Wallace Stegner · 563 pages
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“There was somewhere, if you knew where to find it, some place where money could be made like drawing water from a well, some Big Rock Candy Mountain where life was effortless and rich and unrestricted and full of adventure and action, where something could be had for nothing.”
― Wallace Stegner, quote from The Big Rock Candy Mountain
“People, he had said, were always being looked at as points, and they ought to be looked at as lines. There weren't any points, it was false to assume that a person ever was anything. He was always becoming something, always changing, always continuous and moving, like the wiggly line on a machine used to measure earthquake shocks. He was always what he was in the beginning, but never quite exactly what he was; he moved along a line dictated by his heritage and his environment, but he was subject to every sort of variation within the narrow limits of his capabilities.
...
She shut her mind on that too. There was danger in looking at people as lines. The past spread backward and you saw things in perspective that you hadn't seen then, and that made the future ominous, more ominous than if you just looked at the point, at the moment. There might be truth in what Bruce said, but there was not much comfort.”
― Wallace Stegner, quote from The Big Rock Candy Mountain
“Where do I belong in this country? Where is home?”
― Wallace Stegner, quote from The Big Rock Candy Mountain
“girl of eighteen named Elsa Norgaard,”
― Wallace Stegner, quote from The Big Rock Candy Mountain
“within yourself, you became a grave for her as you were a grave for Chet, and you carried your dead unquietly within you. —”
― Wallace Stegner, quote from The Big Rock Candy Mountain
Wallace Stegner
Born place: in Lake Mills, Iowa, The United States
Born date February 18, 1909
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“I go dreaming into the future, where I see nothing, nothing. I have no plans, no idea, no project, and, what is worse, no ambition. Something – the eternal ‘what’s the use?’ – sets its bronze barrier across every avenue that I open up in the realm of hypothesis.”
― Gustave Flaubert, quote from Flaubert in Egypt: A Sensibility on Tour
“In fact the "mask" theme has come up several times in my background reading. Richard Sennett, for example, in "The Corrosion of Character: The Personal Consequences of Work in the New Capitalism", and Robert Jackall, in "Moral Mazes: The World of Corporate managers", refer repeatedly to the "masks" that corporate functionaries are required to wear, like actors in an ancient Greek drama. According to Jackall, corporate managers stress the need to exercise iron self-control and to mask all emotion and intention behind bland, smiling, and agreeable public faces.
Kimberly seems to have perfected the requisite phoniness and even as I dislike her, my whole aim is to be welcomed into the same corporate culture that she seems to have mastered, meaning that I need to "get in the face" of my revulsion and overcome it. But until I reach that transcendent point, I seem to be stuck in an emotional space left over from my midteen years: I hate you; please love me.”
― Barbara Ehrenreich, quote from Bait and Switch: The (Futile) Pursuit of the American Dream
“Mourning can be very selfish. When someone you love has died, you tend to recall best those few moments and incidents that helped clarify your sense, not of the person who has died, but of your own self.”
― Russell Banks, quote from The Sweet Hereafter
“At the height of the Cultural Revolution, rather than risk having to face dire consequences for his accumulated writings, he burned several kilos of manuscripts (ten plays, and many short stories, poems, and essays). For him it was an ordeal to part with what he had written. Moreover, it took a long time to burn so much paper without creating smoke and arousing suspicions.”
― Gao Xingjian, quote from One Man's Bible
“Anything you can imagine is probably true. And the worst you can imagine is probably worth money.”
― Will Christopher Baer, quote from Hell's Half Acre
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