“every story - love or war - is a story about looking left when we should have been looking right.”
― Sarah Blake, quote from The Postmistress
“It is the story that lies around the edges of the photographs, or at the end of newspaper account. It's about the lies we tell others to protect them, and about the lies we tell ourselves in order not to acknowledge what we can't bear: that we are alive, for instance, and eating lunch, while bombs are falling, and refugees are crammed into camps, and the news comes toward us every hour of the day. And what, in the end, do we do?”
― Sarah Blake, quote from The Postmistress
“It began, as it often does, with a woman putting her ducks in a row.”
― Sarah Blake, quote from The Postmistress
“It gets you thinking about all the parts in a story we never see" --he cleared his throat-- "the parts around the edges. You bring someone like that boy so alive before us and there he is set loose in our world so that we can't stop thinking of him. But then the report is over, the boy disappears. He was just a boy in a story and we never know the ending, we never get to close the book. It makes you wonder what happens to the people in them after the story stops--all the stories you've reported for instance. Where are they all now?”
― Sarah Blake, quote from The Postmistress
“She imagined she could pull Time like taffy, stretching it longer and longer between her hands until the finest point had been reached, the point just before breaking, and she could live there. A point at the center of time with no going forward, no going back. Clasped in this way, without speaking, walking into no discernible ending, she could almost believe they tread on time.”
― Sarah Blake, quote from The Postmistress
“Some stories don't get told. Some stories you hold on to. To stand and watch and hold it in your arms was not cowardice. To look straight at the beast and feel its breath on your flanks and not to turn--one could carry the world that way.
They sat together, the four of them, a little longer, before Harry rose slowly to his feet. It was Thursday. It was the end of the afternoon. It was time to pick up and carry on to the other side of the day.”
― Sarah Blake, quote from The Postmistress
“We can't change what is coming. Something is always coming.”
― Sarah Blake, quote from The Postmistress
“Long ago, I believed that, given a choice, peple would turn to good as they would turn to light. I believed that reporting-honest, unflinching pictutes of the truth-could be a becon to lead us to deamand that worongs be righted, injustices puniches, and the weak and inncoent cared for. I must have believed, when I started out, that the shoulder of public opinion could be put up against the door of public indifference and would, when given the proper direction, shove it wide with the power of wanting to stand on the side of angel. (Frances Bard)”
― Sarah Blake, quote from The Postmistress
“Most people he knew, his wife included, wouldn't make it through an hour on the promise of four sentences. But Frankie Bard was like a camel. She could hold her words for days--as long as she could watch the goings-on.”
― Sarah Blake, quote from The Postmistress
“And one day I got it. I lifted my head from the child's chest I was listening to and realized, with a shock of relief: whatever is coming, comes. That's what holds it all together. We are all of us here in the mess. There's no way around it. And all that I am in the face of it is a single voice and a pair of hands...Anonymous but necessary. Vital.”
― Sarah Blake, quote from The Postmistress
“ONE DAY SOMEONE you saw every day was there and the next he was not. This was the only way Frankie had found to report the Blitz. The small policeman on the corner, the grocer with a bad eye, the people you walked to work with, in the shops, on the bus: the people you didn’t know but who walked the same route as you, who wove the anonymous fabric of your life. Buildings, gardens, the roofline, one could describe their absence. But for the disappearance of a man, or a little boy, or the woman who used to wait for the bus at the same time as she did, Frankie had found few words: Once they were here. And I saw them”
― Sarah Blake, quote from The Postmistress
“Like a stone tossed into a flock of birds, talk startled swiftly into flight whenever the new postmaster was mentioned.”
― Sarah Blake, quote from The Postmistress
“And then Frankie understood that the boy was going on alone. Perhaps there had been only one sponsor in another country for the child. There were many perhaps. But it was clear now that the mother was sending her son onward. ... She drew him to her and kissed him on one cheek and then the other cheek, so slowly, looking at every bit of his face, and then she reached and folded him to her. The train stopped with a jerk and went quiet. ...”
― Sarah Blake, quote from The Postmistress
“I am old. And tired of the terrible clarity of the young.”
― Sarah Blake, quote from The Postmistress
“Bombers flew above the wattles, over an England filled with songs of linnets and thrush. There were things being broken we had no American names for.”
― Sarah Blake, quote from The Postmistress
Sarah Blake
Born place: New York City, The United States
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“I want to learn how to trust a man. I wanted to know what true, physical pleasure felt like. I wanted to find the courage to be vulnerable on my own terms, as my own choice.”
― Nina Lane, quote from Arouse
“Terrorism” is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence— our violence—which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing “commentators” of the American east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks.”
― Robert Fisk, quote from The Great War for Civilisation: The Conquest of the Middle East
“If you're a boy, any display of sensitivity is gay. Compassion is gay. Crying is supergay. Reading is usually gay. Certain songs and types of music are gay. 'Enola Gay' would certainly be thought gay. Love songs are gay. Love itself is incredibly gay, as are any other heartfelt emotions. Singing is gay, but chanting is not gay. Wanking contests are not gay. Neither is all-male cuddling during specially designated periods in football matches, or communal bathing thereafter. (I didn't invent the rules of gay - I'm just telling you what they are.)”
― Gavin Extence, quote from The Universe Versus Alex Woods
“Ne možeš kontrolirati to tko ce te privuci. A ne možeš ni
kontrolirati koga tvoje srce želi.«”
― Rachel Gibson, quote from True Love and Other Disasters
“Brave enough to be quiet when quiet was called for, brave enough to observe before flinging myself into something, brave enough to not abandon my true self when someone else wanted to seduce or force me in a direction I didn’t want to go, brave enough to stand my ground quietly. I waited an unquantifiable amount of time while trying to be brave.”
― Piper Kerman, quote from Orange Is the New Black
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