Quotes from The Dead in Their Vaulted Arches

Alan Bradley ·  315 pages

Rating: (21.8K votes)


“One of the marks of a truly great mind, I had discovered, is the ability to feign stupidity on demand.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“What are we going to do, Dogger?'
It seemed a reasonable question. After all he had been through, surely Dogger knew something of hopeless situations.
'We shall wait upon tomorrow,' he said.
'But--what if tomorrow is worse than today?'
'Then we shall wait upon the day after tomorrow.'
'And so forth?' I asked.
'And so forth,' Dogger said.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“Feely had the knack of being able to screw one side of her face into a witchlike horror while keeping the other as sweet and demure as any maiden from Tennyson. It was perhaps, the one thing I envied her.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“If stupidity were theoretical physics, then I would be Albert Einstein.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“We might as well face it: Death is a bore. It is even harder on the survivors than on the deceased, who at least don’t have to worry about when to sit and when to stand, or when to permit a pale smile and when to glance tragically away.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches



“Although it seems shocking to say so, grief is a funny thing. On the one hand, you're numb, yet on the other, something inside is trying desperately to claw its way back to normal: to pull a funny face, to leap out like a jack-in-the-box, to say "Smile, damn you, smile!”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“One of the things I love about myself is my ability to remain open to suggestion.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“I suddenly realized that there's something about singing hymns with a large group of people that sharpens the senses remarkably. I stored this observation away for later use; it was a jolly good thing to know for anyone practicing the art of detection.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“Was he being what Daffy called “ironical”? She had once told me that the word meant the use of veiled sarcasm: the dagger under the silk. “The smiler with the knife!” she had hissed in a horrible voice.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“Foolishness in a grown man, no matter how lighthearted, is disgusting.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches



“In the old legends, anyone who willingly took up the Earth upon their shoulders was doomed to carry it forever: a curse, it seemed, with no way out.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“Kill him." Dr. Kissing repeated my words in a flat, matter-of-fact voice. "Just so. But 'kill,' as you will have observed, like 'spy' and 'stop,' is really just one more of those short but exceedingly troublesome words.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“…it is a well-known fact that more than two men shut up together in an enclosed space for more than an hour constitute a hazard to society. If unpleasantness is to be avoided, they must be made to go outdoors and work off their animal spirits.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“I don't care' is the last bit of baggage to be tossed overboard in a losing argument.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“In ordinary circumstances, I would have responded to such a command by sending up a reply that would have given Undine's mother a perm that would be truly everlasting, but I restrained myself.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches



“I'm very sorry about your mother, Flavia. I can't even begin to imagine how you must feel." At least the man had the sense to admit it.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“To my mind, if Nature had wanted us to have bright red fingertips, She would have caused us to be born with our blood on the outside.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“the de Luce coat of arms: per bend sinister sable and argent, two lucies haurient counterchanged. The crest, the moon in her detriment, and the motto “Dare Lucem.” “The moon in her detriment” was a moon eclipsed, and the “lucies,” of course, were silver and black luces, or pikes, a double pun on the name de Luce. “Haurient” meant simply that the pikes were standing on their fishy tails.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“Life’s like that, too,” Aunt Felicity continued. “Too much push, and bang through the bottom one goes. Still, if one doesn’t paddle, one doesn’t get anywhere.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“the freedom of it all—the sense of having left one’s body, but not one’s mind, behind. Unless you happened to be a bird, the body was of little use up here: You could not run or jump as you did on the ground, but only observe. In a strange way, being an aviator was like being a departed soul: You could look down upon the Earth without actually being present, see all without being seen. It was easy enough to see why God, having called the dry land “Earth” and the gathering together of the waters “the Seas,” saw that it was good.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches



“Why don’t they embed the dead in blocks of plate glass and bury them in crypts beneath transparent floors? In that way, the deceased would easily be able to see God for themselves, and He to see them,”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“It was easy enough to see why God, having called the dry land "Earth" and the gathering together of the waters "the Seas," saw that it was good.
I could picture the Old Fellow lifting up the horizon like the lid of a stewing pot and peeking in with one red eye to admire His Creation: to see how it was coming along.
It was good!”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“These (all the poor Remains of State) Adorn the Rich, or praise the Great; Who while on Earth in Fame they live, Are senseless of the Fame they give. Thomas”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


“What are we going to do, Dogger?” It seemed a reasonable question. After all he had been through, surely Dogger knew something of hopeless situations. “We shall wait upon tomorrow,” he said. “But—what if tomorrow is worse than today?” “Then we shall wait upon the day after tomorrow.” “And so forth?” I asked. “And so forth,” Dogger said.”
― Alan Bradley, quote from The Dead in Their Vaulted Arches


About the author

Alan Bradley
Born place: Toronto, Canada
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“If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…”
A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…”
When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment.
“What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.”
Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her.
Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.”
The image was so absurd that Elizabeth chuckled.
Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped.
Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“
Ian realized what she was asking for, but he responded with a questioning lift of his brows.
“I-“ she began, uncomfortably aware of the knowing look in his eyes.
“Yes?” he prompted.
“I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms.
“Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.”
What!
“You heard me.”
“Of all the arrogant-“
He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.”
― Judith McNaught, quote from Almost Heaven


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