“Dear sensibility! Source inexhausted of all that's precious in our joys, or costly in our sorrows! Eternal fountain of our feelings! 'tis here I trace thee and this is thy divinity which stirs within me...All comes from thee, great-great SENSORIUM of the world!”
― Laurence Sterne, quote from A Sentimental Journey
“I pity the man who can travel from Dan to Beersheba, and cry, ‘Tis all barren—and so it is; and so is all the world to him who will not cultivate the fruits it offers. I declare, said I, clapping my hands chearily together, that was I in a desart, I would find out wherewith in it to call forth my affections—If I could not do better, I would fasten them upon some sweet myrtle, or seek some melancholy cypress to connect myself to—I would court their shade, and greet them kindly for their protection—I would cut my name upon them, and swear they were the loveliest trees throughout the desert: if their leaves wither’d, I would teach myself to mourn, and when they rejoiced, I would rejoice along with them.”
― Laurence Sterne, quote from A Sentimental Journey
“The pulsations of the arteries along my fingers pressing across hers, told her what was passing within me:
she look’d down—a silence of some moments followed.”
― Laurence Sterne, quote from A Sentimental Journey
“It had ever, as I told the reader, been one of the singular blessings of my life, to be almost every hour of it miserably in love with some one....”
― Laurence Sterne, quote from A Sentimental Journey
“I could wish to spy the nakedness of their hearts, and through the different disguises of customs, climates, and religion, find out what is good in them, to fashion my own by. It is for this reason that I have not seen the Palais Royal - nor the facade of the Louvre - nor have attempted to swell the catalogues we have of pictures, statues, and churches - I conceive every fair being as a temple, and would rather enter in, and see the original drawings and loose sketches hung up in it, than the Transfiguration of Raphael itself.”
― Laurence Sterne, quote from A Sentimental Journey
“Yes, an actual full-sized camel. If you find that confusing, just think how the criosphinx must have felt.
Where did the camel come from, you ask? I may have mentioned Walt’s collection of amulets. Two of them summoned disgusting camels. I’d
met them before, so I was less than excited when a ton of dromedary flesh flew across my line of sight, plowed into the sphinx, and collapsed on top
of it. The sphinx growled in outrage as it tried to free itself. The camel grunted and farted.
“Hindenburg,” I said. Only one camel could possibly fart that badly. “Walt, why in the world—?”
“Sorry!” he yelled. “Wrong amulet!”
The technique worked, at any rate. The camel wasn’t much of a fighter, but it was quite heavy and clumsy. The criosphinx snarled and clawed
at the floor, trying unsuccessfully to push the camel off; but Hindenburg just splayed his legs, made alarmed honking sounds, and let loose gas.
I moved to Walt’s side and tried to get my bearings.”
― Rick Riordan, quote from The Serpent's Shadow
“Can the imagination, any more than the boy, be held prisoner ?"
- from the foreword to the 1976 edition of "The Painted Bird”
― Jerzy Kosiński, quote from The Painted Bird
“In a lightning-fast move, he placed both of his hands on the brick wall, caging me with his body. He leaned toward me and my heart shifted into a gear I didn't know existed. His warm breath caressed my neck, melting my frozen skin. I tilted my head, waiting for the solid warmth of his body on mine. I could see his eyes again and those dark orbs screamed hunger .
"I heard a rumor."
"What's that?" I struggled to get out.
"It's your birthday."
Terrified speaking would break the spell, I licked my suddenly dry lips and nodded.
"Happy birthday." Noah drew his lips closer to mine; that sweet musky smell overwhelmed my senses. I could almost taste his lips when he unexpectedly took a step back, inhaling deeply. The cold air slapped me into the land of sober.”
― Katie McGarry, quote from Pushing the Limits
“I've always felt that the performance of a raag resembles a novel - or at least the kind of novel I'm attempting to write. You know,' he continued, extemporizing as he went along, 'first you take one note and explore it for a while, then another to discover its possibilities, then perhaps you get to the dominant, and pause for a bit, and it's only gradually that the phrases begin to form and the tabla joins in with the beat...and then the more brilliant improvisations and diversions begin, with the main theme returning from time to time, and finally it all speeds up, and the excitement increases to a climax.”
― Vikram Seth, quote from A Suitable Boy
“I...have a woman in my arms who has suffered greatly and desperately needs to believe once again that she is beautiful.”
― Matthew Quick, quote from The Silver Linings Playbook
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