“Acım tıpkı organlarımı kemiren bir yaratık gibi hala canlı.Ölmeyecek.Ölmeyi reddediyor.Onu oraya sen koydun, sen ektin, embriyoya onca yılın besinini verdin.Ve sonra yürüyüp gittin.
Bana iyilik yaptığını söyledin.Şimdi ayrılmak daha iyi, eğer bu iş uzarsa sadece daha fazla acı verecek, dedin.
Acı çekmenin ne olduğunu bilmiyorsun…”
― Tess Gerritsen, quote from Presumed Guilty
“Seni ne için affedeceğim? Bana masumiyetin gerçek anlamını gösterdiğin için mi? İnanmaya programlandığım her kibirli nosyonu sorgulamama sebep olduğun için mi? Salak olduğumu fark etmemi sağladığın için mi?
Sana aşık olmama sebep olduğun için mi?”
― Tess Gerritsen, quote from Presumed Guilty
“bazen," dedi, "kalbim duruyor sanki.bazen kalbimin attığını hiç ama hiç hissetmiyorum.”
― Tess Gerritsen, quote from Presumed Guilty
“Mutlu sonlar kendiliğinden gelmez.Bazen bunun için çaba harcamak gerekir.”
― Tess Gerritsen, quote from Presumed Guilty
“Beni burada seni bekler halde bırakmışken, beni sevdiğini nasıl söyleyebilirsin?”
― Tess Gerritsen, quote from Presumed Guilty
“night.” “Just some sore muscles. That’s all.” She shrugged,”
― Tess Gerritsen, quote from Presumed Guilty
Tess Gerritsen
Born place: in The United States
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“We didn’t evolve to be healthy, but instead we were selected to have as many offspring as possible under diverse, challenging conditions. As a consequence, we never evolved to make rational choices about what to eat or how to exercise in conditions of abundance and comfort. What’s more, interactions between the bodies we inherited, the environments we create, and the decisions we sometimes make have set in motion an insidious feedback loop. We get sick from chronic diseases by doing what we evolved to do but under conditions for which our bodies are poorly adapted, and we then pass on those same conditions to our children, who also then get sick. If we wish to halt this vicious circle then we need to figure out how to respectfully and sensibly nudge, push, and sometimes oblige ourselves to eat foods that promote health and to be more physically active. That,”
― quote from The Story of the Human Body: Evolution, Health, and Disease
“A belligerent samurai, an old Japanese tale goes, once challenged a Zen master to explain the concept of heaven and hell. The monk replied with scorn, "You're nothing but a lout - I can't waste my time with the likes of you!"
His very honor attacked, the samurai flew into a rage and, pulling his sword from its scabbard, yelled "I could kill you for your impertinence."
"That," the monk calmly replied, "is hell."
Startled at seeing the truth in what the master pointed out about the fury that had him in its grip, the samurai calmed down, sheathed his sword, and bowed, thanking the monk for the insight.
"And that,"said the monk "is heaven."
The sudden awakening of the samurai to his own agitated state illustrates the crucial difference between being caught up in a feeling and becoming aware that you are being swept away by it. Socrates's injunction "Know thyself" speaks to the keystone of emotional intelligence: awareness of one's own feelings as they occur.”
― Daniel Goleman, quote from Inteligência Emocional
“You can only cry so much until your life is wept away.”
― MarcyKate Connolly, quote from Monstrous
“A Bob Sacha le gusta trabajar de noche, cuando puede ver las cosas de manera distinta. Realizando un reportaje en Nuevo México para el artículo "Los primitivos astrónomos americanos", tomó una fotografía nocturna de la Casa Rinconada, una kiva anasazi en el Chaco Canyon. Sacha creyó que el mejor modo de plasmar la imagen de esta estructura circular -construida con la precisón del compás- era mediante una fotografía que mostrara los desplazamientos circulares de las estrellas sobre ella. Para conseguirla necesito una exposición de varias horas. Dispuso su cámara directamente en la puerta sur del edificio, y apuntó el objetivo ojo de pez hacia la puerta norte. Iluminó cada sección de los muros durante a penas un instante; para ello trabajó en noche sin luna, caminando al rededor del edificio y disparando el flash repetidas veces. Para iluminar los nichos encendió una vela en uno de ellos, contó hasta tres, y la apagó y avanzó hasta el siguiente e hizo lo mismo, con el obturador abierto todo el rato.
"Con largas exposiciones como ésta, no tienes ni idea de lo que realmente está pasando" dice Sacha ". No puedes mirar a través de la lente.”
― quote from National Geographic: The Photographs
“But for someone like me, who moved into an entirely different world when still quite young, it’s as if a deep gap divides my past and my present.”
― quote from A True Novel
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