Quotes from Me and Mr. Darcy

Alexandra Potter ·  368 pages

Rating: (12K votes)


“I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.”
― Alexandra Potter, quote from Me and Mr. Darcy


“It is a truth universally acknowledged that a single girl in possession of her right mind must be in want of a decent man.”
― Alexandra Potter, quote from Me and Mr. Darcy


“Not doing anything can be worse than doing the wrong thing.”
― Alexandra Potter, quote from Me and Mr. Darcy


“Because you will meet somebody more exceptional than anyone you have ever know. Who will love you warmly as possible. And who will so completely attract you that you will feel you never really loved before.”
― Alexandra Potter, quote from Me and Mr. Darcy


“Sounds incredible? Hell, it does. But perhaps we all need to believe something incredible once in a while.”
― Alexandra Potter, quote from Me and Mr. Darcy



“Books might be your passion but you can’t fuck a paperback.”
― Alexandra Potter, quote from Me and Mr. Darcy


“Scooping up the dress, I slip it over my head, and as it cascades to the floor. I suck my stomach for all I'm worth. Forget staying in with a good book. This Cinderella is going to the ball.”
― Alexandra Potter, quote from Me and Mr. Darcy


“I never know what I’m going to want to curl up in bed with.” I shrug.
“How about a man?” she retorts.”
― Alexandra Potter, quote from Me and Mr. Darcy


“To you I shall say, as I have often said before, 'Do not be in a hurry, the right man will come at last '. — Jane Austen”
― Alexandra Potter, quote from Me and Mr. Darcy


“So, who is it?" Stella is persisting, somewhat suspiciously. "What's his name?"
But if I don't tell her the truth, what do I say? My mind draws a blank. I don't want to lie to her- "um..." walking back to the bedroom, I notice the postcard Spike chose for me resting on my top of my dresser. I haven't written that one yet. Absently I pick it up and turn it over. On the back is written "Matthew Macfadyen as Fitzwilliam Darcy." "Fitzwilliam," I blurt. "No, what's his first name?" she asks. "That is his first name.”
― Alexandra Potter, quote from Me and Mr. Darcy



About the author

Alexandra Potter
Born place: in Bradford, Yorkshire, The United Kingdom
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“Ryder! What’s taking you so long?”
“I’m on my way!” he yells back.
It feels like forever before he pushes open the door and ducks inside. Then I see why it took him so long. He’s somehow got the three cats tucked under one arm and the cake plate clutched in the other hand. No spare for a flashlight or lantern--so he accomplished this all in the dark.
“Here,” he says, handing off the cake to me before releasing Kirk, Spock, and Sulu into the crate and latching the door.
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He shrugs. “I was hungry.”
Hmm, I guess all that kissing worked up his appetite. For cake. I’m not sure if I should be offended or not. On the plus side, he doesn’t look like he’s about to puke. So we’re making progress as far as his fear of storms goes. I guess that’s something.
“Did you happen to bring a fork?” I ask, setting the plate on the makeshift tabletop.
He produces two from his pocket, holding them up triumphantly. So we eat cake while the sirens blare. Actually, it doesn’t sound that bad out there. Still, the fact that we’re so calm--that Ryder’s so calm--should tell you how routine this is getting. As long as we don’t hear that awful freight-train sound, we’re good.
“What happened to the cake?” he asks between bites. “It looks like someone mutilated it while I was gone.”
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He glances down and shrugs, his cheeks flushing ever so slightly. “Sorry ’bout that.”
It might seem silly that he’s apologizing, but at Magnolia Landing, you don’t come to the table unless you’re fully dressed. It’s one of Laura Grace’s most unbendable rules--you dress for meals, even breakfast. Not that this counts as a meal, and I’m not sure you could call this plywood-on-top-of-a-crate thing a “table.” But still…
By the time the sirens shut off, we’ve completely cleaned the plate, even scraping off the hardened frosting with our fingers. “That was quick,” I say, setting aside the now-empty plate.
Ryder nods. “I guess we should give it a minute or two. You know, make sure it’s not coming back on.”
So we wait. Silently. Ryder can’t even meet my eyes, and all I want to do is stare at his lips. This is crazy. I mean, what do we do now--now that the sirens are off and the cake is gone?
Apparently, the answer is pretend like nothing happened.”
― Kristi Cook, quote from Magnolia


“Did I hate him, then? Indeed, I believe so. A love like that can grow to be nine-tenths hatred and still call itself love.”
― C.S. Lewis, quote from Till We Have Faces: A Myth Retold


“up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.”
― David Vann, quote from Aquarium


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