“ISABEL: Sorry I missed my session Monday.
DR. RUSH: Would you like to tell me why?
ISABEL: I was depressed.
DR. RUSH: That's a good reason to come to therapy.”
― Lisa Lutz, quote from Revenge of the Spellmans
“I'm sorry you're angry" is NOT an apology.”
― Lisa Lutz, quote from Revenge of the Spellmans
“The next week she withheld my paycheck until I signed a document (drafted by David) in which I promised not to marry Connor. Ever. I signed the document, took the check, and had David draft another document forbidding all Spellmans to practice any form of blackmail. David tried to explain to me that a contract in which you promise not to break the law is ultimately redundant, but I didn't care.”
― Lisa Lutz, quote from Revenge of the Spellmans
“It's not like I didn't think I had any demons. I did, but I could name them- and even provide an address and telephone number for each. As far as I was concerned, those demons could go to therapy instead of me.”
― Lisa Lutz, quote from Revenge of the Spellmans
“vous plaît prendre vos vitamines. Chacun d’entre eux. SIMON & SCHUSTER READING GROUP GUIDE Revenge of the Spellmans by Lisa Lutz The times, they are a-changin’—and Isabel (Izzy) Spellman is trying desperately to hit the pause button.”
― Lisa Lutz, quote from Revenge of the Spellmans
Lisa Lutz
Born place: in The United States
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“We don’t fly,” Clary felt impelled to point out. “No,” Jace agreed. “We don’t fly. We break and enter.”
― Cassandra Clare, quote from The Mortal Instruments
“If you want to change a whole people, then you start with the girls. It stands to reason: they learn faster, and they pass on what they learn to their children.”
― Terry Pratchett, quote from Snuff
“Tamani checkled. ‘If it makes you feel any better, it scares the daylights our of me on a regular basis.’ He rained kisses on her again, his fingers pressed against her back and her waist, and Laurel realized that his chest was shaking convulsivly.
‘What?’ She asked pulling away. ‘What’s wrong?’
But he wasn’t sobbing-- he was laughing! ‘The World Tree,’ he said. ‘It was right all along.’
‘When you got your answer?’
He nodded.
‘You said you would tell me someday what it said. Will you now?’
‘Commit.’
‘What?’
‘The tree just said, commit.’ He ran his fingers through his hair, smiling a little.
‘I don’t understand,’ Laurel said.
‘Neither did I. I was already your fear-gleidhidh; I’d committed my life to protecting you.
When the tree told me that, I figured you were as good as mine. Easy.’
‘And then I told you to leave,’ Laurel said, sorrow at the memory settling deep within her.
‘I understand why you did,’ Tamani said, threading his fingers through hers. ‘And it
probably was better for us in the long run. But it hurt.’
‘I'm sorry.’
‘Don't be. I was listening to the tree, and to my own selfish desires, when I should have
been listening to you. I think I know what the tree really meant now,’ he said, his voice rumbling against her ear. ‘I needed to commit my life to you-- not to guiding you or protecting you, completely, in my core. I needed to stop worrying about whether you would ever do the same for me. In a way, I think that's what coming to the human world did, and why I wasn't sure I could bare to go back.’ He traced his finger down her face. ‘I was committed to the idea before-- to the love I felt for you. But not to you. And I think you sensed that change or you’d have rejected me.’
‘Maybe,’ Laurel said, although at this moment she couldn't fathom rejecting him for any
reason.
His fingers found her chin, lifting it so he could look her in the eyes. ‘Thank you,’ he said
softly.
‘No,’ she said, running one finger across his bottom lip, ‘Thank you.’ Then she pulled his
face down, their lips meeting, melting together again. She wished she could stay there all day, all year, all eternity, but reality came creeping slowly back in.”
― Aprilynne Pike, quote from Destined
“The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller
coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even
heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.”
― Matthew Quick, quote from Forgive Me, Leonard Peacock
“In Monterey, at the small airport rental agency, he hired a vomit-green Ford Tempo. It was an offense to his refined sense of color. The Tempo's tempo was satisfyingly allegro on flat roads but a bit adagio on the hills.”
― Dean Koontz, quote from Strangers
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