“Mislila sam, kao što ljudi u teškim nevoljama misle, da će mi promena mesta pomoći da zaboravim svoj bol, kao da svoju nesreću ne nosimo U sebi.”
“Istoriju pišu pobednici. Predanja ispreda puk. Književnici fantaziraju. Izvesna je samo smrt.”
“U svakom mom retku, u svakoj mojoj reči, u svakoj tački nalaziš se i ti, kao polen.”
“Na kraju - kažem na kraju, a trebalo je da prođu godine patnji, rastanaka, raskida - uvideli smo da su nam životi vezani zauvek i da svojim slabim ljudskim snagama ne možemo ništa ni protiv svoje ljubavi ni protiv prepreka koje joj stoje na putu.”
“Što je bilo, bilo je. Prošlost živi u nama i ne možemo je izbrisati. Pošto su snovi slika onoga sveta, i dokaz njegovog postojanja, susrećemo se u snovima; kleči kraj furune u koju trpa vlažna drva; ili me doziva promuklim glasom. Tada se budim i palim svetlo. Kajanje i bol se polako pretvaraju u sumornu radost sećanja. Naš dugi, strasni i strašni roman ispunio je moj život, osmislio ga je, i ja ne tražim nikakve nadoknade. Mene neće biti u indeksu knjiga Mendela Osipoviča, u njegovim biografijama ili u fusnoti uz neku pesmu. Ja, gospodine, jesam delo Mendela Osipoviča, kao što je i on moje delo. Ima li lepšeg proviđenja?”
“Kad se jedna laž ponavlja dugo, narod počinje da veruje.”
“The past was a minefield about which few maps seemed to agree. And why should that surprise me? It's a big place.
p. 30”
“Lakše je mudrovati nego leteti, priznajem", reče Simon s tugom u glasu. "Eto, čak i ti znaš da brbljaš, a da se nisi nikad u svom kukavnom životu otrgao od zemlje ni metar visoko... A sad me pusti da skupim svoju snagu, da saberem svoje misli u jednu žižu, da pomislim svom silinom na užas zemaljskog življenja, na nesavršenstvo sveta, na mirijade života što se razdiru, na zveri što se međusobno kolju, na zmiju koja peči lane što preživa u hladu, na vukove koji razdiru jagnjad, na bogomoljke što ubijaju svoje mužjake, na pčele što umiru posle uboda, na bol majki koje nas rađaju, na slepe mačiće što ih deca bacaju u reku, na užas riba u utrobi ulješure, na užas ulješure kad se nasuče na obalu, na tugu slona koji mre od starosti, na kratkotrajnu radost leptira, na varljivu lepotu cveta, na kratkotraju varku ljubavnog zagrljaja, na užas prolivenog semena, na nemoć ostarelog tigra, na trulež zuba u ustima, na mirijade mrtvog lišća što se taloži u šumama, na strah tek izleglog ptića koje majka istiskuje iz gnezda, na paklene muke gliste koja se prži na suncu kao na živoj vatri, na bol ljubavnog rastanka, na užas gubavaca, na strašnu metamorfozu ženskih sisa, na rane, na bol slepaca...”
“History is written by the victors. Legends are woven by the people. Writers fantasize. Only death is certain.
"To Die for One's Country is Glorious," p. 131”
“Opasno je naginjati se nad tuđom prazninom, a u pustoj želji da se u njoj, kao na dnu bunara, ogleda svoje sopstveno lice; jer i to je taština. Taština nad taštinama.”
“The local Red Cross chapter volunteered to publish his book. It came out in a deluxe, gold-embossed, Japanese-paper edition to remind the reader of human artistry, which can be a refuge from evil and a source of new, platonic stirrings. One copy was reserved for His Imperial Majesty Nicholas II. (The Tsar fairly devoured mystical works, believing that hell could be avoided by a combination of education and deceit.)
"The Book of Kings and Fools," p. 136.”
“Jer - a to je mislim osnovna poruka sastavljača "Enciklopedije" - nikad se ništa ne ponavlja u istoriji ljudskih bića, sve što se na prvi pogled čini da je isto jedva da je slično; svaki je čovek zvezda za sebe, sve se događa uvek i nikad, sve se ponavlja beskrajno i neponovljivo. (Stoga sastavljači "Enciklopedije mrtvih", tog veličanstvenog spomenika različitosti, insistiraju na pojedinačnom, zato im je svako ljudsko stvorenje svetinja.)”
“Ako ne možeš da deluješ u pogibeljnoj sprezi tih protivurečnih sila, moralnih i pesničkih, povuci se. Zalivaj kupus u svome vrtu, a ruže gaji samo na groblju. Jer ruže su pogubne po dušu.”
“Sećam se - ako imam pravo da se sećam - uzbuđenja kada smo prvi put izmešali naše stvari u jednom hotelu u Bakuu: odeća nam je stajala u ormanima na vešalicama, u nekoj lascivnoj intimnosti.”
“A tautology's truth is certain, a proposition's possible, a contradiction's impossible.”
“I'm sorry if I have the emotional stability of a teeter-totter right now, but that's better than you, who has the emotional maturity of a rock.”
“I kissed him on the cheek and left to find Bobby Lee. Him, I trusted to be in the line of fire. But it was more than that: I wasn't sleeping with bobby Lee. I didn't love him. Sometimes love makes you selfish. Sometimes it makes you stupid. Sometimes it reminds you why you love your gun.”
“She is a mess, her dress once pulled together long and fresh, now drooping and awkwardly weighted to one side of her head. "What happened? Are you okay?" The women clamor around her.
Nick walks out in perfect order and perfect swagger, passing her with a downward glance. "You forgot your panties". He said tossing her underwear onto the table in front of her. After being embarrassingly ignored by the group of debutants, the nearby college boys feel justified by the turn of events and break into hysterics. Slinking out the side door, the mortified women exit without another word.”
“Han, memang bukan sesuatu yang baru
Jalan setapak setiap orang dalam
mencari tempat ditengah-tengah dunia
dan masyarakatnya, untuk menjadi diri
sendiri, melelahkan dan membosankan
untuk diikuti.
Lebih membosankan adalah mengamati
yang tidak membutuhkan sesuatu jalan,
menjangkarkan akar tunggang pada
bumi dan tumbuh pada pohon.”
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