“Acım tıpkı organlarımı kemiren bir yaratık gibi hala canlı.Ölmeyecek.Ölmeyi reddediyor.Onu oraya sen koydun, sen ektin, embriyoya onca yılın besinini verdin.Ve sonra yürüyüp gittin.
Bana iyilik yaptığını söyledin.Şimdi ayrılmak daha iyi, eğer bu iş uzarsa sadece daha fazla acı verecek, dedin.
Acı çekmenin ne olduğunu bilmiyorsun…”
― Tess Gerritsen, quote from Presumed Guilty
“Seni ne için affedeceğim? Bana masumiyetin gerçek anlamını gösterdiğin için mi? İnanmaya programlandığım her kibirli nosyonu sorgulamama sebep olduğun için mi? Salak olduğumu fark etmemi sağladığın için mi?
Sana aşık olmama sebep olduğun için mi?”
― Tess Gerritsen, quote from Presumed Guilty
“bazen," dedi, "kalbim duruyor sanki.bazen kalbimin attığını hiç ama hiç hissetmiyorum.”
― Tess Gerritsen, quote from Presumed Guilty
“Mutlu sonlar kendiliğinden gelmez.Bazen bunun için çaba harcamak gerekir.”
― Tess Gerritsen, quote from Presumed Guilty
“Beni burada seni bekler halde bırakmışken, beni sevdiğini nasıl söyleyebilirsin?”
― Tess Gerritsen, quote from Presumed Guilty
“night.” “Just some sore muscles. That’s all.” She shrugged,”
― Tess Gerritsen, quote from Presumed Guilty
Tess Gerritsen
Born place: in The United States
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“W tej właśnie komnacie przyszedłem na świat. Z odmętów długiej nocy, która miała pozór, lecz nie była nicością, wyłoniłem się po to, aby wkroczyć nagle w krainę baśni, w pałacowe przepychy fantazji, w dziwaczne dziedziny myśli i wiedzy klasztornej. Nie dziw tedy, że przerażonym a płomiennym wzrokiem badałem świat dookolny, że dzieciństwo spędziłem wśród ksiąg, a młodość roztrwoniłem na marzeniach; lecz zastanawia ta okoliczność, że gdy lata upływały i południe dojrzałego wieku zastało mnie jeszcze żywcem w gnieździe mych przodków — zastanawia, powtarzam, ta okoliczność, że bijące źródła mojego życia zaprawiły się nagłym zastojem, że w kierunku najwłaściwszego mi myślenia stał się przewrót zupełny. Zjawiska rzeczywistości potrącały o mnie jak sny i tylko jako sny, podczas gdy szaleńcze pomysły z krainy snów stały się w zamian nie tylko strawą mego codziennego istnienia, lecz stanowczo jedynym i całkowitym istnieniem w samym sobie.”
― Edgar Allan Poe, quote from Berenice
“Just the two of us. We're in it together. The pleasure will be ours alone. For the rest of our lives.”
― Mark Helprin, quote from Freddy and Fredericka
“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians
“E pesando na terra todo o meu peso imóvel. Tu morres. Outros agonizam lentamente, corpos cheios de golpes, a pele colada aos ossos.”
― Simone de Beauvoir, quote from The Blood of Others
“In this time, I learned for myself as my teacher predicted, how it is these two extremes - that we are transported by love and jailed by it - that are ever impossible for mothers to reconcile.”
― Kate Manning, quote from My Notorious Life
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