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Night

by Elie Wiesel · 1960

Night is Elie Wiesel's memoir of his experience as a teenage Jewish prisoner in the Nazi concentration camps of Auschwitz and Buchenwald during 1944 and 1945. Narrated by a young Orthodox boy named Eliezer, the book opens in… more

First published 1960 · 116 pages · English

27 quotes ★ 4.38 (1,391,863) Classics

Quotes from the Book

To forget the dead would be akin to killing them a second time.
Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed....Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself. Never.
I pray to the God within me that He will give me the strength to ask Him the right questions.
Then came the march past the victims. The two men were no longer alive. Their tongues were hanging out, swollen and bluish. But the third rope was still moving: the child, too light, was still breathing... And so he remained for more than half an hour, lingering between life and death, writhing before our eyes. And we were forced to look at him at close range. He was still alive when I passed him. His tongue was still red, his eyes not yet extinguished. Behind me, I heard the same man asking: "For God's sake, where is God?" And from within me, I heard a voice answer: "Where He is? This is where--hanging here from this gallows..." That night, the soup tasted of corpses.
For in the end, it is all about memory, its sources and its magnitude, and, of course, its consequences.
For the survivor who chooses to testify, it is clear: his duty is to bear witness for the dead and for the living. He has no right to deprive future generations of a past that belongs to our collective memory. To forget would be not only dangerous but offensive; to forget the dead would be akin to killing them a second time.
I shall always remember that smile. From what world did it come from?
One more stab to the heart, one more reason to hate. One less reason to live.
His cold eyes stared at me. At last, he said wearily: "I have more faith in Hitler than in anyone else. He alone has kept his promises, all his promises, to the Jewish people.
They are committing the greatest indignity human beings can inflict on one another: telling people who have suffered excruciating pain and loss that their pain and loss were illusions. (v)
There's a long road of suffering ahead of you. But don't lose courage. You've already escaped the gravest danger: selection. So now, muster your strength, and don't lose heart. We shall all see the day of liberation. Have faith in life. Above all else, have faith. Drive out despair, and you will keep death away from yourselves. Hell is not for eternity. And now, a prayer - or rather, a piece of advice: let there be comradeship among you. We are all brothers, and we are all suffering the same fate. The same smoke floats over all our heads. Help one another. It is the only way to survive.
One day when I was able to get up, I decided to look at myself in the mirror on the opposite wall. I had not seen myself since the ghetto. From the depths of the mirror, a corpse was contemplating me. The look in his eyes as he gazed at me has never left me.
He explained to me with great insistence that every question posessed a power that did not lie in the answer.
I told him that I did not believe that they could burn people in our age, that humanity would never tolerate it…
...I believe it important to emphasize how strongly I feel that books, just like people, have a destiny. Some invite sorrow, others joy, some both.
It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.
Did I write it so as not to go mad or, on the contrary, to go mad in order to understand the nature of madness?
Never shall I forget that night, the first night in camp, that turned my life into one long night seven times sealed. Never shall I forget that smoke. Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky. Never shall I forget those flames that consumed my faith forever. Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live. Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes. Never shall I forget those things, even were I condemned to live as long as God Himself. Never.
Blessed be God's name? Why, but why would I bless Him? Every fiber in me rebelled. Because He caused thousands of children to burn in His mass graves? Because he kept six crematoria working day and night, including Sabbath and the Holy Days? Because in His great might, He had created Auschwitz, Birkenau, Buna, and so many other factories of death? How could I say to Him: Blessed be Thou, Almighty, Master of the Universe, who chose us among all nations to be tortured day and night, to watch as our fathers, our mothers, our brothers, end up in the furnaces? Praised be Thy Holy Name, for having chosen us to be slaughtered on Thine altar?
In the beginning there was faith - which is childish; trust - which is vain; and illusion - which is dangerous.
I am not so naïve as to believe that this slim volume will change the course of history or shake the conscience of the world. Books no longer have the power they once did. Those who kept silent yesterday will remain silent tomorrow.
But because of his telling, many who did not believe have come to believe, and some who did not care have come to care. He tells the story, out of infinite pain, partly to honor the dead, but also to warn the living - to warn the living that it could happen again and that it must never happen again. Better than one heart be broken a thousand times in the retelling, he has decided, if it means that a thousand other hearts need not be broken at all. (vi)
We cannot indefinitely avoid depressing subject matter, particularly it it is true, and in the subsequent quarter century the world has had to hear a story it would have preferred not to hear - the story of how a cultured people turned to genocide, and how the rest of the world, also composed of cultured people, remained silent in the face of genocide. (v)
[Moishe] explained to me, with great emphasis, that every question possessed a power that was lost in the answer.... And why do you pray, Moishe?' I asked him. I pray to the God within me for the strength to ask Him the real questions.
Bread, soup - these were my whole life. I was a body. Perhaps less than that even: a starved stomach. The stomach alone was aware of the passage of time.
We were masters of nature, masters of the world. We had forgotten everything--death, fatigue, our natural needs. Stronger than cold or hunger, stronger than the shots and the desire to die, condemned and wandering, mere numbers, we were the only men on earth.
Why do you pray?" he asked me, after a moment. Why did I pray? A strange question. Why did I live? Why did I breathe? "I don't know why," I said, even more disturbed and ill at ease. "I don't know why." After that day I saw him often. He explained to me with great insistence that every question possessed a power that did not lie in the answer. "Man raises himself toward God by the questions he asks Him," he was fond of repeating. "That is the true dialogue. Man questions God and God answers. But we don't understand His answers. We can't understand them. Because they come from the depths of the soul, and they stay there until death. You will find the true answers, Eliezer, only within yourself!" "And why do you pray, Moshe?" I asked him. "I pray to the God within me that He will give me the strength to ask Him the right questions.

Did you know?

  • Night was first written in Yiddish and published in Argentina in 1956 under the title 'Un di velt hot geshvign' ('And the World Remained Silent').
  • The lengthy Yiddish manuscript was condensed for its French edition, 'La Nuit' (1958), and further shortened to about 116 pages for the 1960 English translation.
  • The first English translation was by Stella Rodway; a new translation by Wiesel's wife, Marion Wiesel, was published in 2006.
  • Night is the first volume of a trilogy that continues with Dawn (1961) and Day (originally titled The Accident, 1962).
  • Wiesel was awarded the Nobel Peace Prize in 1986, with the Nobel Committee calling him a 'messenger to mankind.'
  • The English editions open with the line 'They called him Moishe the Beadle.'

About Elie Wiesel

Elie Wiesel (1928-2016) was a Romanian-born Jewish writer, professor, and human rights activist who survived the Nazi camps at Auschwitz and Buchenwald. He authored dozens of books drawn from his experience and was awarded the Nobel Peace Prize in 1986.

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About the book

Night is Elie Wiesel's memoir of his experience as a teenage Jewish prisoner in the Nazi concentration camps of Auschwitz and Buchenwald during 1944 and 1945. Narrated by a young Orthodox boy named Eliezer, the book opens in the town of Sighet in Transylvania, where the community dismisses early warnings of the coming catastrophe, then follows the deportation of its Jews, the separation of families on the ramp at Auschwitz, and the brutal months of forced labor, starvation, and death marches that Eliezer endures alongside his weakening father.

At its core the book is a testimony to the loss of faith, innocence, and family under conditions of total dehumanization. Wiesel traces how the horrors of the camps erode Eliezer's belief in God and in human goodness, and how the ordinary bond between father and son is strained and inverted as survival becomes the only imperative. The spare, fragmentary prose refuses easy consolation, presenting the Holocaust not as a story with redemption but as an unhealed wound.

Originally written in Yiddish and later condensed into French and English, Night became one of the defining works of Holocaust literature and a fixture of school curricula worldwide. Alongside its status as bearing witness for the millions who did not survive, the book helped establish Wiesel as a moral voice; he was awarded the Nobel Peace Prize in 1986 for his lifelong work against violence, repression, and racism. It stands as the first volume of a trilogy completed by Dawn and Day.

Key characters

  • EliezerThe narrator, a devout Jewish teenager based on Wiesel himself
  • Chlomo (Shlomo) WieselEliezer's father, whom he struggles to keep alive in the camps
  • Moishe the BeadleA poor synagogue caretaker who first warns the town of the coming danger
  • Madame SchächterA woman on the deportation train who screams visions of fire
  • Rabbi EliahouAn elderly rabbi separated from his son during the death march

Book details

First published
1960
Length
116 pages
Reading time
2 hours
Goodreads rating
4.38 (1.4M ratings)
First line
“They called him Moishe the Beadle.”

Series & reading order

  1. 1 Night
  2. 2 Dawn
  3. 3 Day

If you liked this, read…

  1. 1
    Survival in Auschwitz (If This Is a Man)Primo Levi's firsthand account of the same camp system
  2. 2
    The Diary of a Young GirlAnne Frank's testimony of a young Jewish life under Nazi persecution
  3. 3
    MausArt Spiegelman's memoir of a survivor father, another canonical Holocaust work

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