“The better you look, the more you see.”
― Bret Easton Ellis, quote from Glamorama
“Baby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.”
― Bret Easton Ellis, quote from Glamorama
“What? Did we end up hating each other? Did we end up the way we thought we always knew would? Did I end up wearing khakis because of that fucking ad?”
― Bret Easton Ellis, quote from Glamorama
“At first she was so inexpressive and indifferent that I wanted to know more about her. I envied that blankness - it was the opposite of helplessness or damage or craving or suffering or shame. But she was never really happy and already, in a matter of days, she had reached a stage in our relationship where she no longer really cared about me or any thoughts or ideas I might have had.”
― Bret Easton Ellis, quote from Glamorama
“How is your father?” she asks disinterestedly.
“A contrivance,” I mutter. “A plot device.”
― Bret Easton Ellis, quote from Glamorama
“Baby, Andy once said that beauty is a sign of intelligence.'
She turns slowly to look at me. 'Who, Victor? Who? Andy who?' She coughs, blowing her nose. 'Andy Kaufman? Andy Griffith? Who in the hell told you this? Andy Rooney?'
'Warhol,' I say softly, hurt. 'Baby...”
― Bret Easton Ellis, quote from Glamorama
“The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone.”
― Bret Easton Ellis, quote from Glamorama
“Everything suddenly seems displaced, subtle gradations erase borders, but it’s more forceful than that.”
― Bret Easton Ellis, quote from Glamorama
“Confusion and hopelessness don't necessarily cause a person to act.”
― Bret Easton Ellis, quote from Glamorama
“Café Flore is packed, shimmering, every table filled. Bentley notices this with a grim satisfaction but Bentley feels lost. He’s still haunted by the movie Grease and obsessed with legs that he always felt were too skinny though no one else did and it never hampered his modeling career and he’s still not over a boy he met at a Styx concert in 1979 in a stadium somewhere in the Midwest, outside a town he has not been back to since he left it at eighteen, and that boy’s name was Cal, who pretended to be straight even though he initially fell for Bentley’s looks but Cal knew Bentley was emotionally crippled and the fact that Bentley didn’t believe in heaven didn’t make him more endearing so Cal drifted off and inevitably became head of programming at HBO for a year or two. Bentley sits down, already miked, and lights a cigarette. Next to them Japanese tourists study maps, occasionally snap photos. This is the establishing shot.”
― Bret Easton Ellis, quote from Glamorama
“Around here, ‘tomorrow night’ means anywhere from five days to a month. Jesus,”
― Bret Easton Ellis, quote from Glamorama
“when you were young and your heart was an open book you used to say live and let live.”
― Bret Easton Ellis, quote from Glamorama
Bret Easton Ellis
Born place: in Los Angeles, California, The United States
Born date March 7, 1964
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“Anna, they’re just people. Same as you and me. Just because I get to occasionally see them on the big platinum box in my apartment doesn’t mean they deserve to be worshipped like gods. Granted, most of them have worked hard to get where they are, but so do plenty of other people. Just because their job doesn’t get them on the big box doesn’t mean they’re worth any less than anyone here, does it?”
― Suzanne Wright, quote from From Rags
“Dax, normally impossible to ruffle, looked like he wanted to scream.
„Everyone was supposed to stay with their partners!”
„You're not my partner,” Kale said. There was no argument in the tone of his voice. Only a simple, static logic that was all Kale. „Dez is..”
― Jus Accardo, quote from Toxic
“She always says that americans can understand spaniards. That they are the only two western nations that can realize abstraction. That in americans it expresses itself b disembodiedness, in literature and machinery, in Spain by ritual so abstract that it does not connect itself with anything but ritual.”
― Gertrude Stein, quote from The Autobiography of Alice B. Toklas
“Maybe we tried to leave as much memories of ourselves with each other because we knew one day we wouldn't be together any more.”
― Makoto Shinkai, quote from 5 Centimeters per Second
“Nature is infinitely rich and diverse in her ways. She can be seen to break her most unchanging laws. She has made self-interest the motive of all human action, but in the great host of men she produces ones who are strangely constituted, in whom selfishness is scarcely perceptible because they do not place their affections in themselves. Some are passionate about the sciences, others about the public good. They are as attached to the discoveries of others as if they themselves had made them, or to the institutions of public welfare and the state as if they derived benefit from them. This habit of not thinking of themselves influences the whole course of their lives. They don't know how to use other men for their profit. Fortune offers them opportunities which they do not think of taking up.
In nearly all men the self is almost never inactive. You will detect their self-interest in nearly all the advice they give you, in the services they do for you, in the contacts they make, in the friendships they form. They are deeply attached to the things which affect their interests however remotely, and are indifferent to all others. When they encounter a man who is indifferent to personal interest they cannot understand him. They suspect him of hidden motives, of affectation, or of insanity. They cast him from their bosom, revile him.”
― Jan Potocki, quote from The Manuscript Found in Saragossa
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The Yacoubian Buildi...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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