“—Shush sweet baby, I said, so tired, and mixed her gripe water with whiskey and dill weed, but it did no good, so I seen now why lullabies was all about cradles falling from trees, oh dear, when the wind blows, down will come baby, whoops too bad, but at least it’s quiet.”
― Kate Manning, quote from My Notorious Life
“Lust was a weed, a nightshade vine, a nettle, impossible to uproot as the mugwort I pulled in the fields of Illinois, so while in the daylight I was a flower of virtuous resolution, at night I was motherless in a cold kitchen, starved for the warm arms of a sweetheart and pretty words of approval.”
― Kate Manning, quote from My Notorious Life
“who dwells in the past robs the present,”
― Kate Manning, quote from My Notorious Life
“In this time, I learned for myself as my teacher predicted, how it is these two extremes - that we are transported by love and jailed by it - that are ever impossible for mothers to reconcile.”
― Kate Manning, quote from My Notorious Life
“You could eat the air in the place, so thick with bread and warmth that it stang our cheeks.”
― Kate Manning, quote from My Notorious Life
“The newspapers next day wrote that "with much hesitation the witness proceeded to recount the treatment she received from Madame DeBeausacq, the details of which are so extremely disgusting and filthy we forbear to give publicity to them." Let me say right now the papers was wrong on them details. The details are of Human Kindness. These judges, these police, these reporters, are squeamish low bloodworms, half of them, consorting with cancan girls. How I know this is because them girls come to me. So do their society mistresses. Also, their wives. I know them, daughters of Judges, sisters of Prosecutors. But these robes of the law did not wish to hear the filthy details of their own sex's duplicity, or dwell on the disgusting filthy things they did THEMSELVES, nor see the fair face of the ones they punish for their own masculine debauchery.”
― Kate Manning, quote from My Notorious Life
Kate Manning
Born place: Syracuse, NY, The United States
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“(...) The floor itself was inscribed with a mosaic in the data-pattern mode, representing the entire body of the Curia case law. At the center, small icons representing constitutional principles sent out lines to each case in which they were quoted; bright lines for controlling precedent, dim lines for dissenting opinions or dicta. Each case quoted in a later case sent out additional lines, till the concentric circles of floor-icons were meshed in a complex network.
The jest of the architect was clear to Phaethon. The floor mosaic was meant to represent the fixed immutability of the law; but the play of light from the pool above made it seem to ripple and sway and change with each little breeze.
Above the floor, not touching it, without sound or motion, hovered three massive cubes of black material.
These cubes were the manifestations of the Judges. The cube shape symbolized the solidity and implacable majesty of the law. Their high position showed they were above emotionalism or earthly appeals. The crown of each cube bore a thick-armed double helix of heavy gold.
The gold spirals atop the black cubes were symbols of life, motion, and energy. Perhaps they represented the active intellects of the Curia. Or perhaps they represented that life and civilization rested on the solid foundations of the law. If so, this was another jest of the architect. The law, it seemed, rested on nothing.”
― quote from The Golden Age
“Like I got intimately acquainted with a meat grinder.”
― Shelly Crane, quote from Independence
“What place does a woman have here, in the realm of men?”
― Lisa Ann Sandell, quote from Song of the Sparrow
“I don’t know that she can ever make you a proper wife,” Tavis said in a low voice that sounded precariously close to pleading. “Don’t force the issue. I wouldn’t have her hurt or ill-treated for anything in the world. She is dear to all of us. You are receiving a gift, Laird. Whether you choose to believe so or not, you are receiving something more precious than gold”
― Maya Banks, quote from Never Seduce a Scot
“She turned the doorknob and pushed - but the door wouldn’t budge. ‘Lillian? Lillian, don't tell me this door is bolted!’
‘That’s fine,’ I answered in as light a tone as I could manage while frantically unbuttoning Uncle Bufford’s
waistcoat. ‘I won’t tell you, I promise.’
‘Don’t get smart with me, young lady! Is
this door bolted?’
‘You just asked me not to tell you that. So I can’t, even though technically it actually might be true.’
‘Lillian!”
― Robert Thier, quote from Storm and Silence
Love Warps the Mind...
Touched by an Alien
Emily Climbs
Harold and Maude
A Long Long Way
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