“I need to get at Fate’s design in this. What exactly does it want of me? Did it pick me? Because Miss Brown…” he began with a calm warning. “I worked for Fate in the past. I slaved my ass off for her. Then she handed me over to Irony, a cruel bastard with a shit eating grin, and I worked for him too. I slaved for both, all my life, without stop, without wavering. I was a good employee to the universe. And then one day, I quit,” he said. “I’ve been MIA for near a decade. And it seems… I’ve been found.” She”
― Lucian Bane, quote from Reginald Bones: Part One
“You sound defensive. Do you think everybody is accusing you? Does your guilt demand everybody accuse you?” She looked down. “I don’t even need to see your eyes to know they’re loaded with shame.” She”
― Lucian Bane, quote from Reginald Bones: Part One
“How you like them stupids, Mr. Bones? Oh, your eyes say not a whole lot,” she mocked. Her breathless words said she’d taken a big risk and was prepared to accept the consequences. “Not so fun having your demons poked at, huh? Maybe I’ll get my tongue in your mouth next time and really tickle your devils.”
― Lucian Bane, quote from Reginald Bones: Part One
“Little shit. You can jack off, Bones said. As long as you’re not thinking of a woman. “Awwww, thank you Bonesy. Maybe we can pick up the latest edition of Playdog magazine. I bet the bald pussycats really get the hummer going.” Bones”
― Lucian Bane, quote from Reginald Bones: Part One
“Are you crazy?" The unexpected question threw him a moment. "I guess… if I was, I might not know it. And if I did know… I might not want to say." She”
― Lucian Bane, quote from Reginald Bones: Part One
“Bones informed dryly, watching him arrange his study tools just perfectly. You know there is a name for what you're doing. I believe it's called ... Bones tapped his temple. Something, something, disorder. "Very funny," Reginald muttered in a sing song tone. "You should try actually paying attention when I study. If you did, you'd know it's called obsessive compulsive disorder, or OCD, but that's not what I'm doing. This is simply me being exactly orderly." Right.”
― Lucian Bane, quote from Reginald Bones: Part One
“Scratch her arm? “No, she’s picking at her skin. It's a symptom," Reginald said. "One in the OCD family. It's called Dermatillomania or Excoriation. Often due to stress or anxiety, or depression." Or an STD.”
― Lucian Bane, quote from Reginald Bones: Part One
Lucian Bane
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“Sometimes it was hard to express how much you loved someone. You said the words, but you could never quite capture the depth of it. You could never quite hold someone tightly enough.”
― Diane Chamberlain, quote from The Midwife's Confession
“Have only this consolation--that he was never a fiend or even truly a madman, but only an eager, studious, and curious boy whose love of mystery and of the past was his undoing. He stumbled on things no mortal ought ever to know, and reached back through the years as no one ever should reach; and something came out of those years to engulf him.”
― H.P. Lovecraft, quote from The Case of Charles Dexter Ward
“if, relative to K, K’ is a uniformly moving co-ordinate system devoid of rotation, then natural phenomena run their course with respect to K’ according to exactly the same general laws as with respect to K. This statement is called the Principle of Relativity (in the restricted sense).”
― Albert Einstein, quote from Relativity: The Special and the General Theory
“My anxieties as to behavior are futile, ever more so, to infinity. If the other, incidentally or negligently, gives the telephone number of a place where he or she can be reached at certain times, I immediately grow baffled: should I telephone or shouldn't I? (It would do no good to tell me that I can telephone - that is the objective, reasonable meaning of the message - for it is precisely this permission I don't know how to handle.) What is futile is what apparently has and will have no consequence. But for me, an amorous subject, everything which is new, everything which disturbs, is received not as a fact but in the aspect of a sign which must be interpreted. From the lover's point of view, the fact becomes consequential because it is immediately transformed into a sign: it is the sign, not the fact, which is consequential (by its aura). If the other has given me this new telephone number, what was that the sign of? Was it an invitation to telephone right away, for the pleasure of the call, or only should the occasion arise, out of necessity? My answer itself will be a sign, which the other will inevitably interpret, thereby releasing, between us, a tumultuous maneuvering of images. Everything signifies: by this proposition, I entrap myself, I bind myself in calculations, I keep myself from enjoyment.
Sometimes, by dint of deliberating about "nothing" (as the world sees it), I exhaust myself; then I try, in reaction, to return -- like a drowning man who stamps on the floor of the sea -- to a spontaneous decision (spontaneity: the great dream: paradise, power, delight): go on, telephone, since you want to! But such recourse is futile: amorous time does not permit the subject to align impulse and action, to make them coincide: I am not the man of mere "acting out" -- my madness is tempered, it is not seen; it is right away that I fear consequences, any consequence: it is my fear -- my deliberation -- which is "spontaneous.”
― Roland Barthes, quote from A Lover's Discourse: Fragments
“That’s what it comes down to.” Elizabeth worked the last few buttons together. She stopped to cough, but only for a moment. “He alone knows the number of our days, and until that moment, he always has a plan for us.”
― Karen Kingsbury, quote from Reunion
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