“When a beggar asks us for a quarter, our instinct is to say that the State has already confiscated our quarter for his benefit, and he should go to the State about it.”
“All the power [the State] has is what society gives it, plus what it confiscates from time to time on one pretext or another; there is no other source from which State power can be drawn. Therefore every assumption of State power, whether by gift or seizure, leaves society with so much less power.”
“The positive testimony of history is that the State invariably had its origin in conquest and confiscation. No primitive State known to history originated in any other manner.”
“The competition of social power with State power is always disadvantaged, since the State can arrange the terms of competition to suit itself, even to the point of outlawing any exercise of social power whatever in the premises; in other words, giving itself a monopoly.”
“Instead of recognizing the State as “the common enemy of all well-disposed, industrious and decent men,” the run of mankind, with rare exceptions, regards it not only as a final and indispensable entity, but also as, in the main, beneficent.”
“Great art is like that. You can think you're a real hard-ass, with no use for artsy-fartsy jazz and then one of the greats hits you like a bullet though the heart. People talk about Tiger Woods, or Michael Jordan but if you really want to see a dude playing above the rim, spend half an hour looking at Picasso's from between the wars. The greats don't just want to score they want to dunk in your face.”
“Magnus had come to a horrible realization. One that he knew would cause him nothing but pain and suffering from that day forward.
But there was no changing the truth of it.
He had fallen in love with her.”
“Erano i primi di novembre e all'alba l'oscurità della notte durava ancora nella via, ma il vento, con meraviglia del negoziante, imperversava già. Gli sbatté con violenza il grembiule in faccia mentre si chinava a raccogliere le due cassette di latte dal bordo del marciapiede. Ansimando, Morris Bober trascinò fino alla porta i pesanti recipienti.”
“- ¿Pero tú de qué lado estás? ¿Me apoyas o no?
- Hasta la muerte y más allá”
“In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart. Not for the proud man apart From the raging moon I write On these spindrift pages Nor for the towering dead With their nightingales and psalms But for the lovers, their arms Round the griefs of the ages, Who pay no praise or wages Nor heed my craft or art.”
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