“I need to get at Fate’s design in this. What exactly does it want of me? Did it pick me? Because Miss Brown…” he began with a calm warning. “I worked for Fate in the past. I slaved my ass off for her. Then she handed me over to Irony, a cruel bastard with a shit eating grin, and I worked for him too. I slaved for both, all my life, without stop, without wavering. I was a good employee to the universe. And then one day, I quit,” he said. “I’ve been MIA for near a decade. And it seems… I’ve been found.” She”
― Lucian Bane, quote from Reginald Bones: Part One
“You sound defensive. Do you think everybody is accusing you? Does your guilt demand everybody accuse you?” She looked down. “I don’t even need to see your eyes to know they’re loaded with shame.” She”
― Lucian Bane, quote from Reginald Bones: Part One
“How you like them stupids, Mr. Bones? Oh, your eyes say not a whole lot,” she mocked. Her breathless words said she’d taken a big risk and was prepared to accept the consequences. “Not so fun having your demons poked at, huh? Maybe I’ll get my tongue in your mouth next time and really tickle your devils.”
― Lucian Bane, quote from Reginald Bones: Part One
“Little shit. You can jack off, Bones said. As long as you’re not thinking of a woman. “Awwww, thank you Bonesy. Maybe we can pick up the latest edition of Playdog magazine. I bet the bald pussycats really get the hummer going.” Bones”
― Lucian Bane, quote from Reginald Bones: Part One
“Are you crazy?" The unexpected question threw him a moment. "I guess… if I was, I might not know it. And if I did know… I might not want to say." She”
― Lucian Bane, quote from Reginald Bones: Part One
“Bones informed dryly, watching him arrange his study tools just perfectly. You know there is a name for what you're doing. I believe it's called ... Bones tapped his temple. Something, something, disorder. "Very funny," Reginald muttered in a sing song tone. "You should try actually paying attention when I study. If you did, you'd know it's called obsessive compulsive disorder, or OCD, but that's not what I'm doing. This is simply me being exactly orderly." Right.”
― Lucian Bane, quote from Reginald Bones: Part One
“Scratch her arm? “No, she’s picking at her skin. It's a symptom," Reginald said. "One in the OCD family. It's called Dermatillomania or Excoriation. Often due to stress or anxiety, or depression." Or an STD.”
― Lucian Bane, quote from Reginald Bones: Part One
“The worst blows typically come from family.”
― John Eldredge, quote from Waking the Dead: The Glory of a Heart Fully Alive
“It’s hard not to be into a girl who tells you she loves your cock repeatedly as she comes.”
― Helena Hunting, quote from Pucked
“But it isn’t the best we should remember,’ she said, and shocked herself by speaking aloud, and clutched the folds and mother-of-pearl buttons in that habitual gesture. We must remember the worst because the worst is the lives we lead, the best is only our history, and between our history and our lives there is this vast dark plain where the rapt and patient shepherds drive their invisible flocks in expectation of God’s forgiveness. *”
― Paul Scott, quote from The Day of the Scorpion
“But here must end the story of my life,
And happy were I in my timely death
Could all my travels warrant me they live.”
― William Shakespeare, quote from The Comedy of Errors
“A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter “A story is not like a road to follow … it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns....”
― Alice Munro, quote from Selected Stories
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