“What we have here is a riddle wrapped in a mystery inside an enigma.”
― Douglas Preston, quote from Relic
“Margo, zise Frock, râzând încetișor, ceea ce avem noi aici este o ghicitoare, înfășurată într-un mister din interiorul unei enigme.”
― Douglas Preston, quote from Relic
“New York City had a short memory for violence,”
― Douglas Preston, quote from Relic
“You see, when someone says “it’s impossible,’ I have this very bad habit, I can’t help myself, I immediately contradict that person in the most positive terms possible. A very bad habit, but one that I find hard to break.”
― Douglas Preston, quote from Relic
“The three-million-dollar Omega-9 Parallel Processing Computer, which took up a series of large gray boxes along one wall, was now completely silent.”
― Douglas Preston, quote from Relic
“Not only eating Lieutenant, but slobbering over the food as well. Clearly, he, she, or it has no manners.”
― Douglas Preston, quote from Relic
Douglas Preston
Born place: in Cambridge, Massachusetts, The United States
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“It is natural to believe in God when you're alone-- quite alone, in the night, thinking about death.”
― Aldous Huxley, quote from Uljas uusi maailma
“MONDAY, FEBRUARY 21, 2011 Port St. Lucie, Florida First impressions are important, and in his first full meeting with us as the Mets manager, Terry Collins makes a really good one. We are in a conference room in Digital Domain Park. Everybody is there—Sandy Alderson, the new general manager, his assistants, the players, the coaches, the trainers, the clubhouse manager, and even our two cooks. We go around the room and introduce ourselves. Sandy speaks first. “The expectations for this club outside of this room are very low,” he says. “I know you guys expect more of yourself, and I expect more of you too.”Sandy is not a rah-rah guy, and his approach is low-key but very compelling. “The goal of any professional sports franchise is to win, and that’s why we’re here.” When he’s done, he turns the floor over to Terry, who says, “Sandy stole my speech.” Everybody laughs. Terry has no notes. He speaks from the heart. I’ve heard a lot of these first-day speeches, and believe me, it’s more common than not for them to seem formulaic, straight off boilerplate. This is not like that at all. Terry is intense, fiery, and enthusiastic. I never get the feeling he is saying things for effect. It seems so authentic, the way he makes contact with everybody in the room and jacks up the decibel level. Even when he dabbles in clichés—“We’re going to do things the right way”—you can’t help but feel his passion and energy. Terry is a small man and doesn’t have an imposing presence when you first see him, but he is powerful nonetheless. The essence of his talk is simple: “Everybody says we’re going to stink. I hear it over and over. I think they’ve got it all wrong. You want to come along as we prove them all wrong?” Terry talks for twenty minutes or so, and by the time he is done, all I can think of is: This is a guy I’m really going to enjoy playing for. CHAPTER THREE FAITH ON WALNUT Some kids are fighters. Other kids are scrappers. I am a scrapper. I spend two extremely scrappy years—fifth and sixth grades—at St. Edward School, and the trend continues into the seventh grade at Wright Middle School, where the kids are bigger and stronger than me, but not too many have less regard for their bodies. I don’t worry about pain or getting hit or getting knocked down. I just get back up and come back at you like a boomerang. My goal when I fight is simple: I want to give more than I receive. This doesn’t make me proud. It’s just what it takes to survive, and in seventh grade survival is what I’m all about. Fights aren’t an everyday occurrence in my neighborhood, but I seem to have more than my share of them. I fight to defend myself, to right a wrong, or to settle a dispute. I’m not picky. I figure out early that in a school where smoke billows out of the bathroom and pregnant girls walk the hallways, you don’t want people thinking you are wimpy. So I learn to act tough when I need to, and sometimes when I don’t need to—which gets me into trouble. In the lunchroom one day, I get up from my seat. You have assigned seats at Wright at lunchtime, and strict rules about leaving them, the school’s effort to prevent the cafeteria from turning into WrestleMania. But I need to get a homework assignment from a classmate, so I get up and walk across the lunchroom. A monitor corrals me and says, Get back to your seat. He’s kind of nasty about it. I don’t appreciate his tone. I cuss under my breath. Not loud, not a bad cussword, but an audible obscenity, no doubt. Now he doesn’t appreciate my tone. Come with me, young man. You are going to regret your garbage mouth. He’s right—I am going to regret it—because this is Tennessee in the mid-1980s and corporal punishment still rules the day. The monitor escorts me down to see Mr. Tinnon, the assistant principal in charge of paddling. He conveniently keeps the paddle by his desk.”
― quote from Wherever I Wind Up: My Quest for Truth, Authenticity and the Perfect Knuckleball
“It's laughable, looking back, to see the processes I went through, pretending to make a reasoned decision. No choice is ever made on the basis of logic; the logic is fabricated around the impulse, the initial desire which is innate and incontrovertible. All the time, I knew where I was going, the elements of my fulfillment or ruin were always present; I only had to work my way into that seam of desire and find the hidden vein of dross or gold. It's not a question of predestination, it's just that free will and destiny are illusions, false opposites, consolations. In the end, they are one and the same: a single process. You choose what you choose and it could not have been otherwise: the choice is destiny. It was there all along, but any alternative you might have considered is an absurd diversion, because it is in your nature to make one choice rather than another. That is identity. To speak of freedom or destiny is absurd because it suggests there is something outside yourself, directing your life, where really it is of the essence: identity, the craftwork of the soul.”
― John Burnside, quote from The Dumb House
“She wanted to take his hand. Her hardest task now as she grew older in the Ministry was to deal with her longing to be touched - hugged, stroked by anyone, any human being - a friend, a lover, a child or even (and here she scented danger) a servant. Of either sex. She prayed about it, asking that God's encircling arms would bring comfort. They did not”
― Jane Gardam, quote from Old Filth
“Ha ha, imagine Winter singing! I wonder if he can scowl and sing and look darkly handsome and mortally offended all at the same time. Probably.”
― Tui T. Sutherland, quote from Moon Rising
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