“You're such a cheater. The best wood in your golf bag is your pencil!”
“Pinot Noir country. My grape. The one varietal that truly enchants me, both stills and steals my heart with its elusive loveliness and false promises of transcendence. I loved her, and I would continue to follow her siren call until my wallet--or liver, whichever came first--gave out.”
“I forced a swift smile, then turned back to my glass, salvation and sanctuary viniferously bundled into one.”
“Maya, Indian goddess of illusions. Siren of shipwrecked sailors. If only you lactated Pinot Noir, you’d be perfect.”
“Palate properly whetted, I spelunked for her clitoris, tasting Bourgogne Rouge and Maya's body.”
“Je ne me fîerai point à des propos si doux,
Qu'un peu de ses faveurs, après quoi je soupire.
Ne vienne m'assurer tout ce qu'ils m'ont pu dire.”
“Culture is a sham,’ he said simply. ‘It’s a cosmetic painted on life by rich people to conceal its ugliness.’ Fleury”
“Lady Eliza.” As the voice washed over her, recognition set in and fury descended. “Who is that man?” Ben asked as he peered around her leg. “Why is he smiling at you?” “He’s an arrogant gentleman who is mistaken to think I welcome his smiles,” Eliza managed to get out. Ben suddenly tugged free from her hand and ran toward the man as fast as his short legs could carry him. Before Eliza had the presence of mind to react, Ben opened his mouth and clamped his teeth firmly onto the leg of Lawrence Moore, the Earl of Wrathshire. A howl of outrage escaped Lawrence’s lips. “Umm, Eliza, don’t you think it might be prudent to fetch Benjamin from that gentleman’s leg?” Agatha asked in alarm. “Give him another moment,” Eliza said even as she strode forward, her temper burning hot when she realized Lawrence was trying to shake Ben off his leg. “Don’t hurt him,” she snarled as she reached them and carefully pried Ben away from Lawrence. “He’s only a baby.” “With teeth like a shark,” Lawrence grouched, leaning down to rub his leg.”
“Fall seven times. Get up eight.”
“Terrorism” is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence— our violence—which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing “commentators” of the American east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks.”
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