Watchmen
Quotes from the Book
People shouldn't be afraid of their government. Governments should be afraid of their people.
Behind this mask there is more than just flesh. Beneath this mask there is an idea... and ideas are bulletproof.
Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.
Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.
You wear a mask for so long, you forget who you were beneath it.
The past can't hurt you anymore, not unless you let it.
Knowledge, like air, is vital to life. Like air, no one should be denied it.
Remember, remember the fifth of November of gunpowder treason and plot. I know of no reason why the gun powder treason should ever be forgot.
My mother said I broke her heart...but it was my integrity that was important. Is that so selfish? It sells for so little, but it's all we have left in this place. It is the very last inch of us...but within that inch we are free.
Happiness is the most insidious prison of all.
I shall die here. Every last inch of me shall perish. Except one. An inch. It's small and it's fragile and it's the only thing in the world worth having. we must never lose it, or sell it, or give it away. We must never let them take it from us.
Since mankind's dawn, a handful of oppressors have accepted the responsibility over our lives that we should have accepted for ourselves. By doing so, they took our power. By doing nothing, we gave it away. We've seen where their way leads, through camps and wars, towards the slaughterhouse.
Because while the truncheon may be used in lieu of conversation, words will always retain their power. Words offer the means to meaning, and for those who will listen, the enunciation of truth. And the truth is, there is something terribly wrong with this country, isn't there? Cruelty and injustice, intolerance and oppression. And where once you had the freedom to object, to think and speak as you saw fit, you now have censors and systems of surveillance coercing your conformity and soliciting your submission. How did this happen? Who's to blame? Well certainly there are those more responsible than others, and they will be held accountable, but again truth be told, if you're looking for the guilty, you need only look into a mirror. I know why you did it. I know you were afraid. Who wouldn't be? War, terror, disease. There were a myriad of problems which conspired to corrupt your reason and rob you of your common sense.
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
Love your rage, not your cage.
They say that life's a game, & then they take the board away.
The past can't hurt you anymore. Not unless you let it. They made you into a victim, Evey. They made you into a statistic. But, that's not the real you. That's not who you are inside.
Evey Hammond: Who are you? V: Who? Who is but the form following the function of what and what I am is a man in a mask. Evey Hammond: Well I can see that. V: Of course you can. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is
It seems strange that my life should end in such a terrible place, but for three years I had roses, and apologized to no one.
Our masters have not heard the people's voice for generations and it is much, much louder than they care to remember.
But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you.
Your pretty empire took so long to build, now, with a snap of history's fingers, down it goes.
There's no flesh or blood within this cloak to kill. There's only an idea. Ideas are bulletproof.
The ending is nearer than you think, and it is already written. All that we have left to choose is the correct moment to begin.
You were already in a prison. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all. Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood. Is that it, Evey? Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds... and shot. All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences. I didn't put you in a prison, Evey. I just showed you the bars.' 'You're wrong! It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?' 'You're in a prison, Evey. You were born in a prison. You've been in a prison so long, you no longer believe there's a world outside. That's because you're afraid, Evey. You're afraid because you can feel freedom closing in upon you. You're afraid because freedom is terrifying. Don't back away from it, Evey. Part of you understands the truth even as part pretends not to. You were in a cell, Evey. They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death and you were calm and still. The door of the cage is open, Evey. All that you feel is the wind from outside.
Equality and freedom are not luxuries to lightly cast aside. Without them, order cannot long endure before approaching depths beyond imagining.
Anarchy wears two faces, both creator and destroyer. Thus destroyers topple empires; make a canvas of clean rubble where creators then can build another world. Rubble, once achieved, makes further ruins' means irrelevant. Away with our explosives, then! Away with our destroyers! They have no place within our better world. But let us raise a toast to all our bombers, all our bastards, most unlovely and most unforgivable. Let's drink their health... then meet with them no more.
Eve: All this riot and uproar, V... is this Anarchy? Is this the Land of Do-As-You-Please? V: No. This is only the land of take-what-you-want. Anarchy means "without leaders", not "without order". With anarchy comes an age or ordnung, of true order, which is to say voluntary order... this age of ordung will begin when the mad and incoherent cycle of verwirrung that these bulletins reveal has run its course... This is not anarchy, Eve. This is chaos.
Authority, when first detecting chaos at its heels, will entertain the vilest schemes to save its orderly facade.
Did you know?
- The story was originally serialized in the British anthology magazine Warrior beginning in 1982 before DC Comics completed and colored it in 1988-1989.
- V wears a stylized Guy Fawkes mask, an image that has since been widely adopted as a symbol of protest movements.
- Alan Moore drew on a rejected 1975 comic-strip submission called 'The Doll' when developing the concept for V for Vendetta.
- The story is set in a near-future 1990s Britain following a nuclear war in the 1980s that devastated much of the rest of the world.
- Moore deliberately crafted V's actions as morally ambiguous, avoiding a didactic message about anarchism versus fascism.
About Alan Moore
More by Alan Moore
All books by Alan Moore →About the book
V for Vendetta is a dystopian graphic novel written by Alan Moore and illustrated by David Lloyd. Set in a near-future Britain of the 1990s, in the aftermath of a nuclear war that devastated much of the rest of the world, it depicts a country ruled by a fascist party called Norsefire that has turned the nation into a totalitarian police state. Into this world steps V, an anarchist revolutionary who hides behind a Guy Fawkes mask and wages a theatrical one-man campaign against the regime while drawing a young woman, Evey Hammond, into his cause.
The book is built around a sustained confrontation between anarchism and fascism, a tension Moore deliberately kept morally ambiguous rather than didactic. Alongside its political argument it explores freedom, identity, oppression and the redemptive power of the human spirit rebelling against authoritarian control. Moore and Lloyd set the story in a speculative near-future rather than in recent history, drawing on dystopian literature and the political climate of 1980s Britain, and cultivating a noir-inflected atmosphere throughout.
Originally serialized in the British anthology Warrior from 1982 and later completed and colored by DC Comics in 1988-1989, V for Vendetta became one of the defining works of Moore's career and of the comics medium. Its Guy Fawkes mask has since been widely adopted as a symbol of protest, and the story was adapted into a 2005 feature film, cementing its place in popular culture as a landmark of politically charged graphic fiction.
Key characters
- VMasked anarchist revolutionary who wages a campaign against the fascist regime
- Evey HammondYoung woman rescued and mentored by V toward revolutionary ideals
- Adam SusanLeader of the ruling Norsefire government
- Eric FinchDetective investigating V's activities
- Peter CreedyHead of the secret police who later seizes emergency leadership
- Lewis ProtheroGovernment propaganda broadcaster and former camp commander
- Delia SurridgeMedical researcher connected to experiments in V's past
Book details
- First published
- 1982
- Length
- 296 pages
- Reading time
- 4 hours
- Author
- Alan Moore
- Genre
- Fiction
- Goodreads rating
- 4.26 (329k ratings) →
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1WatchmenAlan Moore's other genre-redefining graphic novel interrogating power and morality
- 2Nineteen Eighty-FourClassic dystopia of a totalitarian surveillance state that influenced Moore
- 3The Handmaid's TaleDystopian resistance against an oppressive authoritarian regime
Keep reading
The Handmaid's Tale
1984
The Mime Order
The Broken Eye
Revolution
Watchmen
Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century
Robopocalypse
The Resistance
The Blinding Knife
Prince of Thorns
Arm of the Sphinx
The Blind Assassin
World War Z: An Oral History of the Zombie War
Shadow's Edge
All the King's Men
The Young Elites
The Burning World
The Stone Sky
The Magus
Ender's Game
Queen of Fire
Faith of the Fallen
The Fall
Blackfish City
The Kite Runner
Gnomon
Foundryside
The Instructions
Reaper's Gale
Gravity's Rainbow
Night Watch
Demonspawn
The Fall of Babel
Xenocide
Rot & Ruin
Infinite Jest
Shōgun
Harassment Architecture
Blackout
American Gods
Fragments
Invisibility
The Hod King
I Must Betray You
The Graveyard Book
The 5th Wave
Deadline
The Fifth Season
The Fountainhead
The Secret History
Dark Age
We
Survivor
Nutshell
Duma Key
UnWholly
The Queen of the Damned
Butcher Bird
The Kingdom on the Waves

