“But I might—” he bit out. “Tell me you’re not a fucking virgin.”
“No, I’m not a fucking virgin. Virgins have yet to fuck, remember?”
― Lora Leigh, quote from Tempting the Beast
“Testosterone overload?" Merinus gave an unladylike grunt. "More like asshole overload if you ask me.”
― Lora Leigh, quote from Tempting the Beast
“Callan took a deep breath. “I never expected you.” He shook his head with an edge of amusement. “You are a dangerous woman, Merinus Tyler.”
“Naw, just a determined woman.” She grinned against his shoulder. “I know a good thing when I see it jacking off.”
― Lora Leigh, quote from Tempting the Beast
“When they reached the stairs, he didn’t make her climb them herself. He picked her up in his arms and carried her to the big bathroom off their bedroom. He didn’t speak, his expression didn’t soften. But he was hard. His cock was like a poker, steely and hot against her hip. His eyes blazed with lust.”
― Lora Leigh, quote from Tempting the Beast
“It’s normal.” Doc grinned. “The mating ritual of all animals. The males fight for dominance over their females. Human males have lost the fight in the past generations with feminism and equal rights and getting in touch with their sensitive sides,” he snickered. “Callan’s DNA refuses to allow him the choice in dominating her. It’s part of his genetic code.”
― Lora Leigh, quote from Tempting the Beast
Lora Leigh
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“Be like the date that grows sweeter and sweeter , even though the soil that nourishes it is rocky and harsh”
― Anita Amirrezvani, quote from The Blood of Flowers
“Lovely One"
Lovely one,
just as on the cool stone
of the spring, the water
opens a wide flash of foam,
so is the smile of your face,
lovely one.
Lovely one,
with delicate hands and slender feet
like a silver pony,
walking, flower of the world,
thus I see you,
lovely one.
Lovely one,
with a nest of copper entangled
on your head, a nest
the color of dark honey
where my heart burns and rests,
lovely one.
Lovely one,
your eyes are too big for your face,
your eyes are too big for the earth.
There are countries, there are rivers,
in your eyes,
my country is your eyes,
I walk through them,
they light the world
through which I walk,
lovely one.
Lovely one,
your breasts are like two loaves made
of grainy earth and golden moon,
lovely one.
Lovely one,
your waist,
my arm shaped it like a river when
it flowed a thousand years through your sweet body,
lovely one.
Lovely one,
there is nothing like your hips,
perhaps earth has
in some hidden place
the curve and the fragrance of your body,
perhaps in some place,
lovely one.
Lovely one, my lovely one,
your voice, your skin, your nails,
lovely one, my lovely one,
your being, your light, your shadow,
lovely one,
all that is mine, lovely one,
all that is mine, my dear,
when you walk or rest,
when you sing or sleep,
when you suffer or dream,
always,
when you are near or far,
always,
you are mine, my lovely one,
always.”
― Pablo Neruda, quote from The Captain's Verses
“chromosomal dance
oh, heavenly happenstance
rare creation, you
-Marcus (Poetry Spam #22)”
― Megan McCafferty, quote from Charmed Thirds
“He was an old Drag man with his bit getting short. He was the first to attempt to teach me to control my emotions. He would say, “Always remember whether you be sucker or hustler in the world out there, you’ve got that vital edge if you can iron-clad your feelings. I picture the human mind as a movie screen. If you’re a dopey sucker, you’ll just sit and watch all kinds of mindwrecking, damn fool movies on that screen.” He said. “Son, there is no reason except a stupid one for anybody to project on that screen anything that will worry him or dull that vital edge. After all, we are the absolute bosses of that whole theatre and show in our minds. We even write the script. So always write positive, dynamic scripts and show only the best movies for you on that screen whether you are pimp or priest.” His rundown of his screen theory saved my sanity many years later. He was a twisted wise man and one day when he wasn’t looking, a movie flashed on the screen. The title was “Death For an Old Con.”
― Iceberg Slim, quote from Pimp: The Story of My Life
“If words had cost money, Tom couldn't have used them more sparingly. The adjectives were purely descriptive, relating to form and colour, and were used to present the objects under consideration, not the young explorer's emotions. Yet through this austerity one felt the kindling imagination, the ardour and excitement of the boy, like the vibration in a voice when the speaker strives to conceal his emotion by using only the conventional phrases.”
― Willa Cather, quote from The Professor's House
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