“The better you look, the more you see.”
― Bret Easton Ellis, quote from Glamorama
“Baby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.”
― Bret Easton Ellis, quote from Glamorama
“What? Did we end up hating each other? Did we end up the way we thought we always knew would? Did I end up wearing khakis because of that fucking ad?”
― Bret Easton Ellis, quote from Glamorama
“At first she was so inexpressive and indifferent that I wanted to know more about her. I envied that blankness - it was the opposite of helplessness or damage or craving or suffering or shame. But she was never really happy and already, in a matter of days, she had reached a stage in our relationship where she no longer really cared about me or any thoughts or ideas I might have had.”
― Bret Easton Ellis, quote from Glamorama
“How is your father?” she asks disinterestedly.
“A contrivance,” I mutter. “A plot device.”
― Bret Easton Ellis, quote from Glamorama
“Baby, Andy once said that beauty is a sign of intelligence.'
She turns slowly to look at me. 'Who, Victor? Who? Andy who?' She coughs, blowing her nose. 'Andy Kaufman? Andy Griffith? Who in the hell told you this? Andy Rooney?'
'Warhol,' I say softly, hurt. 'Baby...”
― Bret Easton Ellis, quote from Glamorama
“The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone.”
― Bret Easton Ellis, quote from Glamorama
“Everything suddenly seems displaced, subtle gradations erase borders, but it’s more forceful than that.”
― Bret Easton Ellis, quote from Glamorama
“Confusion and hopelessness don't necessarily cause a person to act.”
― Bret Easton Ellis, quote from Glamorama
“Café Flore is packed, shimmering, every table filled. Bentley notices this with a grim satisfaction but Bentley feels lost. He’s still haunted by the movie Grease and obsessed with legs that he always felt were too skinny though no one else did and it never hampered his modeling career and he’s still not over a boy he met at a Styx concert in 1979 in a stadium somewhere in the Midwest, outside a town he has not been back to since he left it at eighteen, and that boy’s name was Cal, who pretended to be straight even though he initially fell for Bentley’s looks but Cal knew Bentley was emotionally crippled and the fact that Bentley didn’t believe in heaven didn’t make him more endearing so Cal drifted off and inevitably became head of programming at HBO for a year or two. Bentley sits down, already miked, and lights a cigarette. Next to them Japanese tourists study maps, occasionally snap photos. This is the establishing shot.”
― Bret Easton Ellis, quote from Glamorama
“Around here, ‘tomorrow night’ means anywhere from five days to a month. Jesus,”
― Bret Easton Ellis, quote from Glamorama
“when you were young and your heart was an open book you used to say live and let live.”
― Bret Easton Ellis, quote from Glamorama
Bret Easton Ellis
Born place: in Los Angeles, California, The United States
Born date March 7, 1964
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“We all knew that you'd eventually end up with Macallan. I guess I should be offended, but maybe I read too many romance novels to no want to cheer for the two best friends.”
― Elizabeth Eulberg, quote from Better off Friends
“Her décor style matches her schizophrenic personality to perfection. A combination of Barbie meets Marilyn Manson. She’s the only person I know who can pull off pink combat boots, black nail polish, and dark black smoky eyeliner with a pink sundress and have it look adorably sexy.”
― Randi Cooley Wilson, quote from Revelation
“I don't think there are any true heroes. Just people who ignore their survival instincts long enough to do something incredibly foolhardy.”
― Lauren James, quote from The Next Together
“Kintsugi is a pottery technique. When something breaks, like a vase, they glue it back together with melted gold. Instead of making the cracks invisible, they make them beautiful. To celebrate the history of the object. What it's been through. And I was just... Thinking of us like that. My heart full of gold veins, instead of cracks.”
― Elliot Wake, quote from Cam Girl
“Only storms turn fish into dragons,”
― Will Wight, quote from Unsouled
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