“On ne découvre pas de terre nouvelle sans consentir à perdre de vue, d'abord et longtemps, tout rivage.
(One doesn't discover new lands without consenting to lose sight, for a very long time, of the shore.)”
“I prefer granting with a good grace what I know I shan't be able to prevent.”
“There's no better cure for the fear of taking after one's father, than not to know who he is.”
“Je ne me sens jamais vivre plus intensément que quand je m'échappe à moi-même pour devenir n'importe qui.”
“...Gradation; gradation; and then a sudden leap...”
“When I was younger, I used to make resolutions which imagined were virtuous. I was less anxious to be what I was, than to become what I wished to be. Now, I am not far from thinking that in irresolution lies the secret of not growing old.”
“C'est dans l'extraordinaire que je me sens le plus naturel.”
“In a world in which everyone cheats, it's the honest man who passes for a charlatan.”
“For what use is it to forbid what we can't prevent? If books are forbidden, children read them on the sly.”
“Each one of a pair of lovers fashions himself to meet the other's requirements—endeavors by a continual effort to resemble that idol of himself which he beholds in the other's heart.... Whoever really loves abandons all sincerity.”
“When I was younger, I used to make resolutions, which I imagined were virtuous. I was less anxious to be what I was, than to become what I wished to be. Now, I am not far from thinking that in irresolution lies the secret of not going old.”
“One can always find hands for a work of destruction.”
“Characters in a novel or a play who act all the way through exactly as one expects them to... This consistency of theirs, which is held up to our admiration, is on the contrary the very thing which makes us recognise that they are artificially composed.”
“Those [who] assiduously fabricate for themselves a self-conscious originality, and after having made a choice of certain practices, their principal preoccupation is never to depart from them, to remain for ever on their guard and allow themselves not a moment's relaxation.”
“Le style des Faux-Monnayeurs ne doit présenter aucun intérêt de surface, aucune saillie. Tout doit être dit de la manière la plus plate, celle qui fera dire à certains jongleurs : que trouvez-vous à admirer là-dedans ?”
“Dès que Séraphine l'a laissé seul, Gontran se jette à genoux au pied du lit ; il enfonce son front dans les draps, mais ne parvient pas à pleurer ; aucun élan ne soulève son cœur. Ses yeux désespérément restent secs. Alors il se relève. Il regarde ce visage impassible. Il voudrait, en ce moment solennel, éprouver je ne sais quoi de sublime et de rare, écouter une communication de l'au-delà, lancer sa pensée dans des régions éthérées,suprasensibles - mais elle reste accrochée, sa pensée, au ras du sol. Il regarde les mains exsangues du mort, et se demande combien de temps encore les ongles continueront de pousser.”
“- Am rămas multă vreme cu pistolul la tâmplă. Eram cu degetul pe trăgaci. Chiar apăsam puţin ; dar nu destul de puternic. Îmi spuneam : "Peste o clipă voi apăsa mai tare şi glonţul va porni." Simţeam răceala metalului şi îmi spuneam "Peste o clipă n-o să mai simt nimic. Dar înainte o să aud un zgomot îngrozitor..." Dă-ţi seama, atât de aproape de ureche !... Şi asta mai cu seamă m-a reţinut : frica de zgomot...
Ceea ce e absurd ; căci din moment ce mori... Da! dar după mine moartea e un fel de somn ; iar o detunăturą nu te adoarme, dimpotrivă, te trezeşte... Da, fără îndoială că de asta-mi era frică. Mi-era teamă că în loc să adorm o să mă trezesc brusc.”
“Je sens en moi, confusément, des aspirations extraordinaires, des sortes de lames de fond, des mouvements, des agitations incompréhensibles, et que je ne veux pas chercher à comprendre, que je ne veux même pas observer, par crainte de les empêcher de se produire.”
“So love is possible at the Loony Bin. Or, at least, lust.”
“By simply believing that their lives could be transformed, they succeeded in converting their thoughts into reality.’ It”
“Muerte (Una comedia)
Anna: Mientras no se trate de algo agradable, ningún momento es el adecuado”
“Your daughter is adorable. I've never seen such an alien duck in my entire life.”
“In time, Arjuna tires of mere beauty and hearing tales about the valour of princess Chitrangada, he seeks her out. The princess then reveals her true self to Arjuna. Her words are one of the most beautiful declarations of the angst of a woman, ‘I am not beautifully perfect as the flowers with which I worship. I have many flaws and blemishes. I am a traveller in the great world-path, my garments are dirty, and my feet are bleeding with thorns. Where should I achieve flower-beauty, the unsullied loveliness of a moment’s life? The gift that I proudly bring you is the heart of a woman. Here have all pains and joys gathered, the hopes and fears and shames of a daughter of the dust; here love springs up struggling towards immortal life. Herein lies an imperfection which yet is noble and grand.”
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