“The Waking
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.
Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.
Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.
Great Nature has another thing to do
To you and me, so take the lively air,
And, lovely, learn by going where to go.
This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.”
― Theodore Roethke, quote from The Collected Poems
“I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.”
― Theodore Roethke, quote from The Collected Poems
“What is madness but nobility of the soul at odds with circumstance.”
― Theodore Roethke, quote from The Collected Poems
“I teach my sighs to lengthen into songs,
Yet, like a tree, endure the shift of things.”
― Theodore Roethke, quote from The Collected Poems
“She moves as water moves, and comes to me,
Stayed by what was, and pulled by what would be.”
― Theodore Roethke, quote from The Collected Poems
“I wake to sleep and take my waking slow. I learn by going where I have to go.
The Waking”
― Theodore Roethke, quote from The Collected Poems
“LULL
(November, 1939)
The winds of hatred blow
Cold, cold across the flesh
And chill the anxious heart;
Intricate phobias grow
From each malignant wish
To spoil collective life.
Now each man stands apart.
We watch opinion drift,
Think of our separate skins.
On well-upholstered bums
The generals cough and shift
Playing with painted pins.
The arbitrators wait;
The newsmen suck their thumbs.
The mind is quick to turn
Away from simple faith
To the cant and fury of
Fools who will never learn;
Reason embraces death,
While out of frightened eyes
Still stares the wish to love.”
― Theodore Roethke, quote from The Collected Poems
“I Knew a Woman"
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I’d have them sing in chorus, cheek to cheek).
How well her wishes went! She stroked my chin,
She taught me Turn, and Counter-turn, and Stand;
She taught me Touch, that undulant white skin;
I nibbled meekly from her proffered hand;
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing we did make).
Love likes a gander, and adores a goose:
Her full lips pursed, the errant note to seize;
She played it quick, she played it light and loose;
My eyes, they dazzled at her flowing knees;
Her several parts could keep a pure repose,
Or one hip quiver with a mobile nose
(She moved in circles, and those circles moved).
Let seed be grass, and grass turn into hay:
I’m martyr to a motion not my own;
What’s freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways).”
― Theodore Roethke, quote from The Collected Poems
“The Dying Man"
in memoriam W.B. Yeats
1. His words
I heard a dying man
Say to his gathered kin,
“My soul’s hung out to dry,
Like a fresh salted skin;
I doubt I’ll use it again.
“What’s done is yet to come;
The flesh deserts the bone,
But a kiss widens the rose
I know, as the dying know
Eternity is Now.
“A man sees, as he dies,
Death’s possibilities;
My heart sways with the world.
I am that final thing,
A man learning to sing.
2. What Now?
Caught in the dying light,
I thought myself reborn.
My hand turn into hooves.
I wear the leaden weight
Of what I did not do.
Places great with their dead,
The mire, the sodden wood,
Remind me to stay alive.
I am the clumsy man
The instant ages on.
I burned the flesh away,
In love, in lively May.
I turn my look upon
Another shape than hers
Now, as the casement blurs.
In the worst night of my will,
I dared to question all,
And would the same again.
What’s beating at the gate?
Who’s come can wait.
3. The Wall
A ghost comes out of the unconscious mind
To grope my sill: It moans to be reborn!
The figure at my back is not my friend;
The hand upon my shoulder turns to horn.
I found my father when I did my work,
Only to lose myself in this small dark.
Though it reject dry borders of the seen,
What sensual eye can keep and image pure,
Leaning across a sill to greet the dawn?
A slow growth is a hard thing to endure.
When figures our of obscure shadow rave,
All sensual love’s but dancing on a grave.
The wall has entered: I must love the wall,
A madman staring at perpetual night,
A spirit raging at the visible.
I breathe alone until my dark is bright.
Dawn’s where the white is. Who would know the dawn
When there’s a dazzling dark behind the sun.
4. The Exulting
Once I delighted in a single tree;
The loose air sent me running like a child–
I love the world; I want more than the world,
Or after image of the inner eye.
Flesh cries to flesh, and bone cries out to bone;
I die into this life, alone yet not alone.
Was it a god his suffering renewed?–
I saw my father shrinking in his skin;
He turned his face: there was another man,
Walking the edge, loquacious, unafraid.
He quivered like a bird in birdless air,
Yet dared to fix his vision anywhere.
Fish feed on fish, according to their need:
My enemies renew me, and my blood
Beats slower in my careless solitude.
I bare a wound, and dare myself to bleed.
I think a bird, and it begins to fly.
By dying daily, I have come to be.
All exultation is a dangerous thing.
I see you, love, I see you in a dream;
I hear a noise of bees, a trellis hum,
And that slow humming rises into song.
A breath is but a breath: I have the earth;
I shall undo all dying with my death.
5. They Sing, They Sing
All women loved dance in a dying light–
The moon’s my mother: how I love the moon!
Out of her place she comes, a dolphin one,
Then settles back to shade and the long night.
A beast cries out as if its flesh were torn,
And that cry takes me back where I was born.
Who thought love but a motion in the mind?
Am I but nothing, leaning towards a thing?
I scare myself with sighing, or I’ll sing;
Descend O gentlest light, descend, descend.
I sweet field far ahead, I hear your birds,
They sing, they sing, but still in minor thirds.
I’ve the lark’s word for it, who sings alone:
What’s seen recededs; Forever’s what we know!–
Eternity defined, and strewn with straw,
The fury of the slug beneath the stone.
The vision moves, and yet remains the same.
In heaven’s praise, I dread the thing I am.
The edges of the summit still appall
When we brood on the dead or the beloved;
Nor can imagination do it all
In this last place of light: he dares to live
Who stops being a bird, yet beats his wings
Against the immense immeasurable emptiness of things.”
― Theodore Roethke, quote from The Collected Poems
“And the mills of capitalism provide them. Supply meets demand. Fantasy becomes a commodity, an industry. Commodified fantasy takes no risks: it invents nothing, but imitates and trivialises.”
― Ursula K. Le Guin, quote from Tales from Earthsea
“So. Yes. We're all dying. We're all crumbling into the void, one cell at a time. We are disintegrating like sugar cubes in champagne. But only women have to pretend it isn't happening. Fifty-something men wander around with their guts flopped over their waistbands and their faces looking like a busted tramp's mattress in an underpass. They sprout nasal hair and chasm-like wrinkles, and go 'Ooof!' whenever they stand up or sit down. men visibly age, every day -- but women are supposed to stop the decline at around 37, 38, and live out the next 30 or 40 years in some magical bubble where their hair is still shiny and chestnut, their face unlined, their lips puffy, and their tits up on the top third of the ribcage.”
― Caitlin Moran, quote from How to Be a Woman
“Because I sincerely hate and despise them. Not pity them, no—only hate and despise. I can justify the stupidity and brutality of the kid I just passed all I want— the social conditions, the appalling upbringing, anything at all—but I now clearly see that he’s my enemy, the enemy of all that I love, the enemy of my friends, the enemy of what I hold most sacred. And I don’t hate him theoretically, as a “typical specimen,” but him as himself, him as an individual. I hate his slobbering mug, the stink of his unwashed body, his blind faith, his animosity toward everything other than sex and booze. There he goes, stomping around, the oaf, who half a year ago was still being thrashed by a fat-bellied father in a vain attempt to prepare him for selling stale flour and old jam; he’s wheezing, the dumb lug, struggling to recall the paragraphs of badly crammed regulations, and he just can’t figure out whether he’s supposed to cut the noble don down with his ax, shout “Stop!” or just forget about it. No one will find out anyway, so he’ll forget about it, go back to his recess, stuff some chewing bark into his mouth and chew it loudly, drooling and smacking his lips. And there’s nothing that he wants to know, and there’s nothing he wants to think about.”
― Arkady Strugatsky, quote from Hard to Be a God
“Dreams only come true if you
point yourself in their direction”
― Tina Reber, quote from Love Unrehearsed
“ "I don't know. I spent most of my life moving around. My dad and I had just settled in one place when all this happened. I..." She shrugged. "I guess I'm hoping it doesn't last much longer. I want a home." She glanced over her shoulder. "I know you do, too, even if you don't like to admit it."
I thought she was talking to me. Then Derek stepped into the doorway.
"He wasn't eavesdropping," she said to me. "He just doesn't like me being alone with strangers in the house." She aimed a pointed look his way. "Even if I end up rescuing him from danger as often as he rescues me." ”
― Kelley Armstrong, quote from The Rising
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