’ you gives me today.’ Then you worries about the next day when the next day come.” I
Abinia,” he said, pointing toward the chickens, “you look at those birds. Some of them be brown, some of them be white and black. Do you think when they little chicks, those mamas and papas care about that?” I
in front of the embers for a long time. DORY AND I WERE SITTING together in the blue room, and while Dory fed Campbell, I held Sukey. It was an early week in December, the first
You look at those birds. Some of them be brown, some of them be white and black. Do you think when they little chicks, those mamas and papas care about that?
There are times we got to trust the Lawd.
Then you go ahead and cry," Will said. That ended my weeping. Had he asked me not to cry, I would have not been able to stop, but his permission somehow quite my tears.
With each passing month, I was introduced to other aspects of a new and pleasant world. Yet, though most of my days were spent in happy pursuit, always, underlying, was the tenuous feeling of an uncertain future.
I was not ungrateful for the fortunate circumstances I found myself in, but through all my time in Williamsburg, my deep longing to return home did not abate.
My grandma showed me that there is always something to learn, that everybody got something to tell you.
With horrid premonition, I saw in the future the likelihood of this man becoming a victim of my own unhappiness.
I often dreamed that I was on a ship. I would wake, my heart pounding from fear of the next wave, the one that would wash away all that was familiar. T
Now he have the fear. If he put that fear into hisself, nothin’ make him happy. If he put the fear back into the world, everythin’ be a reason to fight.
When there was a conversational lull, I remembered my duty and asked my guest about himself. I listened for quite some time as Marshall went on, noting with an inward smile how right Miss Sarah had been when she said that no man could resist talking about himself.
This one, built in 1773, sat on the edge of town and was more commonly known as the Hospital for the Insane. Its reputation was growing, and it was to this hospital that Miss Martha was admitted. The hospital accepted only those who were dangerous or curable. I was never told under which of these two categories Miss Martha was signed in. The Maddens had an inviting home. Within easy
When I relented and ventured forth into the healing sun, I realized how much of a recluse I had become.
Thirteen years old. Not a boy, not a man.
Maybe when he’s done, I’ll ask Will if Lucy
Did you know?
- "The Kitchen House" was Kathleen Grissom's debut novel.
- The story is set on a Virginia tobacco plantation beginning in 1790.
- The novel is narrated in alternating first-person voices by Lavinia, a white indentured Irish orphan, and Belle, an enslaved woman.
- It became a New York Times bestseller and a widely read book-club selection.
- Grissom wrote a sequel, "Glory Over Everything: Beyond the Kitchen House," published in 2016.
About Kathleen Grissom
About the book
"The Kitchen House" is Kathleen Grissom's 2010 debut historical novel, set on a Virginia tobacco plantation beginning in 1790. Orphaned during her passage from Ireland, seven-year-old Lavinia arrives with no memory of her past and is put to work as an indentured servant among the enslaved workers of the plantation's kitchen house. Taken in by Belle, the master's illegitimate daughter, and the wider kitchen-house family, Lavinia grows up deeply bonded to the people who raise her, yet she remains set apart from them by her white skin.
As she comes of age, Lavinia is gradually drawn into the world of the big house, where the master is often absent and the mistress struggles with an opium addiction. Told in alternating first-person narration by Lavinia and by Belle, the novel traces how Lavinia comes to straddle two irreconcilable worlds. When loyalties are tested and long-buried truths surface, the collision between the plantation's rigid racial order and the bonds of the family that raised her drives the story toward tragedy.
The novel explores slavery, family, belonging, and the violence and secrets that underpin plantation society, viewed through the divided position of a white girl raised among the enslaved. A word-of-mouth and book-club favorite, it became a New York Times bestseller and established Grissom's reputation; she later returned to these characters in the 2016 sequel "Glory Over Everything: Beyond the Kitchen House."
Key characters
- LaviniaIrish orphan raised as an indentured servant in the kitchen house
- BelleThe master's illegitimate daughter who cares for Lavinia
- MarshallSon of the plantation's master
- Mama MaeMatriarch of the enslaved kitchen-house family
- Papa GeorgeEnslaved patriarch and Mama Mae's husband
- Belle's familyThe enslaved household that adopts and raises Lavinia
Book details
- First published
- 2010
- Length
- 368 pages
- Reading time
- 7 hours
- Author
- Kathleen Grissom
- Genre
- Fiction
- Goodreads rating
- 4.24 (309k ratings) →
Series & reading order
- 1 The Kitchen House
- 2 Glory Over Everything: Beyond the Kitchen House
If you liked this, read…
- 1The HelpExplores race, servitude, and intertwined lives across the color line in the American South.
- 2The Invention of WingsHistorical fiction centering an enslaved woman and a white woman bound together on a Southern plantation.
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