Quotes from L.A. Candy

Lauren Conrad ·  326 pages

Rating: (23.9K votes)


“The only way to belong is to act like you belong. Or to not give a shit whether you belong or not.”
― Lauren Conrad, quote from L.A. Candy


“Love...who needed love? As long as she had her books and her friends and an occasional hookup, she was perfectly content.”
― Lauren Conrad, quote from L.A. Candy


“Real relationships - the kind that were supposed to last but never did - were more trouble than they were worth.”
― Lauren Conrad, quote from L.A. Candy


“It's always better to be the dumper than the dumpee.”
― Lauren Conrad, quote from L.A. Candy


“In case you didn't notice me, I'm the less attractive friend to the right.”
― Lauren Conrad, quote from L.A. Candy



“He had a lot of different smiles, and Jane was getting to know them all.”
― Lauren Conrad, quote from L.A. Candy


“Jane was wearing a charcoal shift dress. The black dipped into a love V accented with a large black chiffon bow. A layer of delicate black lace peeked out from the bottom of her dress. Her long blond hair was pulled back tightly into a straight ironed ponytail. Her makeup was simple: coral blush on her cheeks and gunmetal shadow brushed under her blue eyes.”
― Lauren Conrad, quote from L.A. Candy


“Why had Jesse asked Scarlett to sit next to him? And since when did guys go to the bathroom together?”
― Lauren Conrad, quote from L.A. Candy


About the author

Lauren Conrad
Born place: in Laguna Beach, California, The United States
Born date February 1, 1986
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Popular quotes

“It would be sheer hell to be privy to thoughts and memories without some power to control and block. I don’t like to pry into personal thoughts. And it hurts,”
― J.D. Robb, quote from Ceremony in Death


“There cannot be any hard and fast rules. But there can be suggestions and useful analogies. The most useful, to my mind, is that of the difference between the English and French judicial systems. In England (and America), the task of the court in criminal cases, which it devolves upon a jury, is to arrive at a verdict of ‘guilty’ or ‘not guilty’ on the evidence presented by prosecuting and defending counsel in turns. Trials are conflicts and verdicts are decisions; the two sides ‘win’ or ‘lose’. In France, and other countries which observe Roman Law, the task of the court in a criminal case is to arrive at the truth, as far as it can be perceived by human eyes, and the business of establishing the outlines of the truth falls not on a jury, which is strictly asked to enter a judgement, but upon a juge d’instruction. This officer of the court, unknown to English law, is accorded very wide powers of interrogation–of the suspect, his family, his associates–and of investigation–of the circumstances and scene of the crime–at which the suspect is often required to participate in a reconstruction. Only when the juge is satisfied that a crime has indeed occurred and that the suspect is responsible will he allow the case to go forward for prosecution. The character of these two different legal approaches is usually defined as ‘accusatorial’ (English) and ‘inquisitorial’ (French) respectively.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme


“An overnight success is ten years in the making.”
― Tom Clancy, quote from Dead or Alive


“Contre la médisance il n'est point de rempart.”
― Molière, quote from Tartuffe


“In Fleury’s day, however, the grass was cut and the graves well cared for. Besides, as you might expect, he was fond of graveyards; he enjoyed brooding in them and letting his heart respond to the abbreviated biographies he found engraved in their stones . . . so eloquent, so succinct! All the same, once he had spent an hour or two pondering by his mother’s grave he decided to call it a day because, after all, one does not want to overdo the lurking in graveyards. This decision was not a very sudden one. From the age of sixteen when he had first become interested in books, much to the distress of his father, he had paid little heed to physical and sporting matters. He had been of a melancholy and listless cast of mind, the victim of the beauty and sadness of the universe. In the course of the last two or three years, however, he had noticed that his sombre and tubercular manner was no longer having quite the effect it had once had, particularly on young ladies. They no longer found his pallor so interesting, they tended to become impatient with his melancholy. The effect, or lack of it, that you have on the opposite sex is important because it tells you whether or not you are in touch with the spirit of the times, of which the opposite sex is invariably the custodian. The truth was that the tide of sensitivity to beauty, of gentleness and melancholy, had gradually ebbed leaving Fleury floundering on a sandbank. Young ladies these days were more interested in the qualities of Tennyson’s “great, broad-shouldered, genial Englishman” than they were in pallid poets, as Fleury was dimly beginning to perceive. Louise Dunstaple’s preference for romping with jolly officers which had dismayed him on the day of the picnic had by no means been the first rebuff of this kind. Even Miriam sometimes asked him aloud why he was looking “hangdog” when once she would have remained silent, thinking “soulful”. All”
― J.G. Farrell, quote from The Siege of Krishnapur


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