“A cat understands how to be pleasant in the morning. He doesn't talk.”
― Tamora Pierce, quote from Mastiff
“And if they don't believe us, I can give them the ghost eyes, you can go all big and threatening, Farmer can do his cracknob simpleton, and my lady can don her nobleness. We'll do all right.”
― Tamora Pierce, quote from Mastiff
“Sweetheart, never listen to what my enemies say. They're very confused people. I know they are because I've spent years making them that way.”
― Tamora Pierce, quote from Mastiff
“Just because I'm no jaw clacker doesn't mean there should be a ruction put up whenever I have sommat to say.”
― Tamora Pierce, quote from Mastiff
“I want to marry her, when I grow up to be a man.”
― Tamora Pierce, quote from Mastiff
“I met the oddest little fellow today, Alan of Trebond.”
― Tamora Pierce, quote from Mastiff
“If her rump were any stiffer, she'd break it every time she rides', I thought to Pounce.
'If she fell on the steps, they would never be able to put her together again', he replied.”
― Tamora Pierce, quote from Mastiff
“He has artistry," he repeated. "Because that's what it takes to blow things up. And cook his arm.”
― Tamora Pierce, quote from Mastiff
“If Cape wasn't your last name, what was your real one?" I asked, deathly curious now. "Ahhhh," he complained. "Pincas Huckleburr.”
― Tamora Pierce, quote from Mastiff
“He liked me to help him when he did things. He explained what I didn't know, warned me when to stand aside, never told me to get out of his way because he could do it faster, and thanked me for helping. There were moments when he needed me to rescue him, and he never blamed me for it, or got angry about it.”
― Tamora Pierce, quote from Mastiff
“You get too excited over big flashes, Tunstall. Mages rely on that to make you think they have more power than you.”
― Tamora Pierce, quote from Mastiff
“Turnstall's view of what men could and couldn't do was sometimes odd. Our old parter Goodwin and I agreed that there was no manly or unwomanly, only what you chose to do.”
― Tamora Pierce, quote from Mastiff
Tamora Pierce
Born place: in South Connellsville, Pennsylvania, The United States
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“Ven' is the Nain word for 'and.' It was my first word, and so was added to my name at the age of three, when I first spoke it. That is the Nain tradition; each child's first word becomes an official part of his or her name. As a result, three of my brothers are Petar Da-da Polypheme, Osgod No! Polypheme, and Linus Poo-poo Polypheme.
Personally, I think the Nain should rethink this tradition.
As for my name, I think perhaps there should be a question mark after it - 'and?' - as if life is always posing the question of what I am to do next. I was born with more than my share of curiosity, and it gets me into a frightful amount of trouble. I want to know what comes next from the time I wake up in the morning, wondering what the day will hold, till the moment I fall asleep, imagining where my dreams will take me at night. It's like an itch; my skin or scalp hums with excitement whenever my curiosity starts to take over. And? And? And? Scratching it does nothing to help; the itch doesn't go away, and I just look like I have dandruff or fleas.”
― Elizabeth Haydon, quote from The Floating Island
“Whether or not you agree with the outcome, the tremendous amount that the Manhattan Project accomplished in such a short amount of time–just under three years–is astonishing. It makes you wonder what other kinds of things could be accomplished with that kind of determination, effort, and financial and political support. What if the kind of money, manpower, and resources that went into the Manhattan Project went into the fight against hunger? Cancer? Homelessness?”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“You and I? It may end badly. I may get hurt. But guess what? I don’t care! I’ve never had my heart broken. Maybe I’m fine with risking it, because it’s better than being afraid and going through life bored.”
― Jasinda Wilder, quote from Falling Under
“Flirtatious men I could handle. It was the serious ones, like Neil, who made me nervous—the ones who looked straight at you and spoke simply and had no use for games. Men like Neil, I thought, might talk of love and mean it, while flirtatious men demanded nothing, promised less, and never disappointed.”
― Susanna Kearsley, quote from The Splendour Falls
“Con los países pobres ocurre lo mismo que ocurre con los pobres de cada país: los medios masivos de comunicación sólo se dignan echarles una ojeada cuando ofrecen alguna desgracia espectacular que puede tener éxito en el mercado. ¿Cuántas personas deben ser destripadas por guerra o terremoto, o ahogadas por inundación, para que algunos países sean noticia y aparezcan por una vez en el mapa del mundo? ¿Cuántos espantos debe acumular un muerto de hambre para que las cámaras lo enfoquen por una vez en la vida? El mundo tiende a convertirse en el escenario de un gigantesco reality show. Los pobres, los desaparecidos de siempre, sólo aparecen en la tele como objeto de burla de la cámara oculta o como actores de sus propias truculencias. El desconocido necesita ser reconocido, el invisible quiere hacerse visible, busca raíz el desarraigado. Lo que no existe en la televisión, ¿existe en la realidad? Sueña el paria con la gloria de la pantalla chica, donde cualquier espantapájaros se transfigura en galán irresistible. Con tal de entrar en el olimpo donde los teledioses moran, algún infeliz ha sido capaz de pegarse un tiro ante las cámaras de un programa de entretenimientos. Últimamente, la llamada telebasura está teniendo, en unos cuantos países de América latina, tanto o más éxito que las telenovelas: la niña violada llora ante el periodista que la interroga como si la violara otra vez; este monstruo es el nuevo hombre elefante, miren, señoras y señores, no se pierdan este fenómeno increíble: la mujer barbuda busca novio; un señor gordo dice estar embarazado. Hace treinta y poco años, en Brasil, ya los concursos del horror convocaban multitudes de candidatos y ganaban enormes teleaudiencias: ¿Quién es el enano más bajito del país? ¿Quién es el narigón de nariz más larga, que la ducha no le moja los pies? ¿Quién es el desgraciado más desgraciado de todos? En los concursos de desgraciados, desfilaba por los estudios la corte de los milagros: la niña sin orejas, comidas por las ratas; el débil mental que había pasado treinta años encadenado a la pata de una cama; la mujer que era hija, cuñada, suegra y esposa del marido borracho que la había dejado inválida. Y cada desgraciado tenía su hinchada, que desde la platea gritaba, a coro:
-¡Ya ganó! ¡Ya ganó!”
― Eduardo Galeano, quote from Upside Down: A Primer for the Looking-Glass World
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The Yellow WorldBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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