Loose Girl: A Memoir of Promiscuity

I don’t want to be in pain anymore. I want to be done, to be left unburdened and naked, to tear the hurt off my body like layers of clothes. At the end of the trail I stop and bend forward, hands on my knees, to catch my breath. I’m not healed, but for this moment, I’m better.

He remains kind, but a feeling nags at me, staying with me long after I leave. And it's this: It doesn't matter what I did to him. He can choose to remain detached, untouched by me. Something I can't do back.

I love the idea that a family doesn't need so much stuff to be whole, that perhaps there are other ways to feel full.

I’ve been grasping at nothing, running in circles, trying desperately to fill the emptiness inside with nothing but air. If I think about it too much, I feel shame, so much shame. So I don’t.

I begin to learn there are certain things I shouldn't tell her. Like when we meet boys at Dorrian's and I give mine a blow job, or the time I messed around with a boy in the back near the bathrooms. Amy wants to be intimate with boys too, but to her this kind of conduct is slutty. I suppose it is. She, like most girls, including the Jennifers, has a different relationship to boys than I do. She engages in sexual acts with them if she wants, but from my vantage point it looks like she can take them or leave them if they are not just right. She considers whether she actually likes someone before she jumps into bed with him. She isn't wracked with anxiety when there aren't any boys around. And she doesn't need them to live, which is what it feels like for me.

It's just I'd rather sleep through the days so I'll be awake for the nights, when the boys are out.

Artist colonies are notorious for breaking up marriages and housing affairs.