Kerry Cohen · 210 pages
Rating: (9.5K votes)
“I don’t want to be in pain anymore. I want to be done, to be left unburdened and naked, to tear the hurt off my body like layers of clothes. At the end of the trail I stop and bend forward, hands on my knees, to catch my breath. I’m not healed, but for this moment, I’m better.”
― Kerry Cohen, quote from Loose Girl: A Memoir of Promiscuity
“He remains kind, but a feeling nags at me, staying with me long after I leave. And it's this: It doesn't matter what I did to him. He can choose to remain detached, untouched by me. Something I can't do back.”
― Kerry Cohen, quote from Loose Girl: A Memoir of Promiscuity
“I love the idea that a family doesn't need so much stuff to be whole, that perhaps there are other ways to feel full.”
― Kerry Cohen, quote from Loose Girl: A Memoir of Promiscuity
“I’ve been grasping at nothing, running in circles, trying desperately to fill the emptiness inside with nothing but air. If I think about it too much, I feel shame, so much shame. So I don’t.”
― Kerry Cohen, quote from Loose Girl: A Memoir of Promiscuity
“I begin to learn there are certain things I shouldn't tell her. Like when we meet boys at Dorrian's and I give mine a blow job, or the time I messed around with a boy in the back near the bathrooms. Amy wants to be intimate with boys too, but to her this kind of conduct is slutty. I suppose it is. She, like most girls, including the Jennifers, has a different relationship to boys than I do. She engages in sexual acts with them if she wants, but from my vantage point it looks like she can take them or leave them if they are not just right. She considers whether she actually likes someone before she jumps into bed with him. She isn't wracked with anxiety when there aren't any boys around. And she doesn't need them to live, which is what it feels like for me.”
― Kerry Cohen, quote from Loose Girl: A Memoir of Promiscuity
“It's just I'd rather sleep through the days so I'll be awake for the nights, when the boys are out.”
― Kerry Cohen, quote from Loose Girl: A Memoir of Promiscuity
“Artist colonies are notorious for breaking up marriages and housing affairs.”
― Kerry Cohen, quote from Loose Girl: A Memoir of Promiscuity
“I'm going to kiss you now, and then I'm going to fuck you because that's all I'm capable of right now. I need you so bad I can't be anything but rough. Then we'll clean each other and spend all night and tomorrow making love in my bed. Yeah?”
― quote from Becoming Noah Baxter
“Those whom the Gods wish to destroy, they first make bored.”
― Ian Fleming, quote from From Russia With Love
“Everybody was sorry. Sorry was easy. Sorry was for suckers.”
― Gretchen McNeil, quote from Possess
“We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for
Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved....
Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.”
― Slavoj Žižek, quote from The Parallax View
“in our culture, women can do anything a man can. and vice versa."
don alfonso's eyebrows shot up. "i do not believe it."
"it's true," sally said defiantly.
"in America, the women hunt while the men have babies?”
― Douglas Preston, quote from The Codex
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