“—Shush sweet baby, I said, so tired, and mixed her gripe water with whiskey and dill weed, but it did no good, so I seen now why lullabies was all about cradles falling from trees, oh dear, when the wind blows, down will come baby, whoops too bad, but at least it’s quiet.”
― Kate Manning, quote from My Notorious Life
“Lust was a weed, a nightshade vine, a nettle, impossible to uproot as the mugwort I pulled in the fields of Illinois, so while in the daylight I was a flower of virtuous resolution, at night I was motherless in a cold kitchen, starved for the warm arms of a sweetheart and pretty words of approval.”
― Kate Manning, quote from My Notorious Life
“who dwells in the past robs the present,”
― Kate Manning, quote from My Notorious Life
“In this time, I learned for myself as my teacher predicted, how it is these two extremes - that we are transported by love and jailed by it - that are ever impossible for mothers to reconcile.”
― Kate Manning, quote from My Notorious Life
“You could eat the air in the place, so thick with bread and warmth that it stang our cheeks.”
― Kate Manning, quote from My Notorious Life
“The newspapers next day wrote that "with much hesitation the witness proceeded to recount the treatment she received from Madame DeBeausacq, the details of which are so extremely disgusting and filthy we forbear to give publicity to them." Let me say right now the papers was wrong on them details. The details are of Human Kindness. These judges, these police, these reporters, are squeamish low bloodworms, half of them, consorting with cancan girls. How I know this is because them girls come to me. So do their society mistresses. Also, their wives. I know them, daughters of Judges, sisters of Prosecutors. But these robes of the law did not wish to hear the filthy details of their own sex's duplicity, or dwell on the disgusting filthy things they did THEMSELVES, nor see the fair face of the ones they punish for their own masculine debauchery.”
― Kate Manning, quote from My Notorious Life
“understanding something didn’t make it easier.”
― Susanna Kearsley, quote from The Splendour Falls
“El miedo al desempleo permite que impunemente se burlen los derechos laborales. La jornada máxima de ocho horas ya no pertenece al orden jurídico, sino al campo literario, donde brilla entre otras obras de la poesía surrealista; y ya son reliquias, dignas de ser exhibidas en los museos de arqueología, los aportes patronales a la jubilación obrera, la asistencia médica, el seguro contra accidentes de trabajo, el salario vacacional, el aguinaldo y las asignaciones familiares. Los derechos laborales, legalmente consagrados con valor universal, habían sido, en otros tiempos, frutos de otros miedos: el miedo a las huelgas obreras y el miedo a la amenaza de la revolución social, que tan al acecho parecía. Pero aquel poder asustado, el poder de ayer, es el poder que hoy por hoy asusta, para ser obedecido. Y así se rifan, en un ratito, las conquistas obreras que habían costado dos siglos.”
― Eduardo Galeano, quote from Upside Down: A Primer for the Looking-Glass World
“You know, if the sun and the moon were to actually collide, it would set off a cataclysmic reaction of epic proportions. Are you ready to have your world completely obliterated?”
― L.B. Simmons, quote from The Resurrection of Aubrey Miller
“You know, there is only one letter's difference between lonely and lovely," I told him once when he was down. "There is only one letter's difference between loner and loser," he retorted.”
― quote from Torture the Artist
“listening to Joe and after the game warden had dispatched the suffering animal. “I could see them sending someone out here to shut up The Earl once and for all. They came, shot him, and hung him from the windmill, and they were on a plane back to O’Hare by the time you found him.” “It may be what happened,” Joe said, “but it’s speculation at best. Marcus Hand sent two of his investigators east, and they may come back with something before the trial is over. But they may not. What I have trouble with in that scenario is how this Chicago hit man would know to frame Missy.” Nate said, “They had an insider.” “And who would that be?” “The same guy who told Laurie Talich where she could find me.” “Bud?” “Bingo,” Nate said. “It took a while for me to figure it out and there are still some loose ends I’d like closed, but it makes sense. Missy knew vaguely where I was living because she talks to her daughter, and last year she tried to hire me to put the fear of God into Bud, remember? She might have let it slip to her ex-husband that if he didn’t stop pining over her, she’d drive to Hole in the Wall Canyon and pick me up. Somehow, Bud found out where I was. And by happenstance, he meets a woman in the bar who has come west for the single purpose of avenging her husband. Bud has contacts with the National Guard who just returned from Afghanistan, and he was able to help her get a rocket launcher. Then he drew her a map. He must have been pretty smug about how it all worked out. He thought he was able to take me out of the picture without getting his own hands dirty.” “Bud—what’s happened to him?” Joe asked, not sure he was convinced of Nate’s theory. “Why has he gone so crazy on us?” “A man can only take so”
― C.J. Box, quote from Cold Wind
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