“Acım tıpkı organlarımı kemiren bir yaratık gibi hala canlı.Ölmeyecek.Ölmeyi reddediyor.Onu oraya sen koydun, sen ektin, embriyoya onca yılın besinini verdin.Ve sonra yürüyüp gittin.
Bana iyilik yaptığını söyledin.Şimdi ayrılmak daha iyi, eğer bu iş uzarsa sadece daha fazla acı verecek, dedin.
Acı çekmenin ne olduğunu bilmiyorsun…”
― Tess Gerritsen, quote from Presumed Guilty
“Seni ne için affedeceğim? Bana masumiyetin gerçek anlamını gösterdiğin için mi? İnanmaya programlandığım her kibirli nosyonu sorgulamama sebep olduğun için mi? Salak olduğumu fark etmemi sağladığın için mi?
Sana aşık olmama sebep olduğun için mi?”
― Tess Gerritsen, quote from Presumed Guilty
“bazen," dedi, "kalbim duruyor sanki.bazen kalbimin attığını hiç ama hiç hissetmiyorum.”
― Tess Gerritsen, quote from Presumed Guilty
“Mutlu sonlar kendiliğinden gelmez.Bazen bunun için çaba harcamak gerekir.”
― Tess Gerritsen, quote from Presumed Guilty
“Beni burada seni bekler halde bırakmışken, beni sevdiğini nasıl söyleyebilirsin?”
― Tess Gerritsen, quote from Presumed Guilty
“night.” “Just some sore muscles. That’s all.” She shrugged,”
― Tess Gerritsen, quote from Presumed Guilty
Tess Gerritsen
Born place: in The United States
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“Belief isn't simply a thing for fair times and bright days...What is belief - what is faith - if you don't continue in it after failure?...Anyone can believe in someone, or something that always succeeds...But failure...ah, now, that is hard to believe in, certainly and truly. Difficult enough to have value. Sometimes we just have to wait long enough...then we find out why exactly it was that we kept believing...There's always another secret.”
― Brandon Sanderson, quote from Mistborn
“I had never seen her naked, I was embarrassed. Today I can say that it was the embarrassment of gazing with pleasure at her body, of being the not impartial witness of her sixteen-year-old's beauty a few hours before Stefano touched her, penetrated her, disfigured her, perhaps, by making her pregnant. At the time it was just a tumultuous sensation of necessary awkwardness, a state in which you cannot avert the gaze or take away the hand without recognizing your own turmoil, without, by that retreat, declaring it, hence without coming into conflict with the undisturbed innocence of the one who is the cause of the turmoil, without expressing by that rejection the violent emotion that overwhelms you, so that it forces you to stay, to rest your gaze on the childish shoulders, on the breasts and stiffly cold nipples, on the narrow hips and the tense buttocks, on the black sex, on the long legs, on the tender knees, on the curved ankles, on the elegant feet; and to act as if it's nothing, when instead everything is there, present, in the poor dim room, amid the worn furniture, on the uneven, water-stained floor, and your heart is agitated, your veins inflamed.”
― quote from My Brilliant Friend
“No one can disagree with the objectives of the legislation that culminated in the 1962 amendments. Of course it is desirable that the public be protected from unsafe and useless drugs. However, it is also desirable that new drug development should be stimulated, and that new drugs should be made available to those who can benefit from them as soon as possible. As is so often the case, one good objective conflicts with other good objectives. Safety and caution in one direction can mean death in another.”
― Milton Friedman, quote from Free to Choose: A Personal Statement
“TWars are not fought on battlegrounds but in a space smaller than the head of a needle.”
― Ben Okri, quote from The Famished Road
“Seemed our house stirred up troubles enough to keep a radio soap show in daily episodes forever.”
― Allan Gurganus, quote from Oldest Living Confederate Widow Tells All
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Annie John
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