Quotes from The Dervish House

“Water splashes and runs in a film across the glass floor suspended above the mosaics. The Hacı Kadın hamam is a typical post-Union fusion of architectures; Ottoman domes and niches built over some forgotten Byzantine palace, years and decades of trash blinding, gagging, burying the angel-eyed Greek faces in the mosaic floor; century upon century. That haunted face was only exposed to the light again when the builders tore down the cheap apartment blocks and discovered a wonder. But Istanbul is wonder upon wonder, sedimented wonder, metamorphic cross-bedded wonder. You can’t plant a row of beans without turning up some saint or Sufi. At some point every country realizes it must eat its history. Romans ate Greeks, Byzantines ate Romans, Ottomans ate Byzantines, Turks ate Ottomans. The EU eats everything. Again, the splash and run as Ferid Bey scoops warm water in a bronze bowl from the marble basin and pours it over his head.”
― Ian McDonald, quote from The Dervish House

“You collect art: you must know that the miniature artists, at the end of careers spent painting the tiniest, most exacting details that no one would ever look at, would often put their eyes out with needles. Too much beauty, yes, but also too much seeing. They were tired of seeing. The dark was safe and warm and comfortable. Blindness was a gift. I still have seeing to do.”
― Ian McDonald, quote from The Dervish House

“Mr. Durukan, if God is dead then everything is conspiracy.”
― Ian McDonald, quote from The Dervish House

“We were young and thought we were invincible and we threw ourselves into the gears of history and it ground us up.”
― Ian McDonald, quote from The Dervish House

“Legends should stay legends otherwise they just become history, when the natural course of things is the other way around, from history to legend.”
― Ian McDonald, quote from The Dervish House

“This is always always always what she wished a bazaar to be. Demre, proudly claiming to be the birthplace of Santa Claus, was direly lacking in workshops of wonder. Small corner stores, an understocked chain supermarket on the permanent edge of bankruptcy and a huge cash and carry that serviced the farms and the hotels squeezed between the plastic sky and the shingle shore. Russians flew there by the charter load to sun themselves and get wrecked on drink. Drip irrigation equipment and imported vodka, a typical Demre combination. But Istanbul; Istanbul was the magic. Away from home, free from the humid claustrophobia of the greenhouses, hectare after hectare after hectare; a speck of dust in the biggest city in Europe, anonymous yet freed by that anonymity to be foolish, to be frivolous and fabulous, to live fantasies. The Grand Bazaar! This was a name of wonder. This was hectare upon hectare of Cathay silk and Tashkent carpets, bolts of damask and muslin, brass and silver and gold and rare spices that would send the air heady. It was merchants and traders and caravan masters; the cornucopia where the Silk Road finally set down its cargoes. The Grand Bazaar of Istanbul was shit and sharks. Overpriced stuff for tourists, shoddy and glittery. Buy buy buy. The Egyptian Market was no different. In that season she went to every old bazaar in Sultanahmet and Beyoğlu. The magic wasn’t there.”
― Ian McDonald, quote from The Dervish House

“Is this a Kurdish thing?’
‘What?’
‘Being deliberately contradictory?”
― Ian McDonald, quote from The Dervish House

“I do rather like birds,’ Abdullah Unul says. ‘They’re busy, active little things. They make do. Have you ever thought, if Istanbul were to have an official bird, what would it be? I bet you’d think stork straight away. Maybe a sparrow. Me, the official bird of Istanbul would have to be the seagull. What do you see dancing around the Ramazan lights, what’ s following the ships up and down the Bosphorus, what’s facing into the wind on the rocks down by the water side. The common or garden gull, that’s what. For all those reasons, the seagull for me is Istanbul, but mostly because it practises kleptoparasitism. You may not have heard of that. I’ll explain. It’s a behaviour when one animal takes prey from another that has the job of catching or killing it. In seagulls it’s letting some other bird do all the hard work of catching the fish or a bit of bread and then taking it off them as they’re about to eat it. It’s the reason they’re the success they are. So, I’ll have that Koran. Both parts. To be honest, I’d prefer cash, but I imagine there’s a market for that gadgetry you have out there in Fenerbahçe.”
― Ian McDonald, quote from The Dervish House

“She was theorizing on the Deep State; that enduring Turkish paranoia that the nation really was a conspiracy run by a cabal of generals, judges, industrialists and gangsters. The Taksim Square massacre of three years before, the Kahramanmaraş slaughter of Alevis a few months after, the oil crisis and the enduring economic instability, even the ubiquity of the Grey Wolves nationalist youth movement handing out their patriotic leaflets and defiling Greek Churches: all were links in an accelerating chain of events running through the fingers of the Derin Devlet. To what end? the men asked. Coup, she said, leaning forward, her fingers pursed. It was then that Georgios Ferentinou adored her. The classic profile, the strength of her jaw and fine cheekbones. The way she shook her head when the men disagreed with her, how her bobbed, curling hair swayed. The way she would not argue but set her lips and stared, as if their stupidity was a stubborn offence against nature. Her animation in argument balanced against her marvellous stillness when listening, considering, drawing up a new answer. How she paused, feeling the regard of another, then turned to Georgios and smiled.
In the late summer of 1980 Georgios Ferentinou fell in love with Ariana Sinanidis by Meryem Nasi’s swimming pool. Three days later, on September 12th, Chief of General Staff Kenan Evren overthrew the government and banned all political activity.”
― Ian McDonald, quote from The Dervish House

“Have you ever looked at a map of our country, Necdet?’ Green Headscarf says. ‘It’s a map of the human mind. We’re split by water over two continents, Europe and Anatolia. We are seven per cent Europe, ninety-three per cent Asia. Conscious Thrace, unconscious, pre-conscious, sub-concious Anatolia. And Istanbul — have you ever seen a neuron, Necdet? A brain cell? The marvel is that the synapses don’t touch. There is always a gap — there must a gap, otherwise consciousness would not exist. The Bosphorus is that synaptic cleft. Potential can flow across the cleft. It’s the cleft that makes consciousness possible.”
― Ian McDonald, quote from The Dervish House

“It’s one thing building a cloister to reflect the 768 of the numerological Bismillah, it’s another planning a giant alphabet out of an entire city before you’ve even built your first mosque.’
‘It is, but remember, Sinan was chief architect and city planner at the time of the conquest of Cairo. He practised on that city; demolishing and building where he liked. I have no doubt that he was already forming the idea of a sacred geometry. His first building as Architect of the Abode of Felicity was the Haseki Hürrem Mosque for the Kadin Roxelana. Not his greatest work by any means, and he was working from existing designs, but it was identifiable as his first mature work. There’s a story in his autobiography Tezkiretül Bünyan that while he was surveying the site he noticed that children were pulling live fish from a grating in the street. When he went to investigate he discovered an entire Roman cistern down there. Perhaps it was this that inspired him to realize his vision. Hidden water. The never-ceasing stream of Hurufism.”
― Ian McDonald, quote from The Dervish House

“A joyful task,’ he says and she realizes that he welcomes the idea of years of searching, tile by tile, inscription by inscription, cornice by cornice and niche by niche, that the painstaking search of Sinan’s greatest achievement, decades long, is the holy task; that the secret letter is cut in every stone and tile. By the time you find it, you have realized the supreme unimportance of finding it. A Sufi lesson.”
― Ian McDonald, quote from The Dervish House

“The army doctor who had patched up his hands and examined him after the rescue at Kayişdaği told him a story about the Mevlana, the great saint whose order built this tekke. The Mevlana had a friend, Şams of Tabriz, a spiritual friend, the other half of his soul, one spirit in two bodies. Together they explored the depth of God in ceaseless conversation. The dervishes grew jealous of the one-in-twoness and quietly killed Şams of Tabriz. When the Mevlana was unable to find his friend, the only possible conclusion was that they had merged and Şams was now part of him.
Why should I seek?
I am the same as he.
His essence speaks through me.
I have been looking for myself.
Necdet knows how long Hızır will be with him.”
― Ian McDonald, quote from The Dervish House

“He never looked great but he's dreadful now, face thin and eyes staring like you see in cartoons of mad imams and hunched over. If that's what God does to you you should pick your friends more carefully.”
― Ian McDonald, quote from The Dervish House

“If God truly were inside you, could you bear to look at it? Necdet says.”
― Ian McDonald, quote from The Dervish House

“If there is one thing will kill Turkey,’ she would say, ‘it is a famine of ideas.’
No one in her coterie dared mention that if anything was killing Turkey it was a surfeit of ideas, too many political visions and ideologies. But the head of the school of economics did mention a particularly bright and aggressive undergraduate who was fighting a ridiculous but valorous battle against an American academic of ten times his experience and a hundred times his reputation. Three days later the invitation arrived on Georgios Ferentinou’s desk. Not even his unworldliness could ignore a summons from Meryem Nasi. So he found himself stiff as a wire in a hired suit and cheap shoes clutching a glass on her Yeniköy terrace, grimacing nervously at anyone who moved through his personal space.”
― Ian McDonald, quote from The Dervish House

“Well, the human genome has massive redundancy - that means that two per cent of the DNA does all the work of instructing the ribosomes that build the proteins that make up the cells of your body. Ninety-eight per cent of your DNA just sits there doing nothing. Taking up space in the gene.”
― Ian McDonald, quote from The Dervish House

“And how did you find the East?’
‘It’s a shit-hole. But it’s our shit-hole.”
― Ian McDonald, quote from The Dervish House

“After the plates are removed by the silent and swift waiting staff, General Çiller leans forward and says across the table to Güney, ‘What’s this I’m reading in Hürriyet about Strasbourg breaking up the nation?’
‘It’s not breaking up the nation. It’s a French motion to implement European Regional Directive 8182 which calls for a Kurdish Regional Parliament.’
‘And that’s not breaking up the nation?’ General Çiller throws up his hands in exasperation. He’s a big, square man, the model of the military, but he moves freely and lightly ‘The French prancing all over the legacy of Atatürk? What do you think, Mr Sarioğlu?’
The trap could not be any more obvious but Ayşe sees Adnan straighten his tie, the code for, Trust me, I know what I’m doing,
‘What I think about the legacy of Atatürk, General? Let it go. I don’t care. The age of Atatürk is over.’
Guests stiffen around the table, breath subtly indrawn; social gasps. This is heresy. People have been shot down in the streets of Istanbul for less. Adnan commands every eye.
‘Atatürk was father of the nation, unquestionably. No Atatürk, no Turkey. But, at some point every child has to leave his father. You have to stand on your own two feet and find out if you’re a man. We’re like kids that go on about how great their dads are; my dad’s the strongest, the best wrestler, the fastest driver, the biggest moustache. And when someone squares up to us, or calls us a name or even looks at us squinty, we run back shouting ‘I’ll get my dad, I’ll get my dad!’ At some point; we have to grow up. If you’ll pardon the expression, the balls have to drop. We talk the talk mighty fine: great nation, proud people, global union of the noble Turkic races, all that stuff. There’s no one like us for talking ourselves up. And then the EU says, All right, prove it. The door’s open, in you come; sit down, be one of us. Move out of the family home; move in with the other guys. Step out from the shadow of the Father of the Nation.
‘And do you know what the European Union shows us about ourselves? We’re all those things we say we are. They weren’t lies, they weren’t boasts. We’re good. We’re big. We’re a powerhouse. We’ve got an economy that goes all the way to the South China Sea. We’ve got energy and ideas and talent - look at the stuff that’s coming out of those tin-shed business parks in the nano sector and the synthetic biology start-ups. Turkish. All Turkish. That’s the legacy of Atatürk. It doesn’t matter if the Kurds have their own Parliament or the French make everyone stand in Taksim Square and apologize to the Armenians. We’re the legacy of Atatürk. Turkey is the people. Atatürk’s done his job. He can crumble into dust now. The kid’s come right. The kid’s come very right. That’s why I believe the EU’s the best thing that’s ever happened to us because it’s finally taught us how to be Turks.’
General Çiller beats a fist on the table, sending the cutlery leaping.
‘By God, by God; that’s a bold thing to say but you’re exactly right.”
― Ian McDonald, quote from The Dervish House

“Ayşe has always admired the Ottoman talent for euphemism. The Auspicious Event was the massacre and execution of ten thousand Janissaries. Bodies had been heaped in the Hippodrome, rotting in the June heat. The more perfumed the language, the more brutal the repression.”
― Ian McDonald, quote from The Dervish House

“In our five thousand years of civilization, our history has often been the handmaid of geography. We lie exactly midway between the North Pole and the Equator. We are the gateway between the Fertile Crescent and Europe, between landlocked Central Asia and the Mediterranean world and beyond that, the Atlantic. Peoples and empires have ebbed and flowed across this land. Even today sixty per cent of Europe’s gas supply either passes down the Bosphorus or runs under our very feet through pipelines. We have always been the navel of the world. Yet our favoured location by its very nature surrounded us with historical enemies; to the north, Russia to the south, the Arabs; to the east, Persia and to the west, the Red Apple itself, Europe.’
The Red Apple, the myth of Ottoman imperialism. When Mehmet the Conqueror looked out from the parapets of his fortress of Europe at Constantinople, the Red Apple had been the golden globe in the open palm of Justinian’s statue in the Hippodrome, the symbol of Roman power and ambition. Mehmet rode through the crumbling Hippodrome, the decaying streets of dying Byzantium and the Red Apple became Rome itself. The truth of the Red Apple was that it would always be unattainable, for it was the westering spirit, the globe of the setting sun itself.
‘Now we find ourselves caught between Arab oil, Russian gas and Iranian radiation and we found that the only way we could take the Red Apple was by joining it.’
This is poor stuff, Georgios thinks. You would not insult undergraduates’ intelligence with this.”
― Ian McDonald, quote from The Dervish House

“The exoneration of the mass. No one voice is to blame. But his voice was there.”
― Ian McDonald, quote from The Dervish House

“Do you think it’s a conspiracy?’
‘Mr Durukan, if God is dead then everything is conspiracy.”
― Ian McDonald, quote from The Dervish House

“It is a fake, but a good fake. Turkey is the land of the masterful fake. But it is far far from that hateful little eighth-floor apartment huddling between the roar of the expressway and the blare of the mosque.”
― Ian McDonald, quote from The Dervish House

“It’s another post-EU incongruity. Spas are sissy, indulgent, European. Hamams are authentic and Turkish.”
― Ian McDonald, quote from The Dervish House

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