“Every great magic trick consists of three parts or acts. The first part is called "The Pledge". The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course... it probably isn't. The second act is called "The Turn". The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back. That's why every magic trick has a third act, the hardest part, the part we call "The Prestige".”
“The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you wont find it, because of course you're not really looking. You don't really want to know. You want to be fooled.”
“An illusion has three stages.
"First there is the setup, in which the nature of what might be attempted at is hinted at, or suggested, or explained. The apparatus is seen. volunteers from the audience sometimes participate in preparation. As the trick is being setup, the magician will make use of every possible use of misdirection.
"The performance is where the magician's lifetime of practice, and his innate skill as a performer, cojoin to produce the magical display.
"The third stage is sometimes called the effect, or the prestige, and this is the product of magic. If a rabbit is pulled from a hat, the rabbit, which apparently did not exist before the trick was performed, can be said to be the prestige of that trick.”
“Now you’re looking for the secret, but you won’t find it, because of course you’re not really looking. You don’t really want to know. You want to be fooled.”
“In the expression of grief lies recovery from grief itself. Nor”
“Bet visada atsiranda vienas ar du, kurie išsineša paslaptį ir kamuojasi dėl jos taip niekada ir nepriartėdami prie jos išsiaiškinimo.”
“In the expression of grief lies recovery from grief itself.”
“Le bugie più grandi che hai detto non le hai dette a me, ma a te stesso. Pensi di non voler possedere nulla, di non aver bisogno di nulla, di non meritarti nulla. E non è affatto vero. Dici di voler continuare a viaggiare, ma anche quello non è vero. Tu vuoi una casa più di qualsiasi altra persona che abbia mai conosciuto. E solo che hai paura che, quando ne avrai ottenuta una, ti verrà portata via.”
“You have to close some doors, honey, no matter how nice a yard they open out onto.”
“The squirrel that you kill in jest, dies in earnest.”
“Nothing prepared me for the loss of my mother. Even knowing that she would die did not prepare me. A mother, after all, is your entry into the world. She is the shell in which you divide and become a life. Waking up in a world without her is like waking up in a world without sky: unimaginable.”
“Love must be constant, not ebb and flow,
Like storms and frets, tides high and low.
For love's not love if one must force
The beloved one to stay the course.”
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