“I need you, Jess, with everything in me I need you, not just now or tonight, but forever. You're my North Star and Safe Harbor and all those other sappy clichés, but above all else, you are my dragon slayer. I need you tonight. I need you in my arms where I can feel your heart beating in time with mine. Just hold me and… and let me hold you in return.”
― Julieanne Reeves, quote from Razing Kayne
“I designed this and had it made especially for you. The trefoil is the symbol of immortality: a beginning without an end, like our life together. The hearts represent my love for you. Forever love. Unending like the knot they form. I chose opals instead of diamonds, because opals are warm living stones, each color a birth stone, yours being the center of this ring just like you are the center of our family. “I know the inscription isn’t original, but the meaning behind the words is. I wrote those words for the wife I dreamed of. And here you are. With My Last Breath.”
― Julieanne Reeves, quote from Razing Kayne
“There are two dedications. The first is Jessica’s. To my precious children, Madalina, Ashur, Isabelle, and Grace, No mother could love her children more than I love you. Each of you is truly a gift from God that I cherish more than anything else in this world. And to Amy Sarah, my Beloved Princess. I only held you once, but you live on forever in my heart. Even you have a story.” Kayne paused and bussed her temple before continuing. “The second dedication is from Darcy’s kids. I may call you Mom, Grandma, Aunt, or some other name, the title doesn’t matter to my heart. It only knows that it loves you. Happy Mother’s Day.”
― Julieanne Reeves, quote from Razing Kayne
“There is a sacredness in tears. They are not the mark of weakness, but of power. They speak more eloquently than ten thousand tongues. They are messengers of overwhelming grief...and unspeakable love.” ~ Washington Irving”
― Julieanne Reeves, quote from Razing Kayne
“You wouldn't find it funny if you had zipper tracks permanently pressed into your dick.”
― Julieanne Reeves, quote from Razing Kayne
Julieanne Reeves
Born place: The United States
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“The World Has Need Of You”
everything here
seems to need us
—Rainer Maria Rilke
I can hardly imagine it
as I walk to the lighthouse, feeling the ancient
prayer of my arms swinging
in counterpoint to my feet.
Here I am, suspended
between the sidewalk and twilight,
the sky dimming so fast it seems alive.
What if you felt the invisible
tug between you and everything?
A boy on a bicycle rides by,
his white shirt open, flaring
behind him like wings.
It’s a hard time to be human. We know too much
and too little. Does the breeze need us?
The cliffs? The gulls?
If you’ve managed to do one good thing,
the ocean doesn’t care.
But when Newton’s apple fell toward the earth,
the earth, ever so slightly, fell
toward the apple.”
― Ellen Bass, quote from Like a Beggar
“Smile like that while asking me for the moon, and I’ll find some way to give it to you.”
― Courtney Lane, quote from The Sordid Promise
“ 9 Furthermore we have had fathers of our flesh which corrected us, and we gave them reverence: shall we not much rather be in subjection unto the Father of spirits, and live?”
― The Church of Jesus Christ of Latter-day Saints, quote from The LDS Scriptures: Unabridged Complete King James Version Holy Bible /The Book of Mormon / Doctrine and Covenants / The Pearl of Great Price
“Every day of your life, you are faced with opportunities. Unfortunately, the choices that face you are not heroic choices. They are bamboo tree choices. They are small, but progressive choices that steer you in a positive direction and over time you're bound to meet success. For most of us, we spend all our lives waiting for that life changing moment that will change the course of our lives and make us successful. Unfortunately, the clock is ticking. Every day, we choose not to tend to our bamboo tree, a choice is made for us and by the time we realize it, the seasons have passed and we have nothing to show for it.”
― Mary Maina, quote from The Proverbs 31 Lady: Unveiling Her Secrets Before Saying I Do
“Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the harmonious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and children play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physiological needs which are considered private as discreetly as possible, without realizing that such a pattern of behavior is not common to all human societies. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff.
His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Confidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.”
― Czesław Miłosz, quote from The Captive Mind
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