Walter Wangerin Jr. · 256 pages
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“Sorrow spoken lends a little courage to the speaker.”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“Her ballad did nothing to make the serpants lovely. Her ballad hid nothing of their dread. But the music itself spoke of faith and certainty; the melody announced the presence of God.”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“A grudge may be strong. But a grudge isn't strength!”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“How many battles make a war?”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“He went wordless, and wordless he sat beside her. He knew the size of her sorrow.”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“Aye. He wills that I work his work in this place. Indeed. I am left behind to labor. Right
'And one day he may show his face beneath his damnable clouds to tell me what that work might be; what's worth so many tears; what's so important in his sight that is needs to be done this way...
'O my sons!'Chauntecleer suddenly wailed at the top of his lungs, a light flaring before it goes out: 'How much I want you with me!”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“But a good novel is first of all an event; as distinguished from the continuous rush of many sensations and the messy overlapping experiences of our daily lives, it is a composed experience in which all sensations are tightly related, for which there is a beginning and an ending, within which the reader’s perceivings and interpretations are shaped for a while by the internal integrity of all the elements of the narrative.”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“WELL, THEN SHAG IT, YOU SUITCASE! GET OVER HERE!”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“: “Behold the Rooster who suffers much more than he must. Ah, Chauntecleer, Chauntecleer. Why do you suffer today and tomorrow?” oozed the compassionate voice. “Curse God. Curse him, and all will be done. Or, lest you forget the truth of things, remember: I am Wyrm. And I am here.”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“How can the meek of the earth save themselves against the damnable evil which feeds on them?”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“Almost as evil as the stench was the silence. Senex, however poorly he had ended his rule, had always remembered the canonical crows. He sang them, to be sure, in a disoriented manner; but he did sing them, keeping his animals that way, banding them, unifying them.
But Cockatrice never crowed the canon. So under him the day lost its meaning and its direction, and the animals lost any sense of time or purpose. Their land became strange to them. A terrible feeling of danger entered their souls, of things undone, of treasures unprotected. They were tired all the day long, and at night they did not sleep. And it was a most pitiful sight to see, how they all went about with hunched shoulders, heads tucked in, limping here and there as if they were forever walking into an ill wind, and flinching at every sound as if the wind carried arrows.”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“Her eyes were liquid with compassion—deep, deep, as the earth is deep. Her brow knew his suffering and knew, besides that, worlds more. But the goodness was that, though this wide brow knew so much, yet it bent over his pain alone and creased with it.”
― Walter Wangerin Jr., quote from The Book of the Dun Cow
“If we do not fill our mind with prayer, it will fill itself with anxieties, worries, temptations, resentments, and unwelcome memories.”
― Scott Hahn, quote from Signs of Life: 40 Catholic Customs and Their Biblical Roots
“A story helps folks face the world, even when it frightens 'em. And a lie does the opposite. It helps you hide.”
― Jonathan Auxier, quote from The Night Gardener
“It infuriates him, this killing, this death. Infuriating that this is what we’re known for now, drug cartels and slaughter. This my city of Avenida 16 Septembre, the Victoria Theater, cobblestone streets, the bullring, La Central, La Fogata, more bookstores than El Paso, the university, the ballet, garapiñados, pan dulce, the mission, the plaza, the Kentucky Bar, Fred’s—now it’s known for these idiotic thugs. And my country, Mexico—the land of writers and poets—of Octavio Paz, Juan Rulfo, Carlos Fuentes, Elena Garro, Jorge Volpi, Rosario Castellanos, Luis Urrea, Elmer Mendoza, Alfonso Reyes—the land of painters and sculptors—Diego Rivera, Frida Kahlo, Gabriel Orozco, Pablo O’Higgins, Juan Soriano, Francisco Goitia—of dancers like Guillermina Bravo, Gloria and Nellie Campobello, Josefina Lavalle, Ana Mérida, and composers—Carlos Chávez, Silvestre Revueltas, Agustín Lara, Blas Galindo—architects—Luis Barragán, Juan O’Gorman, Tatiana Bilbao, Michel Rojkind, Pedro Vásquez—wonderful filmmakers—Fernando de Fuentes, Alejandro Iñárritu, Luis Buñuel, Alfonso Cuarón, Guillermo del Toro—actors like Dolores del Río, “La Doña” María Félix, Pedro Infante, Jorge Negrete, Salma Hayek—now the names are “famous” narcos—no more than sociopathic murderers whose sole contribution to the culture has been the narcocorridas sung by no-talent sycophants. Mexico, the land of pyramids and palaces, deserts and jungles, mountains and beaches, markets and gardens, boulevards and cobblestoned streets, broad plazas and hidden courtyards, is now known as a slaughter ground. And for what? So North Americans can get high.”
― Don Winslow, quote from The Cartel
“The idea of a separate center is the root of the ego.”
― Osho, quote from The Book of Wisdom
“DRACO: Hermione Granger, I'm being bossed around by Hermione Granger. (She turns towards him. He smiles) And I'm mildly enjoying it.”
― John Tiffany, quote from Harry Potter and the Cursed Child - Parts I & II
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