Quotes from The Encyclopedia of the Dead

“Mislila sam, kao što ljudi u teškim nevoljama misle, da će mi promena mesta pomoći da zaboravim svoj bol, kao da svoju nesreću ne nosimo U sebi.”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“Istoriju pišu pobednici. Predanja ispreda puk. Književnici fantaziraju. Izvesna je samo smrt.”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“U svakom mom retku, u svakoj mojoj reči, u svakoj tački nalaziš se i ti, kao polen.”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“Na kraju - kažem na kraju, a trebalo je da prođu godine patnji, rastanaka, raskida - uvideli smo da su nam životi vezani zauvek i da svojim slabim ljudskim snagama ne možemo ništa ni protiv svoje ljubavi ni protiv prepreka koje joj stoje na putu.”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“Što je bilo, bilo je. Prošlost živi u nama i ne možemo je izbrisati. Pošto su snovi slika onoga sveta, i dokaz njegovog postojanja, susrećemo se u snovima; kleči kraj furune u koju trpa vlažna drva; ili me doziva promuklim glasom. Tada se budim i palim svetlo. Kajanje i bol se polako pretvaraju u sumornu radost sećanja. Naš dugi, strasni i strašni roman ispunio je moj život, osmislio ga je, i ja ne tražim nikakve nadoknade. Mene neće biti u indeksu knjiga Mendela Osipoviča, u njegovim biografijama ili u fusnoti uz neku pesmu. Ja, gospodine, jesam delo Mendela Osipoviča, kao što je i on moje delo. Ima li lepšeg proviđenja?”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“Kad se jedna laž ponavlja dugo, narod počinje da veruje.”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“The past was a minefield about which few maps seemed to agree. And why should that surprise me? It's a big place.
p. 30”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“Lakše je mudrovati nego leteti, priznajem", reče Simon s tugom u glasu. "Eto, čak i ti znaš da brbljaš, a da se nisi nikad u svom kukavnom životu otrgao od zemlje ni metar visoko... A sad me pusti da skupim svoju snagu, da saberem svoje misli u jednu žižu, da pomislim svom silinom na užas zemaljskog življenja, na nesavršenstvo sveta, na mirijade života što se razdiru, na zveri što se međusobno kolju, na zmiju koja peči lane što preživa u hladu, na vukove koji razdiru jagnjad, na bogomoljke što ubijaju svoje mužjake, na pčele što umiru posle uboda, na bol majki koje nas rađaju, na slepe mačiće što ih deca bacaju u reku, na užas riba u utrobi ulješure, na užas ulješure kad se nasuče na obalu, na tugu slona koji mre od starosti, na kratkotrajnu radost leptira, na varljivu lepotu cveta, na kratkotraju varku ljubavnog zagrljaja, na užas prolivenog semena, na nemoć ostarelog tigra, na trulež zuba u ustima, na mirijade mrtvog lišća što se taloži u šumama, na strah tek izleglog ptića koje majka istiskuje iz gnezda, na paklene muke gliste koja se prži na suncu kao na živoj vatri, na bol ljubavnog rastanka, na užas gubavaca, na strašnu metamorfozu ženskih sisa, na rane, na bol slepaca...”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“History is written by the victors. Legends are woven by the people. Writers fantasize. Only death is certain.

"To Die for One's Country is Glorious," p. 131”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“Opasno je naginjati se nad tuđom prazninom, a u pustoj želji da se u njoj, kao na dnu bunara, ogleda svoje sopstveno lice; jer i to je taština. Taština nad taštinama.”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“The local Red Cross chapter volunteered to publish his book. It came out in a deluxe, gold-embossed, Japanese-paper edition to remind the reader of human artistry, which can be a refuge from evil and a source of new, platonic stirrings. One copy was reserved for His Imperial Majesty Nicholas II. (The Tsar fairly devoured mystical works, believing that hell could be avoided by a combination of education and deceit.)

"The Book of Kings and Fools," p. 136.”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“Jer - a to je mislim osnovna poruka sastavljača "Enciklopedije" - nikad se ništa ne ponavlja u istoriji ljudskih bića, sve što se na prvi pogled čini da je isto jedva da je slično; svaki je čovek zvezda za sebe, sve se događa uvek i nikad, sve se ponavlja beskrajno i neponovljivo. (Stoga sastavljači "Enciklopedije mrtvih", tog veličanstvenog spomenika različitosti, insistiraju na pojedinačnom, zato im je svako ljudsko stvorenje svetinja.)”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“Ako ne možeš da deluješ u pogibeljnoj sprezi tih protivurečnih sila, moralnih i pesničkih, povuci se. Zalivaj kupus u svome vrtu, a ruže gaji samo na groblju. Jer ruže su pogubne po dušu.”
― Danilo Kiš, quote from The Encyclopedia of the Dead

“Sećam se - ako imam pravo da se sećam - uzbuđenja kada smo prvi put izmešali naše stvari u jednom hotelu u Bakuu: odeća nam je stajala u ormanima na vešalicama, u nekoj lascivnoj intimnosti.”
― Danilo Kiš, quote from The Encyclopedia of the Dead

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“How can I be secure? (Pause.) Through amassing wealth beyond all measure? No. And what’s beyond measure? That’s a sickness. That’s a trap. There is no measure. Only greed.”
― David Mamet, quote from Glengarry Glen Ross

“أنا الذي أشكك بكل شيء ، كيف لا أشكك كذلك بشكوكي ؟”
― Amin Maalouf, quote from Balthasar's Odyssey

“Marginalia

Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.

And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.

We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.

Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.

Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page

A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.”
― Billy Collins, quote from Picnic, Lightning

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