Luigi Pirandello · 176 pages
Rating: (6.3K votes)
“No name. No memory today of yesterday’s name; of today’s name, tomorrow. If the name is the thing; if a name in us is the concept of every thing placed outside of us; and without a name you don’t have the concept, and the thing remains in us as if blind, indistinct and undefined: well then, let each carve this name that I bore among men, a funeral epigraph, on the brow of that image in which I appeared to him, and then leave it in peace, and let there be no more talk about it. It is fitting for the dead. For those who have concluded. I am alive and I do not conclude. Life does not conclude. And life knows nothing of names. This tree, tremulous pulse of new leaves. I am this tree. Tree, cloud; tomorrow book or wind: the book I read, the wind I drink. All outside, wandering.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“Voi credete di conoscervi se non vi costruite in qualche modo? E ch'io possa conoscervi, se non vi costruisco a modo mio? E voi me, se non mi costruite a modo vostro? Possiamo conoscere soltanto quello a cui riusciamo a dar forma. Ma che conoscenza può essere? È forse questa forma la cosa stessa? Sì, tanto per me, quanto per voi; ma non così per me quanto per voi: tanto vero che io non mi riconosco nella forma che mi date voi, né voi in quella che vi do io.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“And no one realizes we should all, always, look like that, each with his eyes full of horror at his own, inescapable solitude.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“Era proprio la mia quell’immagine intravista in un lampo? Sono proprio così io, di fuori, quando vivendo - non mi penso? Dunque per gli altri sono quell’estraneo sospeso nello specchio: quello, e non già quale io mi conosco: quell’uno lì che io stesso prima, scorgendolo, non ho riconosciuto. Sono quell’estraneo che non posso veder vivere se non così, in un attimo impensato. Un estraneo che possono vedere e conoscere solamente gli altri, e io no.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“La solitudine non è mai con voi; è sempre senza di voi, è soltanto possibile con un estraneo attorno:”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“The capacity for deluding ourselves that today's reality is the only true one, on the one hand, sustains us, but on the other, it plunges us into an endless void, because today's reality is destined to prove delusion for us tomorrow; and life doesn't conclude. It can't conclude. Tomorrow if it concludes, it's finished.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“And the air is new. And everything, instant by instant, is as it is, preparing to appear. [...] This is the only way I can live now. To be reborn moment by moment. [...] I die at every instant, and I am reborn, new and without memories: live and whole, no longer inside myself, but in every thing outside.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“La vera solitudine è in un luogo che vive per sé e che per voi non ha traccia né voce, e dove dunque l’estraneo siete voi.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“Maalesef, ben varım ve siz de varsınız. Maalesef.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“¿Reconoce tal vez, también usted, ahora, que hace un minuto era otro?”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“El jilguero canta en la jaulita colgada entre las cortinas de la ventana. ¿Siente quizá la primavera que se aproxima? Ay de mí, quizá la siente también el antiguo tronco de nogal con el que fue hecha mi silla, que ahora cruje con el canto del jilguero. Tal vez se hablan, con ese canto y con este crujido, el pájaro enjaulado y el nogal reducido a silla.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“Plus de nom. Aujourd'hui, plus aucun souvenir du nom d'hier ; ni demain, de celui d'aujourd'hui, puisque le nom détermine la chose ; puisque un nom est, en nous, le concept de toute chose placée hors de nous. Sans appellation, toute conception devient impossible, et la chose demeure en nous, comme aveugle, imprécise et confuse ; ce nom que j'ai porté parmi les hommes que chacun le grave, épigraphe funéraire, sur l'image qu'il garde de moi, et qu'il la laisse en paix, à jamais. Un nom n'est qu'une épigraphe funéraire, il convient aux morts. À qui a conclu. Je suis vivant, et je ne conclus pas. La vie ne conclut pas. Et elle ignore les noms.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“¿Saben, en cambio, sobre qué se apoya todo? Se lo digo yo. Sobre la presunción —Dios se la conserve siempre— de que la realidad, tal como es para ustedes, debe ser y es igual para todos los demás.”
― Luigi Pirandello, quote from One, No One and One Hundred Thousand
“Das typische Wiener Kaffeehaus, das in der ganzen Welt berühmt ist, habe ich immer gehasst, weil alles in ihm gegen mich ist. Andererseits fühlte ich mich jahrzehntelang gerade im Bräunerhof, das immer ganz gegen mich gewesen ist (wie das Hawelka), wie zuhause, wie in Cafe Museum, wie in anderen Kaffeehäuser von Wien, die ich in meinen Wiener Jahre frequentiert habe. Ich habe das Wiener Kaffeehaus immer gehasst und bin immer wieder in das von mir gehasste Wiener Kaffeehaus heineingegangen, habe es tagtäglich aufgesucht, denn ich habe, obwohl ich das Wiener Kaffeehaus immer gehasst habe, und gerade weil ich es immer gehasst habe, in Wien immer an der Kaffeehausaufsuchkrankheit gelitten, denn es hat sich herausgestellt, dass diese Kaffeehausaufsuchkrankheit die unheilbarste aller meiner Krankheiten ist. Ich habe die Winer Kaffeehäuser imme gehasst, weil ich in ihnen immer mit Meinesgleichen konfrontiert gewesen bin, das ist die Wahrheit und ich will ja nicht ununterbrochen mit mir konfrontiert sein, schon gar nicht im Kaffeehaus, in das ich ja gehe, damit ich mir entkomme, aber gerade dort bin ich dann mit mir und Meinesgleichen konfrontiert. Ich ertrage mich selbst nicht, geschweige denn eine ganze Horde von grübelnden und schreibenden Meinesgleichen. Ich meide die Literatur, wo ich nur kann, weil ich mich selbst meide, wo ich nur kann und deshalb muss ich mir den Kaffeehausbesuch in Wien verbieten oder wenigstens immer darauf Bedacht nehmen, wenn ich in Wien bin, unter keinen wie immer gearteten Unständen ein sogenanntes Wiener Literatenkaffeehaus aufzusuchen. Aber da ich an der Kaffeehausaufsuchkrankheit leide, bin ich gezwungen, immer wieder in ein Literatenkaffeehaus hineinzugehen, auch wenn sich alles in mir dagegen wehrt. Je mehr und je tiefer ich die Wiener Literatenkaffeehäuser gehasst habe, desto öfter und desto intensiver bin ich in sie hineingegangen. Das ist die Wahrheit.”
― Thomas Bernhard, quote from Wittgenstein's Nephew
“Because I am your great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-Grandmother. But”
― Angie Sage, quote from Physik
“I must bear it well as I may. As my sainted mother used to say, we never come to the kingdom of Heaven but by troubles.”
― Alison Weir, quote from The Lady Elizabeth
“Conviction, no matter how narcotic its depth, simply did not make true.”
― R. Scott Bakker, quote from The Thousandfold Thought
“You, sir," I said, "have all the dignity of a badger with the clap. Shark shit has more fiber than you. I'm going to tie your nuts-first to a monkey's cage and make a mix tape of the resulting noise. Then I'm going to take a bag of marshmallows and a pair of granny panties and-"...
... He didn't want to know what I was going to do with those granny panties. Surprisingly, Granuaile did. "Sensei, what were you going to do with those marshmallows and panties?" she whispered as we walked together. "I mean, I'm sure it had to be dire, but it just didn't sound as threatening as the potential havoc a monkey could wreak on his sack."
"There was more to that recipe," I admitted. "He cut me off before I could get to the Icy Hot and the gopher snake.”
― Kevin Hearne, quote from Tricked
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