Louis Sachar · 144 pages
Rating: (81K votes)
“You need a reason to be sad. You don't need a reason to be happy.”
― Louis Sachar, quote from Sideways Stories from Wayside School
“It's funny how a person can be right all the time and still be wrong.”
― Louis Sachar, quote from Sideways Stories from Wayside School
“Dana had four beautiful eyes. She wore glasses. But her eyes were so beautiful that the glasses only made her prettier. With two eyes she was pretty. With four eyes she was beautiful. With six eyes she would have been even more beautiful. And if she had a hundred eyes, all over her face and her arms and her feet, why, she would have been the most beautiful creature in the world.”
― Louis Sachar, quote from Sideways Stories from Wayside School
“My dog, Pugsy, was hit by a car,”
― Louis Sachar, quote from Sideways Stories from Wayside School
“You need a reason to be sad. You don’t need a reason to be happy.”
― Louis Sachar, quote from Sideways Stories from Wayside School
“Dameon had hazel eyes with little black dots in the middle of each of them. The dots were called pupils.”
― Louis Sachar, quote from Sideways Stories from Wayside School
Louis Sachar
Born place: in East Meadow, New York, The United States
Born date March 20, 1954
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“For nobody else, gave me a thrill—with all your faults, I love you still. It had to be you, wonderful you, it had to be you. —As sung by Frank Sinatra”
― Cecily von Ziegesar, quote from It Had to Be You
“I have never been in love before," Julian said. "You're my first-and you'll be my only.”
― L.J. Smith, quote from The Hunter
“Writing. Opening a vein in your wrist with a spoon.”
― Ann-Marie MacDonald, quote from The Way the Crow Flies
“Lev dig in i tanken att du finns i universum och att universum finns i dig. Om universum finns, finns du. Om du finns, finns universum. Det finns ingen födelse. Det finns ingen död.”
― Thich Nhat Hanh, quote from Peace Is Every Step: The Path of Mindfulness in Everyday Life
“The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years.
In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne.
That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.”
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