“At that moment - in that small, concise, perfectly clear moment of time - I knew. It was that moment I fell in love with him. It actually caused me to stop, and time froze for just a second. But that feeling was so right, and so strong, that I knew I wasn't wrong.”
― Jessica Verday, quote from The Hollow
“I decided right then and there to make a snickerdoodle perfume to wear, so that one day he would sniff me like that.”
― Jessica Verday, quote from The Hollow
“Are you going to be all right now? No more tears? I don't know how to handle crying girls. Every time my five-year-old sister turns on the waterworks, I end up buying her a Barbie. You don't need a new Barbie, do you?”
― Jessica Verday, quote from The Hollow
“I felt my cheeks turn red, and she laughed out loud. But I didn't mind too much, because the last thing she saw was my middle finger aimed in her direction as I stepped outside”
― Jessica Verday, quote from The Hollow
“Anyway." I cleared my throat loudly. "Thank you again for the beautiful necklace. It's perfect, and I love it. Where did you find it? I've never seen anything like it before."
It was his turn to look embarrassed and he ducked his head. "That's because I made it." He peeked up at me, and my heart melted. Am I dreaming? This has to be a dream.
"You made it?" Something wet hit my cheek and I brushed it away, impatiently waiting for his answer.
"Yeah," he said shyly. "I did.”
― Jessica Verday, quote from The Hollow
“How do you say hello to someone when you 've just found out that you
love him?”
― Jessica Verday, quote from The Hollow
“He didn't want me to get hurt? Wow. Just wow. I might actually be close to a swoon here”
― Jessica Verday, quote from The Hollow
“Do you know what the name Astrid means?" He switched gears again and I was helpless to follow.
"No."
It means 'star'. That's what I think of you as, Abbey. One day I looked up, and there you were. A fiery spot of light surrounded by darkness. You make me feel like anything is possible.”
― Jessica Verday, quote from The Hollow
“I tried to give him my best you're-so-sexy-and-I'm-impressed look, but I don't think it worked.”
― Jessica Verday, quote from The Hollow
“Obviously this was one of those stupid guy moments and he didn't understand what I wanted. I was going to explain it to him very, very soon.
-Abbey”
― Jessica Verday, quote from The Hollow
“So that was what the blush was for? Because he was admitting he didn't wash his hands? I thought it was like some guy requirement to be dirty most of the time.”
― Jessica Verday, quote from The Hollow
“So did Caspian leave this behind when he went off to college or something?'
'No.'
Don't say it. Please don't say it.
'He died a little more than two years ago in a car accident. Right after Halloween”
― Jessica Verday, quote from The Hollow
“He didn't answer me, but held my gaze intently as he stood and slowly started to reach for the bottom of his sweater. He turned around and lifted it up over his shoulders, and I forgot how to breath. The sweater slid off of him in one long smooth motion and messed up his hair, leaving it tousled and sexy-looking. An interlooking chain of small black circles and triangles was etched onto each shoulder blde, ending halfway down his back... He turned back around to face me, and his green eyes stared right through me... I gulped again and tried very hard not to drool”
― Jessica Verday, quote from The Hollow
“Bye Caspian!' I called out. He stopped, and threw me a big grin over his shoulder. I grinned back like the Cheshire cat. What was it about him that made me feel so ridiculously happy?”
― Jessica Verday, quote from The Hollow
Jessica Verday
Born place: The United States
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“A wonder tale can be truer than true," I said. I had learned (...) that the deepest kind of truth can be found in the strangest and wildest of stories. One may not meet a fire-breathing dragon on the way to the well. One may not encounter an army of toothed snakes in the woodshed. That does not make the wisdom in those tales any less real.”
― Juliet Marillier, quote from Seer of Sevenwaters
“Every sin is an act of cosmic treason, a futile attempt to dethrone God in His sovereign authority.”
― R.C. Sproul, quote from The Holiness of God
“Perhaps Court was just an ignorant Scot, but he preferred two things in his surgeons: that they be sober, and that they have lived long enough to have practiced on others before getting to him.”
― Kresley Cole, quote from If You Dare
“Con quale velocità, pensò l'ingegnere, la natura si riprende ciò che ha dovuto cedere: pioggia e gelo sbriciolano la muratura, le strade sono sepolte da strati verdi di erbaccia, gli acquedotti sono ostruiti dalla stessa acqua per portare la quale sono stati costruiti. Quella della civiltà è un'incessante guerra che l'uomo è destinato a perdere.”
― Robert Harris, quote from Pompeii
“В быстролётные годы расцвета женской красоты она отлично служит притворству, к которому вынуждает женщину её природная слабость и законы нашего общества. Чудесный, свежий цвет лица, блеск глаз, изящный рисунок тонких черт, богатство линий, резких или округлых, но чистых и совершенно законченных, — завеса для всех её сокровенных волнений; если она покраснеет, это не выдаст движения её души, а только оживит и без того яркие краски; огонь её глаз, горящих жизнью, в ту пору скрадывает все внутренние вспышки, и пламя страданий, вырываясь на миг, делает её ещё пленительнее. Итак, нет ничего более непроницаемого, чем молодое лицо, ибо нет ничего неподвижнее. Лицо молодой женщины безмятежно, гладко, ясно, как поверхность дремлющего озера. Своеобразие начинает появляться в женском лице лишь к тридцати годам. До этого возраста художнику не найти в нём ничего, кроме бело-розовых красок, улыбок и выражения, которое повторяет одну и ту же мысль, — мысль о радостях молодости и любви, мысль однообразную и неглубокую; но в старости, когда женщина всё уже испытала, следы страстей словно врезаются в лицо её; она была любовницей, супругой, матерью; самые сильные проявления счастья и горя в конце концов меняют облик человека, искажают черты, бороздя лицо неисчислимыми морщинами, наделяя каждую из них своим языком; и женщина становится тогда величественной в своём страдании, прекрасной в печали своей, великолепной в своей невозмутимости, и если нам позволено будет развить наше необычайное сравнение, то в высохшем озере станут тогда видны следы всех родников, питавших его; тогда лицо женщины уже не привлечёт внимания света, ибо в легкомыслии своём свет будет напуган тем, что разрушены его привычные понятия о красоте; не привлечёт оно и посредственного, ничего не смыслящего художника, зато вдохновит истинного поэта, того, кто наделён чувством прекрасного, кто свободен от всех условностей, на которых зиждется столько ложных понятий об искусстве и красоте.
Люди несчастные, привыкшие взывать к небу с мольбой об утешении в горестях жизни, сразу бы распознали по взгляду этой женщины, что и для неё молитва является единственным прибежищем в повседневных страданиях и что у неё ещё кровоточат те тайные раны, от которых гибнут все цветы души, вплоть до материнских чувств. У живописца есть краски для таких портретов, но никакими словами не передать их; сущность лица, его выражение — само по себе явление необъяснимое, и лишь зрение помогает нам уловить его; у писателя есть только один способ дать представление о страшных переменах, происшедших во внешности его героев: он должен рассказать о тех событиях, из-за которых они появились. Всё в этой женщине говорило о бесшумной ледяной грозе, о тайной борьбе между героизмом страдающей матери и убожеством наших чувств, недолговечных, как и мы сами, в которых нет ничего вечного.
Люди хорошо воспитанные, и особенно женщины, скрытны в проявлении своих чувств, и о волнении их сердца догадается лишь тот, кому довелось испытать в жизни всё, что испытывала исстрадавшаяся мать.”
― Honoré de Balzac, quote from A Woman Of Thirty
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