“The better you look, the more you see.”
― Bret Easton Ellis, quote from Glamorama
“Baby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.”
― Bret Easton Ellis, quote from Glamorama
“What? Did we end up hating each other? Did we end up the way we thought we always knew would? Did I end up wearing khakis because of that fucking ad?”
― Bret Easton Ellis, quote from Glamorama
“At first she was so inexpressive and indifferent that I wanted to know more about her. I envied that blankness - it was the opposite of helplessness or damage or craving or suffering or shame. But she was never really happy and already, in a matter of days, she had reached a stage in our relationship where she no longer really cared about me or any thoughts or ideas I might have had.”
― Bret Easton Ellis, quote from Glamorama
“How is your father?” she asks disinterestedly.
“A contrivance,” I mutter. “A plot device.”
― Bret Easton Ellis, quote from Glamorama
“Baby, Andy once said that beauty is a sign of intelligence.'
She turns slowly to look at me. 'Who, Victor? Who? Andy who?' She coughs, blowing her nose. 'Andy Kaufman? Andy Griffith? Who in the hell told you this? Andy Rooney?'
'Warhol,' I say softly, hurt. 'Baby...”
― Bret Easton Ellis, quote from Glamorama
“The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone.”
― Bret Easton Ellis, quote from Glamorama
“Everything suddenly seems displaced, subtle gradations erase borders, but it’s more forceful than that.”
― Bret Easton Ellis, quote from Glamorama
“Confusion and hopelessness don't necessarily cause a person to act.”
― Bret Easton Ellis, quote from Glamorama
“Café Flore is packed, shimmering, every table filled. Bentley notices this with a grim satisfaction but Bentley feels lost. He’s still haunted by the movie Grease and obsessed with legs that he always felt were too skinny though no one else did and it never hampered his modeling career and he’s still not over a boy he met at a Styx concert in 1979 in a stadium somewhere in the Midwest, outside a town he has not been back to since he left it at eighteen, and that boy’s name was Cal, who pretended to be straight even though he initially fell for Bentley’s looks but Cal knew Bentley was emotionally crippled and the fact that Bentley didn’t believe in heaven didn’t make him more endearing so Cal drifted off and inevitably became head of programming at HBO for a year or two. Bentley sits down, already miked, and lights a cigarette. Next to them Japanese tourists study maps, occasionally snap photos. This is the establishing shot.”
― Bret Easton Ellis, quote from Glamorama
“Around here, ‘tomorrow night’ means anywhere from five days to a month. Jesus,”
― Bret Easton Ellis, quote from Glamorama
“when you were young and your heart was an open book you used to say live and let live.”
― Bret Easton Ellis, quote from Glamorama
Bret Easton Ellis
Born place: in Los Angeles, California, The United States
Born date March 7, 1964
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“Today’s young people want to know everything about everyone. They think talking about a problem will solve it. I come from a quieter generation. We understand the value of forgetting, the lure of reinvention.”
― Kristin Hannah, quote from The Nightingale
“Kill me?' The Bloody-Nine laughed louder than ever. 'I do the killing, fool!”
― Joe Abercrombie, quote from The Blade Itself
“Life is the dancer and you are the dance.”
― Eckhart Tolle, quote from A New Earth: Awakening to Your Life's Purpose
“Okay, gang," I said, "according to blueprints, there's an elevator access panel on the east side of the building. We may get a little dirty, but—"
"I thought we'd just go through the doors," Liz said, flashing three beautifully engraved invitations and some wonderfully authentic fake IDs.
The tickets were $20,000 each. The Secret Service had been vetting the guest list for weeks, so Bex and I stopped beneath a streetlamp and studied Liz.
"Do I even want to know where you got those?" I asked.
Liz seemed to ponder it, and then she said, "No.”
― Ally Carter, quote from Don't Judge a Girl by Her Cover
“…so long as a man rides his Hobby-Horse peaceably and quietly along the King's highway, and neither compels you or me to get up behind him,--pray, Sir, what have either you or I to do with it?”
― Laurence Sterne, quote from The Life and Opinions of Tristram Shandy, Gentleman
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The Hero and the Cro...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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