Charlotte Perkins Gilman · 70 pages
Rating: (68.9K votes)
“It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.”
“There are things in that paper that nobody knows but me, or ever will.”
“I'm sure I never used to be so sensitive. I think it is due to this nervous condition.”
“It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide—plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
“Its time we woke up,” pursued Gerald, still inwardly urged to unfamiliar speech. “Women are pretty much people, seems to me. I know they dress like fools - but who’s to blame for that? We invent all those idiotic hats of theirs, and design their crazy fashions, and what’s more, if a woman is courageous enough to wear common-sense clothes - and shoes - which of us wants to dance with her?”
“Most men’s eyes, when you look at them critically, are not like that. They may look at you very expressively, but when you look at them, just as features, they are not very nice.”
“I often wonder if I could see her out of all the windows at once.
But, turn as fast as I can, I can only see out of one at one time.
And though I always see her, she may be able to creep faster than I can turn!
I have watched her sometimes away off in the open country, creeping as fast as a cloud shadow in a high wind.”
“It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls.
The paint and paper look as if a boys' school had used it. It is stripped off--the paper--in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life.
One of those sprawling flamboyant patterns committing every artistic sin.
It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions.
The color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight.
It is a dull yet lurid orange in some places, a sickly sulphur tint in others.
No wonder the children hated it! I should hate it myself if I had to live in this room long.”
“And there was you - your fair self, always delicately dressed, with white firm fingers sure of touch in delicate true work. I loved you then.”
“I want to marry you, Malda - because I love you - because you are young and strong and beautiful - because you are wild and sweet and - fragrant, and - elusive, like the wild flowers you love. Because you are so truly an artist in your special way, seeing beauty and giving it to others. I love you because of all of this, because you are rational and highminded and capable of friendship - and in spite of your cooking!”
“But - how do you want to live?”
“As we did here - at first,” he said. “There was peace, exquisite silence. There was beauty - nothing but beauty. There were the clean wood odors and flowers and fragrances and sweet wild wind. And there was you - your fair self, always delicately dressed, with white firm fingers sure of touch in delicate true work. I loved you then.”
“I am, unfortunately, one of those much-berated New England women who have learned to think as well as feel; and to me, at least, marriage means more than a union of hearts and bodies--it must mean minds, too.”
“Nobody would believe what an effort it is to do what little I am able,—to dress and entertain, and order things.”
“I don't like to look out of the windows even--there are so many of those creeping women, and they creep so fast.
I wonder if they all come out of that wallpaper as I did?”
“It is the strangest yellow, that wallpaper! It makes me think of all the yellow things I ever saw-not beautiful ones like buttercups but old foul, bad yellow things.”
“I suppose I shall have to get back behind the pattern when it comes night, and that is hard!
It is so pleasant to be out in this great room and creep around as I please!
I don't want to go outside. I won't even if Jennie asks me to.
For outside you have to creep on the ground, and everything is green instead of yellow.
But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot loose my way.”
“John is away all day, and even some nights when his cases are serious. I am glad my case is not serious!”
“This was not life, this was a nightmare.”
“He's just a big stupid man to you, but I tell you there's more good in him than in may other people.”
“I was watching a collection of vintage '80s cereal commercials when I paused to wonder why cereal manufacturers no longer included toy prizes inside every box. It was a tragedy, in my opinion. Another sign that civilization was going straight down the tubes.”
“Of course it is exhausting, having to reason all the time in a universe which wasn't meant to be reasonable.”
“Ma's still nodding. "You're the one who matters, though. Just you."
I shake my head till it's wobbling because there's no just me.”
“Your suns and worlds are not within my ken,
I merely watch the plaguey state of men.
The little god of earth remains the same queer sprite
As on the first day, or in primal light.
His life would be less difficult, poor thing,
Without your gift of heavenly glimmering;
He calls it Reason, using light celestial
Just to outdo the beasts in being bestial.
To me he seems, with deference to Your Grace,
One of those crickets, jumping round the place,
Who takes his flying leaps, with legs so long,
Then falls to grass and chants the same old song;
But, not content with grasses to repose in,
This one will hunt for muck to stick his nose in.”
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