“For where shall a man turn who has no money? Where can he go? Wide, wide world, but as narrow as the coins in your hand. Like a tethered goat, so far and no farther. Only money can make the rope stretch, only money.”
― Kamala Markandaya, quote from Nectar in a Sieve
“To those who live by the land there must always come times of hardship, of fear and of hunger, even as there are years of plenty. This is one of the truths of our existence as those who live by the land know: that sometimes we eat and sometimes we starve. We live by our labours fromone harvest to the next, there is no certain telling whether we shall be able to feed ourselves and our children, and if bad times are prolonged we know we must see the weak surrender their lives and this fact, too, is within our experience. In our lives there is no margin for misfortune.”
― Kamala Markandaya, quote from Nectar in a Sieve
“Well, and what if we give in to our troubles at every step! We would be pitiable creatures indeed to be so weak, for is not a man's spirit given to him to rise above his misfortunes? As for our wants, they are many and unfilled, for who is so rich or compassionate as to supply them? Want is our companion from birth to death, familiar as the seasons or the earth, varying only in degree. What profit to bewail that which has always been and cannot change?”
― Kamala Markandaya, quote from Nectar in a Sieve
“Sometimes at night I think that my husband is with me again, coming gently through the mists, and we are tranquil together. Then the morning comes, the wavering grey turns to gold, there is stirring within me as the sleepers awake, and he softly departs.”
― Kamala Markandaya, quote from Nectar in a Sieve
“We live by our labors from one harvest to the next, there is no certain telling whether we shall be able to feed ourselves and our children, and if bad times are prolonged we know we must see the weak surrender their lives and this fact, too, is within our experience. In our lives there is no margin for misfortune.”
― Kamala Markandaya, quote from Nectar in a Sieve
“You must cry out if you want help. It is no use whatsoever to suffer in silence. Who will succour the drowning man if he does not clamour for his life?”
― Kamala Markandaya, quote from Nectar in a Sieve
“That is all you can think of: what people will say! One goes from one end of the world to the other to hear the same story. Does it matter what people say?”
― Kamala Markandaya, quote from Nectar in a Sieve
“He sighed impatently. 'You simplify everything, being without understanding. Your views are so limited it is impossible to explain to you.' 'Limited, yes,' I agreed. Yet not wholly without understanding. Our ways are not your ways.”
― Kamala Markandaya, quote from Nectar in a Sieve
“There is a rare gentleness in you, the sweeter for its brief appearances.”
― Kamala Markandaya, quote from Nectar in a Sieve
“Troubles,' he said. 'We all have them.”
― Kamala Markandaya, quote from Nectar in a Sieve
“She was no longer a child, to be cowed or forced into submission, but a grown woman with a definite purpose and an invincible determination.”
― Kamala Markandaya, quote from Nectar in a Sieve
“We had for so long accepted her obedience to our will that when it ceased to be given naturally, it came as a considerable chock; yet there was no option but to accept the change, strange and bewildering as it was, for obedience cannot be extorted.”
― Kamala Markandaya, quote from Nectar in a Sieve
“The world has many edges, and all of us dangle from them by a very delicate thread. The key is not to let go.”
― Anderson Cooper, quote from Dispatches from the Edge: A Memoir of War, Disasters, and Survival
“One neither of us could bear. Life sometimes puts so much weight on our shoulders we crumble, bends us so far we break.”
― A.L. Jackson, quote from If Forever Comes
“she decided no human man would ever touch her again. the doors to her body and heart were already locked, and she would give the key to only one man, perhaps someday...perhaps never...but all the same she didnt care about falling in love, or getting married, or any of that, anymore. it was too late for mortal men to stake any sort of claim to her affections. if she grews old and died alone, it would be in full posession of her heart.
and if she ever gave it, she would give it eternally, and without regret.”
― Dianne Sylvan, quote from Queen of Shadows
“Su dentadura había salido con tanta desigualdad que cada pieza estaba, como si dijéramos, donde le daba la gana. Y”
― Benito Pérez Galdós, quote from Fortunata and Jacinta
“First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.
There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.
I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.
First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.
And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.
I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed
the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.
This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he
whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass
We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.”
― Adrienne Rich, quote from Diving Into the Wreck
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