“The better you look, the more you see.”
― Bret Easton Ellis, quote from Glamorama
“Baby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.”
― Bret Easton Ellis, quote from Glamorama
“What? Did we end up hating each other? Did we end up the way we thought we always knew would? Did I end up wearing khakis because of that fucking ad?”
― Bret Easton Ellis, quote from Glamorama
“At first she was so inexpressive and indifferent that I wanted to know more about her. I envied that blankness - it was the opposite of helplessness or damage or craving or suffering or shame. But she was never really happy and already, in a matter of days, she had reached a stage in our relationship where she no longer really cared about me or any thoughts or ideas I might have had.”
― Bret Easton Ellis, quote from Glamorama
“How is your father?” she asks disinterestedly.
“A contrivance,” I mutter. “A plot device.”
― Bret Easton Ellis, quote from Glamorama
“Baby, Andy once said that beauty is a sign of intelligence.'
She turns slowly to look at me. 'Who, Victor? Who? Andy who?' She coughs, blowing her nose. 'Andy Kaufman? Andy Griffith? Who in the hell told you this? Andy Rooney?'
'Warhol,' I say softly, hurt. 'Baby...”
― Bret Easton Ellis, quote from Glamorama
“The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone.”
― Bret Easton Ellis, quote from Glamorama
“Everything suddenly seems displaced, subtle gradations erase borders, but it’s more forceful than that.”
― Bret Easton Ellis, quote from Glamorama
“Confusion and hopelessness don't necessarily cause a person to act.”
― Bret Easton Ellis, quote from Glamorama
“Café Flore is packed, shimmering, every table filled. Bentley notices this with a grim satisfaction but Bentley feels lost. He’s still haunted by the movie Grease and obsessed with legs that he always felt were too skinny though no one else did and it never hampered his modeling career and he’s still not over a boy he met at a Styx concert in 1979 in a stadium somewhere in the Midwest, outside a town he has not been back to since he left it at eighteen, and that boy’s name was Cal, who pretended to be straight even though he initially fell for Bentley’s looks but Cal knew Bentley was emotionally crippled and the fact that Bentley didn’t believe in heaven didn’t make him more endearing so Cal drifted off and inevitably became head of programming at HBO for a year or two. Bentley sits down, already miked, and lights a cigarette. Next to them Japanese tourists study maps, occasionally snap photos. This is the establishing shot.”
― Bret Easton Ellis, quote from Glamorama
“Around here, ‘tomorrow night’ means anywhere from five days to a month. Jesus,”
― Bret Easton Ellis, quote from Glamorama
“when you were young and your heart was an open book you used to say live and let live.”
― Bret Easton Ellis, quote from Glamorama
Bret Easton Ellis
Born place: in Los Angeles, California, The United States
Born date March 7, 1964
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“Our team is young, but on the rise. Holly’s motto for them is “Same heart, same pride, same fight,” which I love. The”
― Pat Summitt, quote from Sum It Up: 1,098 Victories, a Couple of Irrelevant Losses, and a Life in Perspective
“As part of the animal sentinel program, going back to 1999, scientists had been making great progress training honeybees to locate bombs. Bees have sensing capabilities that outperform the dog’s nose by a trillion parts per second. Using Pavlovian techniques, scientists cooled down groups of bees in a refrigerator, then strapped them into tiny boxes using masking tape, leaving their heads, and most of their antennae, poking out the top. Using a sugar water reward system, the scientists trained the bees to use their tongues to “sniff out” explosives, resulting in a reaction the scientists call a “purr.” After training, when the scientists exposed the bees to a six-second burst of explosives, some had learned to “purr.”
― Annie Jacobsen, quote from The Pentagon's Brain
“I discover, too, that grief is different to different people. Comes in many guises. In shocked silences and closed doors around our village, as people try to shut it out. That a blank face or fleeting smile can hide the worst, most private kind of agony.”
― Debbie Howells, quote from The Bones of You
“It wasn't enough to be alive. Everyone needed something to live for.
Or die for.”
― Magnus Flyte, quote from City of Dark Magic
“Amor no conoce ningún freno;
para él no existen puertas ni cerrojos
ni poder que limite sus antojos.
Amor no conoce principio ni fin.
Agitó siempre sus alas al viento
y así lo hará hasta el fin de los tiempos.”
― Kerstin Gier, quote from Sapphire Blue
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