Alan Bradley · 315 pages
Rating: (21.8K votes)
“One of the marks of a truly great mind, I had discovered, is the ability to feign stupidity on demand.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“What are we going to do, Dogger?'
It seemed a reasonable question. After all he had been through, surely Dogger knew something of hopeless situations.
'We shall wait upon tomorrow,' he said.
'But--what if tomorrow is worse than today?'
'Then we shall wait upon the day after tomorrow.'
'And so forth?' I asked.
'And so forth,' Dogger said.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“Feely had the knack of being able to screw one side of her face into a witchlike horror while keeping the other as sweet and demure as any maiden from Tennyson. It was perhaps, the one thing I envied her.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“If stupidity were theoretical physics, then I would be Albert Einstein.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“We might as well face it: Death is a bore. It is even harder on the survivors than on the deceased, who at least don’t have to worry about when to sit and when to stand, or when to permit a pale smile and when to glance tragically away.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“Although it seems shocking to say so, grief is a funny thing. On the one hand, you're numb, yet on the other, something inside is trying desperately to claw its way back to normal: to pull a funny face, to leap out like a jack-in-the-box, to say "Smile, damn you, smile!”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“One of the things I love about myself is my ability to remain open to suggestion.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“I suddenly realized that there's something about singing hymns with a large group of people that sharpens the senses remarkably. I stored this observation away for later use; it was a jolly good thing to know for anyone practicing the art of detection.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“Was he being what Daffy called “ironical”? She had once told me that the word meant the use of veiled sarcasm: the dagger under the silk. “The smiler with the knife!” she had hissed in a horrible voice.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“Foolishness in a grown man, no matter how lighthearted, is disgusting.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“In the old legends, anyone who willingly took up the Earth upon their shoulders was doomed to carry it forever: a curse, it seemed, with no way out.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“Kill him." Dr. Kissing repeated my words in a flat, matter-of-fact voice. "Just so. But 'kill,' as you will have observed, like 'spy' and 'stop,' is really just one more of those short but exceedingly troublesome words.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“…it is a well-known fact that more than two men shut up together in an enclosed space for more than an hour constitute a hazard to society. If unpleasantness is to be avoided, they must be made to go outdoors and work off their animal spirits.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“I don't care' is the last bit of baggage to be tossed overboard in a losing argument.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“In ordinary circumstances, I would have responded to such a command by sending up a reply that would have given Undine's mother a perm that would be truly everlasting, but I restrained myself.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“I'm very sorry about your mother, Flavia. I can't even begin to imagine how you must feel." At least the man had the sense to admit it.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“To my mind, if Nature had wanted us to have bright red fingertips, She would have caused us to be born with our blood on the outside.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“the de Luce coat of arms: per bend sinister sable and argent, two lucies haurient counterchanged. The crest, the moon in her detriment, and the motto “Dare Lucem.” “The moon in her detriment” was a moon eclipsed, and the “lucies,” of course, were silver and black luces, or pikes, a double pun on the name de Luce. “Haurient” meant simply that the pikes were standing on their fishy tails.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“Life’s like that, too,” Aunt Felicity continued. “Too much push, and bang through the bottom one goes. Still, if one doesn’t paddle, one doesn’t get anywhere.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“the freedom of it all—the sense of having left one’s body, but not one’s mind, behind. Unless you happened to be a bird, the body was of little use up here: You could not run or jump as you did on the ground, but only observe. In a strange way, being an aviator was like being a departed soul: You could look down upon the Earth without actually being present, see all without being seen. It was easy enough to see why God, having called the dry land “Earth” and the gathering together of the waters “the Seas,” saw that it was good.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“Why don’t they embed the dead in blocks of plate glass and bury them in crypts beneath transparent floors? In that way, the deceased would easily be able to see God for themselves, and He to see them,”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“It was easy enough to see why God, having called the dry land "Earth" and the gathering together of the waters "the Seas," saw that it was good.
I could picture the Old Fellow lifting up the horizon like the lid of a stewing pot and peeking in with one red eye to admire His Creation: to see how it was coming along.
It was good!”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“These (all the poor Remains of State) Adorn the Rich, or praise the Great; Who while on Earth in Fame they live, Are senseless of the Fame they give. Thomas”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“What are we going to do, Dogger?” It seemed a reasonable question. After all he had been through, surely Dogger knew something of hopeless situations. “We shall wait upon tomorrow,” he said. “But—what if tomorrow is worse than today?” “Then we shall wait upon the day after tomorrow.” “And so forth?” I asked. “And so forth,” Dogger said.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches
“I choose whether this world lives or dies. And I’m happy to watch it burn to dust if you expect a slave instead of a queen.”
― Soman Chainani, quote from The Last Ever After
“LARRY--(with increasing bitter intensity, more as if he were fighting with himself than with Hickey) I'm afraid to live, am I?--and even more afraid to die! So I sit here, with my pride drowned on the bottom of a bottle, keeping drunk so I won't see myself shaking in my britches with fright, or hear myself whining and praying: Beloved Christ, let me live a little longer at any price! If it's only for a few days more, or a few hours even, have mercy, Almighty God, and let me still clutch greedily to my yellow heart this sweet treasure, this jewel beyond price, the dirty, stinking bit of withered old flesh which is my beautiful little life! (He laughs with a sneering, vindictive self-loathing, staring inward at himself with contempt and hatred. Then abruptly he makes Hickey again the antagonist.) You think you'll make me admit that to myself?”
― Eugene O'Neill, quote from The Iceman Cometh
“that we conduct our thoughts along different ways, and do not fix our attention on the same objects.”
― René Descartes, quote from Discourse on Method and Meditations on First Philosophy
“There is a fundamental tension between science and freedom - no matter how science is viewed by its practitioners nor how freedom is sensed by those who believe they have it.”
― Frank Herbert, quote from The Dosadi Experiment
“Just as when we step into a mosque and its high open dome leads our minds up , up , to greater things , so a great carpet seeks to do the same under the feet .Such a carpet directs us to the magnificence of the infinite , veiled , yet never near , closer than the pulse of jugular , the sunburst that explodes at the center of a carpet signals this boundless radiance . Flowers and trees evoke the pleasures of paradise, and there is always a spot at the center of the carpet that brings calm to the heart. A single white lotus flower floats in a turquoise pool , and in this tiniest of details, there it is : a call to the best within , summoning us to the joy of union .in carpets , I now saw not just intricacies of nature and color , not just mastery of space , but a sign of the infinite design . In each pattern lay the work of a weaver of the world, complete and whole ; and in each knot of daily existence lay mine .”
― Anita Amirrezvani, quote from The Blood of Flowers
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