Quotes from The Dig

Cynan Jones ·  159 pages

Rating: (738 votes)


“As he looked out in the pitch dark beyond, a barn owl came into the floodlight, glid silently between the barns and was gone, seeming to leave some ghost of itself, some measureless whiteness in the air.”
― Cynan Jones, quote from The Dig


“A singular moth flutters in through the wind baffles to the naked bulb above the kettle, cuspid, a drifting piece of loose ash on the white filament, paper burnt up, caught in the rising current from some fire unseen, unfelt.”
― Cynan Jones, quote from The Dig


“He thinks of her sleeping now, the rest she needs, thinks of the warmth of her body, the nest-like thing she could be to his tiredness.”
― Cynan Jones, quote from The Dig


“And then he draws the lamb in one smooth strong stroke, and slaps and rakes its wet mosslike fur to make it breathe, feels the power of its fast heartbeat in the chicken-bone cage of its ribs, still wet in his hands from the grease of birth, all these things of life, from jissom to mucus slavered between thighs to the wet sack of birth and glistening oiled newborn thing—all of these things of life awatered.”
― Cynan Jones, quote from The Dig


“It is the ability of a person to bring a reaction in us that gives us a relationship with them, and for the time they do that they have a livingness to them.”
― Cynan Jones, quote from The Dig



“I wonder if she feels from me the thing I feel about her when I touch her. Not in sex, which he understood now was a different thing from everything else. I just mean when I touch her skin before we sleep and I understand all the things beneath it. Animals can't have that. They can't build their loved ones that way and feel right through their skin. That's never worn off, whatever else. He looked a where she slept. I can't imagine living without that.”
― Cynan Jones, quote from The Dig


About the author

Cynan Jones
Born place: in Aberystwyth, The United Kingdom
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“For before I met my friend there had been a period when I was prey to a morbid melancholy, if not depression, when I really believed I was lost, when for years I did no proper work but spent most of my days in a state of total apathy and often came close to putting an end to my life by my own hand. For years I had taken refuge in a terrible suicidal brooding, which deadened my mind and made everything unendurable, above all myself—brooding on the utter futility all around me, into which I had been plunged by my general weakness, but above all my weakness of character. For a long time I could not imagine being able to go on living, or even existing. I was no longer capable of seizing upon any purpose in life that would have given me control over myself. Every morning on waking I was inevitably caught up in this mechanism of suicidal brooding, and I remained in its grip throughout the day. And I was deserted by everyone because I had deserted everyone—that is the truth—because I no longer wanted anyone. I no longer wanted anything, but I was too much of a coward to make an end of it all. It was probably at the height of my despair—a word that I am not ashamed to use, as I no longer intend to deceive myself or gloss over anything, since nothing can be glossed over in a society and a world that perpetually seeks to gloss over everything in the most sickening manner—that Paul appeared on the scene at Irina’s apartment in the Blumenstockgasse.”
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